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Âû çäåñü » Dexter Fan Club » Original » Dexter by Design (4)


Dexter by Design (4)

Ñîîáùåíèé 31 ñòðàíèöà 38 èç 38

31

THIRTY

THAT IS HOW EARLY NEXT MORNING I FOUND MYSELF standing at a small building on the outer edge of the runway at Miami International, clutching a passport in the name of David Marcey, and wearing what can only be called a leisure suit, green, with bright yellow matching belt and shoes. Next to me stood my associate director at Baptist Brethren International Ministries, the Reverend Campbell Freeney, in an equally hideous outfit and a big smile that changed the shape of his face and even seemed to hide some of the scars.

I am not truly a clothing-oriented person, but I do have some basic standards of sartorial decency, and the outfits we were wearing crushed them utterly and spat them into the dust. I had protested, of course, but Reverend Kyle had told me there was no choice. “Gotta look the part, buddy,” he said, and he brushed a hand against his red sport coat. “This is Baptist missionary clothing.”

“Couldn't we be Presbyterians?” I asked hopefully, but he shook his head.

“This is the pipeline I got,” he said, “and this is how we gotta do it. Unless you speak Hungarian?”

“Eva Gabor?” I said, but he shook his head.

“And don't try to talk about Jesus all the time, they don't do that,” he said. “Just smile a lot and be kind to everybody, and you'll be fine.” He handed me another piece of paper and said, “Here. This is your letter from Treasury to allow you to travel to Cuba for missionary work. Don't lose it.” He had been a fountain of a great deal more information in the few short hours between deciding he would take me to Havana and our dawn arrival at the airport, even remembering to tell me not to drink the water, which I thought was close to quaint.

I'd barely had time to tell Rita something almost plausible —that I had an emergency to take care of and not to worry, the uniformed cop would stay at her front door until I got back. And although she was quite smart enough to be puzzled by the idea of emergency forensics, she went along with it, reassured by the sight of the police cruiser parked in front of the house. Chutsky, too, had done his part, patting Rita on the shoulder and saying, “Don't worry, we'll take care of this for you.” Of course, this confused her even more, since she had not requested any blood spatter work, and if she had, Chutsky would not have been involved. But overall, it seemed to give her the impression that somehow vital things were being done to make her safe and everything would soon be all right, so she gave me a hug with minimal tears, and Chutsky led me away to the car.

And so we stood there together in the small building at the airport waiting for the flight to Havana, and after a short spell we were out the door and onto the runway, clutching our phony papers and our real tickets and taking our fair share of elbows from the rest of the passengers as we all scuttled onto the plane.

The airplane was an old passenger jet. The seats were worn and not quite as clean as they could have been. Chutsky —I mean Reverend Freeney —took the aisle seat, but he was big enough that he still crowded me over against the window. It would be a tight fit all the way to Havana, tight enough that I would have to wait for him to go to the restroom before I could inhale. Still, it seemed a small price to pay for bringing the Word of the Lord to the godless communists. After only a few minutes of holding my breath, the plane rattled and bumped down the runway and into the air, and we were on our way.

The flight was not long enough for me to suffer too much from oxygen deprivation, especially since Chutsky spent much of the time leaning into the aisle and talking to the flight attendant; within only about half an hour we were banking in over the green countryside of Cuba and thumping onto a runway that apparently used the same paving contractor as Miami International. Still, as far as I could tell the wheels did not actually fall off, and we rolled along up to a beautiful modern airport terminal —and rolled right past it until we finally came to a halt next to a grim old structure that looked like the bus station for a prison camp.

We trooped down off the plane on a rolling stairway, and crossed the tarmac into the squat grey building, and the inside was not a great deal more welcoming. Some very serious-looking uniformed men with mustaches stood around inside clutching automatic weapons and glaring at everyone. As a bizarre contrast, several television sets hung down from the ceiling, all playing what seemed to be a Cuban sitcom, complete with a hysterical laughter track that made its US counterpart sound bored. Every few minutes one of the actors would shout something I couldn't decipher, and a blast of music would rise up over the laughter.

We stood in a line that moved slowly toward a booth. I could see nothing at all on the far side of the booth and for all I knew they could be sorting us into cattle cars to take us away to a gulag, but Chutsky didn't seem terribly worried, so it would have been poor sportsmanship for me to complain.

The line inched ahead and soon, without saying a word to me, Chutsky stepped up to the window, and shoved his passport in through a hole at the bottom. I could not see or hear what was said, but there were no wild shouts and no gunfire and after a moment he collected his papers and vanished on the far side of the booth, and it was my turn.

Behind the thick glass sat a man who could have been the twin of the nearest gun-toting soldier. He took my passport without comment and opened it, looked inside, looked up at me, and then pushed it back to me without a word. I had expected some kind of interrogation -1 suppose I'd thought he might rise up and smite me for being either a capitalist running dog, or possibly a paper tiger and I was so startled at his complete lack of response that I stood there for a moment before the man behind the glass jerked his head at me to go, and I did, heading around a corner the way Chutsky had gone and into the baggage claim area.

“Hey buddy,” Chutsky said as I approached the spot he had staked out by the unmoving belt that would soon, I hoped, bring our bags out. “You weren't scared, were you?” I guess I thought it would be a little more difficult than that,” I said. I mean, aren't they kind of mad at us or something?” Chutsky laughed. I think you're gonna find out that they like you,” he said. “It's just your government they can't stand.” I shook my head. “Can they really separate them like that?”

“Sure,” he said. “It's simple Cuban logic” As nonsensical as that seemed, I had grown up in Miami and knew perfectly well what that was; Cuban logic was a running joke in the Cuban community, placed right before being Cubanaso in the emotional spectrum. The best explanation I'd ever had was from a professor in college. I'd taken a poetry course in the vain hope of learning to see into the human soul, since I don't have one. And the professor had been reading aloud from Walt Whitman —I still remembered the line, since it is so utterly human. “Do I contradict myself? Well then —I contradict myself. I am large. I contain multitudes.” And the professor had looked up from the book and said, “Perfect Cuban logic,” waited for the laughter to die down, and then gone back to reading the poem.

So, if the Cuban people disliked America and liked Americans, it involved no more mental gymnastics than I had seen and heard nearly every day of my life. In any case, there was a clatter, a buzzer blasted a loud note, and our baggage began to come out on the belt.

We didn't have a lot, just one small bag each —just a change of socks and a dozen bibles —and we wrestled the bags out past a female customs agent who seemed more interested in talking to the guard beside her than in catching us smuggling in weapons or stock portfolios.

She merely glanced at the bags and waved us through, without losing a syllable of her rapid-fire monologue. And then we were free, walking improbably out the door and into the sunshine outside. Chutsky whistled up a taxi, a grey Mercedes, and a man stepped out in grey livery and matching cap and grabbed our bags.

Chutsky said, “Hotel Nacional,” to the driver, he threw our bags in the trunk, and we all climbed in.

The highway into Havana was badly pock-marked, but it was very close to deserted. We saw only a few other cabs, a couple of motorcycles, and some army trucks moving slowly along, and that was it —all the way into the city. Then the streets suddenly exploded into life, with ancient cars, bicycles, crowds of people flowing over the sidewalks, and some very strange-looking buses that were pulled by diesel trucks. They were twice as long as an American bus, and shaped something like the letter “M” with the two ends going up like wings and then sloping down to a flat-roofed low spot in the middle.

They were all packed so full of people that it seemed impossible for anyone else to get on, but as I watched one of them stopped and sure enough, another clump of people crowded in.

“Camels” Chutsky said, and I stared at him curiously.

“Excuse me?” I said.

He jerked his head at one of the strange buses. “They're called camels” he said. “They'll tell you it's because of the shape, but my guess is it has to do with the smell inside at rush hour.” He shook his head. “You get 400 people inside there, coming home from work, no air conditioning and the windows don't open. Unbelievable.” It was a fascinating tidbit of information, or at least Chutsky apparently thought so, because he had nothing more profound to offer, even though we were moving through a city I had never seen before. But his impulse to be a tour guide was apparently dead, and we slid through traffic and onto a wide boulevard that ran along the water. High up on a cliff on the other side of the harbor I could see an old lighthouse and some battlements, and beyond that a black smudge of smoke climbing into the sky. Between us and the water there was a broad sidewalk and a sea wall. Waves broke on the wall, sending spray up into the air, but nobody seemed to mind getting a little wet. There were throngs of people of all ages sitting, standing, walking, fishing, lying and kissing on the sea wall. We passed some strange contorted sculpture, thumped over a rough patch of pavement, and turned left up a short hill. And then there it was, the Hotel Nacional, complete with its facade that would soon feature the smirking face of Dexter, unless we could find Weiss first.

The driver stopped his car in front of a grand marble staircase, a doorman dressed like an Italian admiral stepped up and clapped his hands, and a uniformed bellboy came running out to grab our bags.

“Here we are” said Chutsky, somewhat unnecessarily. The admiral opened the door and Chutsky climbed out. I was allowed to open my own door, since I was on the side away from the marble stairs. I did so, and climbed out into a forest of helpful smiles.

Chutsky paid the driver, and we followed the bellboy up the stairs and into the hotel.

The lobby looked like it had been carved out of the same block of marble as the stairs. It was somewhat narrow, but it stretched away past the front desk and vanished in the misty distance. The bellboy led us right up to the desk, past a cluster of plush chairs and a velvet rope, and the clerk at the desk seemed very glad to see us.

“Senor Freeney” he said, bowing his head happily. “So very good to see you again.” He raised an eyebrow. “Surely, you are not here for the art festival?” His accent was less than many I had heard in Miami, and Chutsky seemed very pleased to see him, too.

Chutsky reached across the counter and shook his hand. “How are you, Rogelio?” he said. “Nice to see you, too. I'm here to break in a new guy” He put his hand on my shoulder and nudged me forward, as if I was a sullen boy being forced to kiss Granny on the cheek. “This is David Marcey, one of our rising stars” he said. “Does a hell of a sermon.”

Rogelio shook my hand. I am very pleased to meet you, Senor Marcey.”

“Thank you” I said. “You have a very nice place here.” He gave a half-bow again and began to tap on a computer keyboard. I hope you will enjoy your stay” he said. “If Senor Freeney does not object, I will put you on the executive floor? That way you are closer to the breakfast.”

“That sounds very nice” I said.

“One room or two?” he said.

“I think just one this time, Rogelio” Chutsky said. “Gotta watch the old expense account this trip.”

“Of course” Rogelio said. He tapped out a few more quick key strokes and then, with a grand flourish, slid two keys across the desk. “Here you go” he said.

Chutsky put his hand on the keys and leaned in a little closer.

“One more thing, Rogelio” he said, lowering his voice. “We have a friend coming in from Canada” he said. “Name of Brandon Weiss.” He pulled the keys toward himself over the counter, and a twenty dollar bill lay on the counter where they had been. “We'd like to surprise him” he said. “It's his birthday” Rogelio flicked out a hand and the twenty dollar bill disappeared like a fly grabbed by a lizard. “Of course” he said. I will let you know immediately”

“Thanks, Rogelio” Chutsky said, and he turned away, motioning me to follow. I trailed along behind him and the bellboy with our bags, to the far end of the lobby, where a bank of elevators stood ready to whisk us up to the executive floor. A crowd of people dressed in very nice resort-wear stood waiting, and it may have been only my feverish imagination, but I thought they glared in horror at our missionary clothing. Still, there was nothing for it but to follow the script, and I smiled at them and managed to avoid blurting out something religious, possibly from Revelations.

The door slid open and the crowd surged into the elevator. The bellboy smiled and said, “Go ahead, sir, I follow in two minute” and the Right Reverend Freeney and I climbed in.

The doors closed. I caught a few more anxious glances at my shoes, but no one had anything to say, and neither did I. But I did wonder why we had to share a room. I hadn't had a roommate since college, and that hadn't really worked out very well. And I knew full well that Chutsky snored.

The doors slid open and we stepped out. I followed Chutsky to the left, to another reception area, where a waiter stood beside a glass cart. He bowed and handed us each a tall glass.

“What's this?” I asked.

“Cuban Gatorade” Chutsky said. “Cheers.” He drained his glass and put the empty down on the cart, so I allowed myself to be shamed into doing the same. The drink tasted mild, sweet, slightly minty, and I found that it did, indeed, seem to be kind of refreshing in the way that Gatorade is on a hot day. I put the empty down next to Chutsky's. He picked up another one, so I did, too. “Salad,” he said. We clinked glasses and I drank. It really did taste good, and since I'd had almost nothing to eat or drink in the scramble of getting to the airport, I let myself enjoy it.

Behind us the elevator doors slid open and our bellboy dashed out clutching our bags. “Hey, there you are” Chutsky said. “Let's see the room.” He drained his glass, and I did too, and we followed the bellboy down the hall.

About halfway down the hall I began to feel a little bit odd, as if my legs had suddenly been turned into balsa wood. “What was in that Gatorade?” I asked Chutsky.

“Mostly rum” he said. “What, you never had a mojito before?” I don't think so” I said.

He gave a short grunt that might have been intended as a laugh.

“Get used to it” he said. “You're in Havana now.” I followed him down the hall which had suddenly grown longer and a little brighter. I was feeling very refreshed now. But somehow I made it all the way to the room and through the door. The bellboy heaved our suitcases up onto a stand and flung open the curtains to reveal a very nice room, tastefully furnished in the classical style.

There were two beds, separated by a night stand, and a bathroom to the left of the room's door.

“Very nice” said Chutsky, and the bellboy smiled and gave him a half-bow. “Thanks” Chutsky said, and held out his hand with a ten dollar bill in it. “Thanks very much.” The bellboy took the money with a smile and a nod and promised that we only had to call and he would move heaven and earth to help fulfill our slightest whim, and then he disappeared out the door as I flopped face down onto the bed nearest the window. I chose that bed because it was closest, but it was also much too bright with the sun rocketing in through the window so aggressively, and I closed my eyes. The room did not spin, and I did not suddenly slip into unconsciousness, but it seemed like a very good idea to lie there for a while with my eyes closed.

“Ten bucks” Chutsky said. “That's what most of the people here make in a month. And boom-bah —he gets it for five minutes work.

He's probably got a PhD in astrophysics.” There was a short and welcome pause, and then Chutsky said, in a voice that seemed much farther away, “Hey, you all right buddy?”

“Never better” I said, and my voice was kind of far away, too.

“But I think I'll just take a nap for a minute.”

0

32

THIRTY-ONE

WHEN I WOKE UP THE ROOM WAS QUIET AND DARK AND my mouth was very dry. I fumbled around on the night stand for a moment until I found a lamp, and I switched it on. In its light I saw that Chutsky had closed the curtains and then gone out somewhere. I also saw a bottle of drinking water beside the lamp, and I grabbed it and ripped the top off, gratefully sucking down about half the bottle in one fell swoop.

I stood up. I was a little bit stiff from sleeping on my face, but other than that I felt surprisingly good, as well as hungry, which was not surprising. I went to the window and opened the curtains.

It was still bright daylight, but the sun had moved off to one side and calmed down a little, and I stood looking out at the harbor and the seawall and the large sidewalk that ran along beside it filled with people. None of them seemed in any hurry; they were strolling rather than going anywhere, and groups of them collected here and there for talking, singing, and, from what I could gather from some of the visible activity, advice to the lovelorn.

Farther out in the harbor a large inner tube bobbed in the swell, a man dangling through its center and holding what looked to be a Cuban yo-yo, which is a spool of fishing line with no reel or pole.

Farther still, just on the inside of the horizon, three large ships were steaming past, whether freighters or passenger liners I couldn't tell.

The birds wheeled above the waves, the sun sparkled off the water; all in all it was a beautiful sight, and it made me realize that there was absolutely nothing to eat at the window, so I found my room key on the bedside table and headed down to the lobby.

I found a very large and formal dining room on the far side of the elevators from the front desk, and tucked into a corner beside it was a dark wood-paneled bar. They were both very nice, but not really what I was looking for. The bartender told me, in perfect English, that there was a snack bar in the basement, down the stairs at the far side of the lobby, and I thanked him, also in perfect English, and headed for the stairs.

The snack bar was decorated in tribute to the movies, and I had a bad moment until I saw the menu and realized they served more than popcorn. I ordered a Cuban sandwich, naturally, and an Iron Beer, and sat at a table contemplating lights, camera and action with just a trace of bitterness. Weiss was somewhere nearby, or about to be, and he had promised to make Dexter a big star. I did not want to be a star. I much preferred toiling in shadowy obscurity, quietly compiling a record of flawless excellence in my chosen field. This would soon be utterly impossible unless I managed to stop Weiss, and since I was not really sure how I planned to do that it was a very distressing prospect. Still, the sandwich was good.

When I had finished eating I went back up the stairs and, on a whim, down the grand marble staircase and outside, to the front of the hotel, where a line of taxis stood guard. I walked aimlessly by them and up the long sidewalk, past a row of ancient Chevys and Buicks, and even a Hudson —I had to read the name off the front end. Several very happy-looking people leaned against the cars, and all of them were eager to take me for a ride, but I smiled my way past them and headed for the distant front gate. Beyond these was an untidy heap of what seemed to be golf carts with brightly colored plastic shells attached to them. Their drivers were younger and not quite so high-end as those attending the Hudson, but they were equally eager to prevent me from having to use my legs. But I managed to get through them as well.

At the gate I paused and looked around. Ahead of me was a crooked street that led past a bar or night club. To my right a road led downhill to the boulevard that ran along the seawall, and to my left, also down a hill, I could see what looked like a movie theater on the corner and a row of shops. As I was contemplating all this and trying to decide which way to go, a taxi stopped beside me, the window rolled down, and Chutsky called to me urgently from inside. “Get in” he said. “Come on, buddy. In the cab. Hurry up.” I had no idea why it was so important, but I climbed in and the cab took us on up to the hotel, turning right before the front door and pulling into a parking lot that butted up against one wing of the building.

“You can't be wandering around out front” Chutsky said. “If this guy sees you, the game's over.”

“Oh” I said, feeling slightly stupid. He was right, of course; but Dexter was so unused to daytime stalking that it had not occurred to me.

“Come on” he said, and he climbed out of the cab, holding a new leather briefcase. He paid the driver and I followed him in through a side door that led past a few shops and right to the elevators. We went straight up to our room with nothing else to say, until we got inside. Chutsky threw the briefcase on the bed, flung himself into a chair, and said, “Okay, we got some time to kill, and it's best to do it right here in the room.” He gave me a look that one might give to a very slow child and added, “So this guy doesn't know we're here.” He looked at me for a moment to see if I understood him and then, apparently figuring out that I did, he pulled out a battered little booklet and a pencil, opened the book, and began to do sudoku.

“What's in your briefcase?” I said, mostly because I was a little irritated.

Chutsky smiled, pulled the case toward him with his steel hook, and flipped it open. It was full of cheap souvenir percussion instruments, most of them stamped, “CUBA'.

“Why?” I asked him.

He just kept smiling. “You never know what might turn up” he said, and turned back to his no-doubt fascinating sudoku puzzle.

Left to my own devices, I pulled the other chair in front of the television, switched on, and watched Cuban sitcoms.

We sat there peacefully enough until very close to dusk. Then Chutsky glanced at the clock and said, “Okay, buddy, let's get going.”

“Going where?” I said.

He winked at me. “Meet a friend” he said, and he would say no more. He picked up his new briefcase and headed out the door. So even though it was a little bit disturbing to be winked at, I had no real choice, and I followed meekly along out of the room, out the hotel's side door again, and into a waiting taxi.

The streets of Havana were even busier in the fading light.

I rolled down my window to see, hear, and smell the city, and was rewarded by an ever-changing but never-stopping surge of music, seemingly coming from every door and window we passed, as well as from the many groups of musicians clustered on the street.

Their song rose and fell and mutated as we drove through the city, but somehow it always seemed to come back to the chorus of “Guantanamera'.

The cab followed a tortured path over rough cobbled streets, always through crowds of people singing, selling things and, strangely, playing baseball. I lost all sense of direction very quickly, and by the time the cab stopped at a barrier of large iron globes in the middle of the road I had no idea what direction we had come from. So I followed Chutsky up a side street, through a plaza, and into an intersection in front of what seemed to be a hotel. It was bright orange-pink in the light of the setting sun, and Chutsky led me in, past a piano bar and a number of tables spread with pictures of Ernest Hemingway that looked like they'd been painted by elementary school children.

Beyond these was an old-fashioned elevator cage at the far end of the lobby, and we went over to it and Chutsky rang the bell. As we waited I looked around me. Off to one side was a row of shelves containing merchandise of some kind and I wandered over for a look. There were ashtrays, mugs and other items, all containing a likeness of Ernest Hemingway, in this case done by someone a bit more skillful than the grade school artists.

The elevator arrived and I walked back. A massive grey iron gate slid open to reveal the inside, complete with a grim old man operating the controls. Chutsky and I got in. A few more people crowded in with us before the operator slid the iron gate shut and cranked the handle into the UP position. The cage lurched and we began to move slowly upward, until we reached the fifth floor. Then the elevator operator yanked the handle and we thumped to a stop.

“The room of Hemingway,” he said. He pulled the gate open and the rest of the people on board skittered out. I glanced at Chutsky, but he shook his head and pointed up, so I stood and waited until the gate slid shut again and we jerked our way up two more flights before staggering to a halt. The man slid the gate open and we stepped gratefully out into a small room, really no more than a roof over the elevator and the top of a flight of stairs. I could hear music playing nearby, and Chutsky, with a wave of his hand, led me out onto the roof and toward the music.

A trio was playing a song about ojos verdes as we walked around a trellis to where they were set up, three men in white pants and guayaberas. A bar was against the wall beyond them, and on the other two sides there was just the city of Havana spread out below us in the orange light of the setting sun.

Chutsky led the way to a low table with a cluster of easy chairs around it and he nudged his briefcase under the table as we sat down. “Pretty nice view, huh?” he said.

“Very pretty” I said. “Is that why we came here?”

“No, I told you” he said. “We're gonna meet a friend.” Whether he was kidding me or not, that was apparently all he was going to say on the subject. In any case, the waiter appeared at our table at that point. “Two mojitos” Chutsky said.

“Actually, I think I'll stick to beer”1 said, remembering my mojitoinduced nap a little earlier.

Chutsky shrugged. “Suit yourself” he said. “Try a Crystal, it's pretty good.”

I nodded at the waiter; if I could trust Chutsky for anything at all, I was pretty sure it would be beer selection. The waiter nodded back and went to the bar to get our drinks and the trio launched into “Guantanamera'.

We'd had no more than one sip of our drinks when I saw a man approaching our table. He was very short and dressed in brown slacks and a lime green guayabera, and he carried a briefcase that looked very much like Chutsky's.

Chutsky jumped up and held out his hand. “Ee-bangh!” he yelled, and it took me a moment to realize that Chusky was not experiencing a sudden attack of Tourette's syndrome, but only the Cuban pronunciation of the newcomer's name, Ivan. Ee-bangh held out his hand, too, and embraced Chutsky as they shook hands.

“Cahm-BEYL!” Ee-bangh said, and again it took a moment —this time because I hadn't really remembered that Chutsky was Reverend Campbell Freeney. By the time all the gears had meshed Ivan had turned to look at me with one raised eyebrow.

“Oh, hey” Chutsky said, “this is David Marcey. David, Ivan Echeverria.”

“Mucho gusto,” Ivan said, shaking my hand.

“Nice to meet you” I told him in English, since I was not sure whether “David” spoke any Spanish at all.

“Well, sit down” Chutsky said, and he waved at the waiter as Ivan sat. The waiter hurtled over to our table and took Ivan's order for a mojito, and when it arrived Chutsky and Ivan sipped and talked cheerfully in very rapid Cuban Spanish. I could probably have followed along if I had really worked at it, but it seemed like an awful lot of hard labor for what seemed to be a private conversation made up mostly of fond memories —and in truth, even if they had been discussing something far more interesting than What Happened That Time, I would have tuned it out; because it was full night now, and coming up over the rim of the roof was a huge, reddish-yellow moon, a bloated, simpering, blood-thirsty moon, and the first sight of it turned every inch of my skin into a chilled carpet of goose bumps, all the hairs on my back and arms stood up and howled, and running through every corridor of Castle Dexter was a small and dark footman carrying orders to every Knight of the Night to, “Go now and do it.” But of course it was not to be. This was not a Night of Letting Go; it was very unfortunately a Night of Clamping Down. It was a night to sip rapidly warming beer, pretend I could hear and enjoy the trio; a night to smile politely at Ee-bahng and wish it was all over and I could get back to being happy homicidal me in peace and tranquility. It was a night to endure, and hope that some day soon would find me with a knife in one hand and Weiss in the other.

Until then, I could only take a deep breath, a sip of beer, and pretend to enjoy the lovely view. Practice that winning smile, Dexter.

How many teeth can we show? Very good; now without teeth, just the lips. How far up can you make the corners of your mouth go before it looks like you are in very great internal pain?

“Hey, you all right, buddy?” Chutsky called. Apparently I had let my face stretch past Happy Smile and into Rictus.

“I'm fine” I told him. “Just, ah —fine, really”

“Uh-huh” he said, though he didn't look convinced. “Well, maybe we better get you back to the hotel.” He drained his glass and stood up, and so did Ivan. They shook hands, and then Ivan sat back down and Chutsky grabbed his briefcase and we headed for the elevator.

I looked back to see Ivan ordering another drink, and I raised an eyebrow at Chutsky.

“Oh” he said. “We don't want to leave together. You know, at the same time.”

Well, I suppose that made as much sense as anything else, since we were now apparently living in a spy movie, so I watched everyone else carefully, all the way down in the elevator, to make sure they weren't agents of some evil cartel. Apparently they weren't since we made it safely all the way down and into the street. But as we crossed the street to find a taxi we passed a horse and buggy waiting there, something I really should have noticed and avoided, because animals don't like me, and this horse reared up —even though he was old and tired and had been placidly chewing something in a nose bag. It was not a very impressive maneuver, hardly a John Wayne moment, but he did get both front feet off the ground and make a noise of extreme displeasure at me, which startled his driver nearly as much as it did me. But I hurried on by and we managed to get into a taxi without any clouds of bats swarming out to attack me.

We rode back to the hotel in silence. Chutsky sat with his briefcase on his lap and looked out the window, and I tried not to listen to that fat overwhelming moon. But that didn't work very well; it was there in every postcard view of Havana we drove through, always bright and leering and calling out wonderful ideas, and why couldn't I come out to play? But I could not. I could only smile back and say, Soon. It will be soon.

Just as soon as I could find Weiss.

0

33

THIRTY-TWO

WE GOT BACK TO OUR ROOM WITHOUT INCIDENT AND with no more than a dozen words between the two of us. Chutsky's lack of wordiness was proving to be a really charming personality trait, since the less he talked the less I had to pretend I was interested, and it saved wear on my facial muscles. And in fact, the few words he did say were so pleasant and winning that I was almost ready to like him. “Lemme put this in the room” he said, holding up the briefcase. “Then we'll think about dinner.” Wise and welcome words; since I would not be out in the wonderful dark light of the moon tonight, dinner would be a very acceptable substitute.

We took the elevator up and strolled down the hall to the room, and when we got inside, Chutsky put the briefcase carefully on the bed and sat beside it, and it occurred to me that he had brought it with us to the rooftop bar for no reason I could see, and was now being rather careful of it. Since curiosity is one of my few flaws, I decided to indulge it and find out why.

“What's so important about the maracas?” I asked him.

He smiled. “Nothing” he said. “Not a single damn thing.”

“Then why are you carrying them all over Havana?” He held the briefcase down with his hook and opened it with his hand. “Because” he said, “they're not maracas anymore.” And sliding his hand into the briefcase, he pulled out a very serious looking automatic pistol. “Hey presto” he said.

I thought of Chutsky lugging the briefcase all over town to meet Ee-bangh, who then came in with an identical briefcase —both of which were shoved under the table while we all sat and listened to “Guantanamera'.

“You arranged to switch briefcases with your friend” I said.

“Bingo.”

It does not rank among the smartest things I ever said, but I was surprised, and what came out of my mouth was, “But what's it for?”

Chutsky gave me such a warm, tolerant, patronizing smile that I would gladly have turned the pistol on him and pulled the trigger.

“It's a pistol, buddy” he said. “What do you think it's for?”

“Um, self-defense?” I said.

“You do remember why we came here, right?” he said.

“To find Brandon Weiss” I said.

“Find him?” Chutsky demanded. “Is that what you're telling yourself?

We're going to find him?” He shook his head. “We're here to kill him, buddy. You need to get that straight in your head. We can't just find him, we have to put him down. We've got to kill him. What'd you think we were going to do? Bring him home with us and give him to the zoo?”

I guess I thought that sort of thing was frowned on here” I said. I mean, this isn't Miami, you know.”

“It isn't Disneyland, either” he said, unnecessarily, I thought.

“This isn't a picnic, buddy. We're here to kill this guy, and the sooner you get used to that idea the better.”

“Yes, I know, but—”

“There ain't no but,” he said. “We're gonna kill him. I can see you have a problem with that.”

“Not at all” I said.

He apparently didn't hear me —either that or he was already launched into a pre-existing lecture and couldn't stop himself. “You can't be squeamish about a little blood” he went on. “It's perfectly natural. We all grow up hearing that killing is wrong.” It kind of depends on who, I thought, but did not say.

“But the rules are made by people who couldn't win without “em. And anyway, killing isn't always wrong, buddy” he said, and oddly enough he winked. “Sometimes it's something you have to do. And sometimes, it's somebody who deserves it. Because either a whole lot of other people will die if you don't do it, or maybe it's get him before he gets you. And in this case —it's both, right?” And although it was very odd to hear this rough version of my life-long creed from my sister's boyfriend, sitting on the bed in a hotel room in Havana, it once again made me appreciate Harry, both for being ahead of his time and also for being able to say all this in a way that didn't make me feel like I was cheating at Solitaire. But I still couldn't warm to the idea of using a gun. It just seemed wrong, like washing your socks in the baptismal font at church.

But Chutsky was apparently very pleased with himself. “Walther, nine millimeter. Very nice weapons.” He nodded and reached into the briefcase again and pulled out a second pistol. “One for each of us” he said. He flipped one of the guns to me and I caught it reflexively. “Think you can pull the trigger?” I do know which end of a pistol to hold onto, whatever Chutsky might think. After all, I grew up in a cop's house, and I worked with cops every day. I just didn't like the things —they are so impersonal, and they lack real elegance. But he had thrown it at me as something of a challenge, and on top of everything else that had happened, I was not about to ignore it. So I ejected the clip, worked the action one time, and held it out in the firing position, just like Harry had taught me. “Very nice” I said. “Would you like me to shoot the television?”

“Save it for the bad guy” Chutsky said. “If you think you can do it.” I tossed the gun on the bed beside him. “Is that really your plan?” I asked him. “We wait for Weiss to check into the hotel and then play OK Corral with him? In the lobby, or at breakfast?” Chutsky shook his head sadly, as if he had tried and failed to teach me how to tie my shoes. “Buddy, we don't know when this guy is going to turn up, and we don't know what he's going to do.

He may even spot us first.” He raised both eyebrows at me, as if to say, “Ha —didn't think of that, did you?”

“So we shoot him wherever we find him?”

“The thing is to just be ready, whatever happens” he said. “Ideally, we get him off someplace quiet and do it. But at least we're ready” He patted the briefcase with his hook. “Ivan brought us a couple of other things just in case, too.”

“Like landmines?” I said. “Maybe a flame-thrower?”

“Some electronic stuff” he said. “State-of-the-art stuff. For surveillance. We can track him, find him, listen in on him —with this stuff we can hear him fart from a mile away.” I really did want to get into the spirit of things here, but it was very hard to show any interest in Weiss's digestive process, and I hoped it wasn't absolutely essential for Chutsky's plan.

In any case his entire James Bond approach was making me uncomfortable. It may be very wrong of me, but I began to appreciate just how lucky I had been so far in life. I had managed very well with only a few shiny blades and a hunger —nothing state of the art, no vague plots, no huddling in foreign hotel rooms awash with uncertainty and fire power. Just happy, carefree, relaxing carnage. Certainly, it seemed primitive and even slapdash in the face of all this high-tech steel-nerved preparation, but it was at least honest and wholesome labor. None of this waiting around spitting testosterone and polishing bullets. Chutsky was taking all the fun out of my life's work.

Still, I had asked for his help, and now I was stuck with it. So there was really nothing to do but put the best possible face on things and get on with it. “It's all very nice”1 said, with an encouraging smile that did not even fool me. “When do we start?” Chutsky snorted and put the guns back in the briefcase. He held it up to me, dangling it from his hook. “When he gets here” he said.

“Put this in the closet for now.” I took the briefcase from him and carried it to the closet. But as I reached to open the door I heard a faint rustling of wings somewhere in the distance and I froze. What is it? I asked silently. There was a slight inaudible twitch, a raising of awareness, but no more.

So I reached in the briefcase and got my ridiculous gun, holding it at the ready as I reached for the closet's door knob. I opened the door —and for a moment I could do nothing but stare into the unlit space and wait for an answering darkness to spread protective wings over me. It was an impossible, surreal, dream-time image —but after staring at it for what seemed like an awfully long time, I had to believe it was true.

It was Rogelio, Chutsky's friend from the front desk, who was going to tell us when Weiss checked in. But it certainly didn't look like he was going to tell us much of anything, unless we listened to him through a Ouija board. Because if appearances were any guide at all, judging by the belt so tightly wrapped around his neck and the way his tongue and eyes bulged out, Rogelio was extremely dead.

“What is it, buddy?” Chutsky said.

I think Weiss has already checked in” I said.

Chutsky lumbered up from the bed and over to the closet. He stared for a moment and then said, “Shit.” He reached his hand in and felt for a pulse —rather unnecessarily, I thought, but I suppose there's a protocol for these things. He felt no pulse, of course, and mumbled, “Fucking shit.” I didn't see how repetition would help, but of course, he was the expert, so I just watched as he slid a hand into each of Rogelio's pockets in turn. “His pass key” he said. He put that into his pocket. He turned out the usual junk —keys, a handkerchief, a comb, some money. He looked carefully at the cash for a moment.

“Canadian twenty here” he said. “Like somebody tipped him for something, huh?”

“You mean Weiss?” I said.

He shrugged. “How many homicidal Canadians you know?” It was a fair question. Since the NHL season had ended a few months ago, I could only think of one —Weiss.

Chutsky pulled an envelope out of Rogelio's jacket pocket.

“Bingo” he said. “Mr B Weiss, room 865.” He handed the envelope to me. “I'm guessing it's complimentary drink tickets. Open it up.” I peeled back the flap and pulled out two oblongs of cardboard.

Sure enough: two complimentary drinks at the Cabaret Parisien, the hotel's famous cabaret. “How did you guess?” I said.

Chutsky straightened up from his ghoulish search. I fucked up” he said. “When I told Rogelio it was Weiss's birthday, all he could think was to make the hotel look good, and maybe pick up a tip.” He held up the Canadian twenty dollar bill. “This is a month's pay” he said. “You can't blame him.” He shrugged. “So I fucked up, and he's dead. And our ass is deep in the shit.” Even though he had clearly not thought through that image, I got his point. Weiss knew we were here, we had no idea where he was or what he was up to, and we had a very embarrassing corpse in the closet.

“All right” I said, and for once I was glad to have his experience to lean on —which was assuming, of course, that he had experience at fucking up and finding strangled bodies in his closet, but he was certainly more knowledgeable about it than I was. “So what do we do?”

Chutsky frowned. “First, we have to check his room. He's probably run for it, but we'd look really stupid if we didn't check.” He nodded at the envelope in my hand. “We know his room number, and he doesn't necessarily know that we know. And if he is there then we have to, what'd you call it, play OK Corral on his ass.”

“And if he's not there?” I said, because I, too, had the feeling that Rogelio was a farewell gift and Weiss was already sprinting for the horizon.

“If he's not in his room” Chutsky said, “and even if he is in his room and we take him out —either way, I'm sorry to say it, buddy, but our vacation is over.” He nodded at Rogelio. “Sooner or later they find this, and then it's big trouble. We gotta get the hell out of Dodge.”

“But what about Weiss?” I said. “What if he's already gone?” Chutsky shook his head. “He's got to run for his life, too,” he said. “He knows we're after him, and when they find Rogelio's body somebody will remember them together -1 think he's already gone, heading for the hills. But just in case, we gotta check his room. And then beat feet out of Cuba, muy rapido!

I had been terribly afraid he would have some high-tech plan for getting rid of Rogelio's body, like dipping it in laser solution in the bathtub, so I was very relieved to hear that for once he was speaking sound common sense. I had seen almost nothing of Havana except the inside of a hotel room and the bottom of a mojito glass, but it was clearly time to head for home and work on Plan B. “All right” I said. “Let's go.” Chutsky nodded. “Good man” he said. “Grab your pistol.” I took the cold and clunky thing and shoved it into the waistband of my pants, pulling the awful green jacket over it, and as Chutsky closed the closet door I headed for the hallway.

“Put the Do Not Disturb sign on the door” he said. An excellent idea, proving that I was right about his experience. At this point it would be very awkward to have a maid come in to wash the coat hangars. I hung the sign on the door knob and Chutsky followed me out of the room and down the hallway to the stairs.

It was very, very strange to feel myself stalking something in the brightly lit hall, no moon churning through the sky over my shoulder, no bright blade gleaming with anticipation, and no happy hiss from the dark back seat as the Passenger prepared to take the wheel; nothing at all except the lump-thump of Chutsky's feet, the real one and the metal one alternating, and the sound of our breathing as we found the fire door and climbed up the stairs to the eighth floor.

Room 865, just as I had guessed, overlooked the front of the hotel, a perfect spot for Weiss to place his camera. We stood outside the door quietly while Chutsky held his pistol with his hook and fumbled out Rogelio's pass key. He handed it to me, nodded at the door, and whispered, “One. Two. Three.” I shoved the key in, turned the door knob, and stepped back as Chutsky rushed into the room with his gun held high, and I followed along behind, self-consciously holding my pistol at the ready, too.

I covered Chutsky as he kicked open the bathroom door, then the closet, and then relaxed, tucking the pistol back into his pants.

“And there it is” he said, looking at the table by the window. A large fruit basket sat there, which I thought was a little ironic, considering what Weiss was known to do with them. I went over and looked; happily, there were no entrails or fingers inside. Just some mangos, papayas, and so on, and a card that said, “Feliz Navidad. Hotel Nacional.” A somewhat standard message; nothing at all out of the ordinary. Just enough to get Rogelio killed.

We looked through the drawers and under the bed, but there was nothing at all there. Aside from the fruit basket, the room was as empty as the inside of Dexter on the shelf marked “soul'.

Weiss was gone.

0

34

THIRTY-THREE

AS FAR AS I KNOW, I HAVE NEVER SAUNTERED. To BE completely honest, I doubt very much that I have even strolled, but sauntering is far beyond me. When I go somewhere, it is with a clear purpose in mind and although I hesitate to sound boastful, more often than not I tend to stride.

But after leaving Weiss's empty hotel room and stepping into the elevator, Chutsky spoke as he stuffed the guns back into the briefcase and impressed upon me the importance of looking casual, unhurried and unworried, to such an extent that as we stepped into the lobby of the Hotel Nacional, I believe I actually did, in fact, saunter. I am quite sure that's what Chutsky was doing, and I hoped I looked more natural at it than he did —of course, he had one artificial foot to deal with, so perhaps I really did look better.

In any case, we sauntered through the lobby, smiling at anyone who bothered to glance at us. We sauntered out the door, down the front steps and over to the man in the admiral's uniform, and then sauntered behind him to the curb as he called up the first taxi in the row of waiting cars. Our slow and happy meanderings continued inside the cab, because Chutsky told the driver to take us to El Morro Castle. I raised an eyebrow at him, but he just shook his head and I was left to puzzle it out for myself. As far as I knew there was no secret tunnel out of Cuba from El Morro. It was one of the most crowded tourist destinations in Havana, absolutely overrun with cameras and the scent of sunscreen. But I tried to think like Chutsky for a moment —which is to say, I pretended to be a conspiracy buff and after only a moment of reflection, I got it.

It was precisely the fact that it was a popular tourist spot that led Chutsky to tell the driver to take us there. If the worst happened, and I had to admit that's the way things were going right now, then our trail would end there, in a crowd, and tracking us down would be just a little bit harder.

So I sat back and enjoyed the ride and the splendid moonlit view and the idea that I had absolutely no idea where Weiss would go now and what he would do next. I found some comfort in thinking that he probably didn't know, either, but not enough to make me really happy.

Somewhere this same soothing glow of happy laughing light from a pale moon was shining on Weiss. And perhaps it whispered the same terrible, wonderful things into his inner ear —the sly and smiling ideas for things to do tonight, now, very soon -1 had never felt such a strong pull on the tidal pool of Dexter Beach from such a paltry moon. But there it was, its soft chortles and chuckles filling me with such a static charge that I felt like I had to burst into the darkness and slash the first warm-blooded biped I could find. It was probably just the frustration of missing Weiss again, but it was very strong, and I chewed my lip all the way up the road to El Morro.

The driver let us out by the entrance to the fortress, where a great crowd swirled about waiting for the evening show, and a number of vendors had set up their carts. An elderly couple in shorts and Hawaiian shirts climbed into the cab as we got out and Chutsky stepped over to one of the vendors and bought two cold green cans of beer. “Here you go, buddy” he said, handing me one. “Let's just stroll down this way.”

First sauntering and now strolling —all in one day. It was enough to make my head spin. But I strolled, I sipped my beer, and I followed Chutsky about a hundred yards to the far end of the crowd. We stopped once at a souvenir cart and Chutsky bought a couple of T-shirts with a picture of the lighthouse on the front, and two caps that said “CUBA” on the front. Then we strolled on to the end of the pavement. When we got there he took a casual look around, threw his beer can into a trash barrel, and said, “All right. Looks good.

Over here.” He moved casually toward an alley between two of the old fort buildings and I followed.

“Okay” I said. “Now what?” He shrugged. “Change” he said. “Then we go to the airport, get the first flight out, no matter where it's going, and head for home.

Oh —here” he said. He reached inside the briefcase and pulled out two passports. He flipped them open and handed me one, saying, “Derek Miller. Okay?”

“Sure, why not. It's a beautiful name.”

“Yeah, it is” he said. “Better than Dexter.”

“Or Kyle” I said.

“Kyle who?” He held up his new passport. “It's Calvin” he said.

“Calvin Brinker. But you can call me Cal.” He started taking things out of his jacket pockets and transferring them to his pants. “We need to lose the jackets now, too. And I wish we had time for a whole new outfit. But this will change our profile a little. Put this on” he said, handing me one of the T-shirts and a cap. I slipped out of my awful green jacket, quite gratefully, really, and the shirt I had on as well, quickly pulling on my brand new wardrobe. Chutsky did the same, and we stepped out of the alley and stuffed the Baptist missionary outfits into the trash.

“Okay” he said, and we headed back to the far end, where a couple of taxis were waiting. We hopped into the first one, Chutsky told the driver, “Aeropuerto Jose Marti” and we were off.

The ride back to the airport was pretty much the same as the ride in. There were very few cars, except for taxis and a couple of military vehicles, and the driver treated it like an obstacle course between pot holes. It was a little tricky at night, since the road was not lit, and he didn't always make it, and several times we were bounced severely, but we got to the airport eventually without any life-threatening injuries. This time the cab dropped us at the beautiful new terminal, instead of the Gulag building where we had come in.

Chutsky went straight to the screen showing departures.

“Cancun, leaving in thirty-five minutes” he said. “Perfect.”

“And what about your James Bond briefcase?” I asked, thinking it might be a slight inconvenience at security, since it was loaded with guns and grenade launchers and who knew what.

“Not to worry” he said. “Over here.” He led the way to a bank of lockers, shoved in a few coins, and stuffed the briefcase inside. “All right” he said. He slammed the locker shut, took the key, and led the way to the AeroMexico ticket counter, pausing on the way to drop the locker's key into a trash bin.

There was a very short line, and in no time at all we were buying two tickets to Cancun. Sadly, there were no vacancies outside of First Class, but since we were fleeing from the repression of a communist state I thought the extra expense was justified, even poetically fitting.

The nice young woman told us they were boarding now and we must hurry, and we did, pausing only to show our passports and pay an exit tax, which was not as bad as it sounds, since I had expected a little more difficulty with the passports, frankly, and when there was none, I didn't mind paying the tax, no matter how ridiculous the idea seemed.

We were the last passengers to board, and I am sure the flight attendant would not have smiled so pleasantly if we were flying coach. But we even got a glass of champagne to thank us for being wonderful enough to arrive late in First Class, and as they closed and locked the cabin door and I began to think we might really get away, I found that I actually enjoyed the champagne, even on an empty stomach.

I enjoyed it even more when we were finally up in the air, wheels up, and headed for Mexico, and I probably would have had more when we landed in Cancun after our short flight, but the flight attendant didn't offer me any. I suppose my First Class status had worn off somewhere along the line, leaving just enough to earn me a polite smile as we left the plane.

Inside the terminal, Chutsky went to arrange the rest of our trip home, and I sat in a shiny restaurant and ate enchiladas. They tasted like airport food everywhere else I had ever had it —a bland and strange approximation of what they were supposed to taste like, and bad, but not so clinically vile that you could demand your money back. It was hard work, but I had finished them by the time Chutsky got back with our tickets.

“Cancun to Houston, Houston to Miami” he said, handing me a ticket. “We'll get in around seven a.m.” After spending most of the night in molded plastic chairs, I can't remember a time when my home town looked quite so welcoming as when the rising sun lit up the runway and the plane finally landed and rolled up to the Miami International terminal. I was warmed by that special feeling of homecoming as we fought our way through the hysterical and often violent crowd and out to get a shuttle to long term parking.

I dropped Chutsky at the hospital to reunite with Deborah, at his request. He climbed out of the car, hesitated, and then stuck his head back in the door. “I'm sorry it didn't work out, buddy” he said.

“Yes” I said. “So am I.”

“You let me know if I can help out any way to finish this thing” he said. “You know —if you find the guy and you're feeling squeamish, I can help.”

Of course, that was the one thing I was certainly not feeling squeamish about, but it was such a thoughtful gesture on his part to offer to pull the trigger for me, I just thanked him. He nodded, said, I mean it” and then closed the car door and limped on into the hospital.

I headed home against the rush hour traffic, making fairly good time, but still arriving too late to see Rita and the kids. So I consoled myself with a shower, a change of clothes, and then a cup of coffee and some toast before heading back across town to work.

It was no longer full rush hour, but as always there was still plenty of traffic, and in the stop-and-go on the turnpike I had time to think, and I didn't like what I came up with. Weiss was still at large, and I was reasonably sure that nothing had happened to make him change his mind about me and move on to somebody else. He was still after me, and he would find some other way, soon, either to kill me or make me wish he had. And as far as I could tell, there was nothing I could do about it except wait —wait either for him to do something, or for some wonderful idea to fall out of the sky and hit me on the head.

Traffic wound to a stop. I waited. A car roared past on the shoulder of the road, blasting its horn, and several other cars blasted back, but no ideas fell on me. I was just stuck in traffic, trying to get to work, and waiting for something awful to happen. I suppose that is a terrific description of the human condition, but I had always thought I was immune, since I am not technically human.

Traffic lurched forward. I crawled slowly past a flatbed truck that was pulled off onto the grass beside the road. The hood of the truck was up. Seven or eight men in dingy clothes sat on the bed of the truck. They were waiting, too, but they seemed a little happier about it than I was. Maybe they weren't being pursued by an insane homicidal artist.

Eventually I made it into work, and if I had been hoping for a warm welcome and a cheery hello from my co-workers I would have been bitterly disappointed. Vince Masuoka was in the lab and glanced up at me as I came in. “Where have you been?” he said, in a tone of voice that sounded like he was accusing me of something terrible.

“Fine, thanks” I said. “Very glad to see you, too.”

“It's been crazy around here” Vince said, apparently without hearing me at all. “The migrant worker thing, and on top of that yesterday some douche bag killed his wife and her boyfriend.”

“I'm sorry to hear it” I said.

“He used a hammer, and if you think that was fun ...” he said.

“Doesn't sound like it” I said, mentally adding, except for him.

“Could have used your help” he said.

“It's nice to be wanted” I said, and he looked at me with disgust for a moment before turning away.

The day didn't get much better. I ended up at the site where the man with the hammer had given his little party. Vince was right —it was an awful mess, with the now-dried blood spattered across two and a half walls, a couch, and a large section of formerly beige carpet.

I heard from one of the cops on the door that the man was in custody; he'd confessed and said he didn't know what came over him. It didn't make me feel any better, but it's nice to see justice done once in a while, and the work took my mind off Weiss for a while. It's always good to stay busy.

But it didn't drive away the bad feeling that Weiss would probably think so, too.

0

35

THIRTY-FOUR

I DID STAY BUSY, AND WEISS DID, TOO. With CHUTSKY'S help, I learned that he had taken a flight to Toronto that left Havana just about the time we arrived at the Havana airport.

But what he did after that no amount of computer snooping could uncover. A small voice inside me was stuttering hopefully that maybe he would give up and stay home, but this little voice was answered by a large and very loud bray of laughter from most of the other voices inside me.

I did the very few small things I could think of; I ran some Internet searches that technically I should not have been able to do, and I managed to find a little bit of credit card activity, but all of it in Toronto. This led me to Weiss's bank, which was easy enough to make me a little bit indignant: shouldn't people guarding our sacred money be a little bit more careful about it? Weiss had made a cash withdrawal of a few thousand dollars, and then that was it. No activity at all for the next few days.

I knew that the cash withdrawal would somehow turn into bad news for me, but beyond that I could think of no way to turn that certainty into any kind of specific threat. In desperation, I went back to his YouTube page. Shockingly, the whole “New Miami” motif was completely gone, as were all the little thumbnail film boxes. Instead, the background was a dull grey and there was a rather horrible picture, a nasty-looking nude male body, with the privates partially hacked off. Underneath it was written, “Schwarzkogler was just the beginning. The next step is on the way” Any conversation that starts with, “Schwarzkogler was just the beginning” is not going anywhere that a rational being could possibly want to go. But the name sounded vaguely familiar to me and, of course, I could not possibly leave a potential clue unexamined, and so I did my due diligence and ran a Google check.

The Schwarzkogler in question turned out to be Rudolf, an Austrian who considered himself an artist, and in order to prove it he reportedly sliced his penis off a little bit at a time and took photographs of the process. This was such an artistic triumph that he continued his career, until his masterpiece finally killed him. And I remembered as I read it that he had been an icon of the group in Paris who had so brilliantly given us “Jennifer's Leg'.

I don't know much about art, but I like hanging on to my body parts. So far even Weiss had proven to be stingy with his limbs, in spite of my best efforts. But I could see that this whole artistic movement would have a very definite aesthetic appeal to him, particularly if he took it one step further, as he said he was doing. It made sense; why create art with your own body, when you can do the same thing with someone else's and it won't hurt? And your career would last a lot longer,, too. I applauded his great common sense, and I had a very deep feeling that I was going to see the next step in his artistic career sometime soon, and someplace far too close to Dexter the Philistine.

I checked the YouTube page several more times over the next week, but there was no change, and the rhythm of a very busy week at work began to make it all seem like an unpleasant memory.

Things at home were no easier; a cop was still waiting at our door when the kids came home, and although most of them were very nice, their presence added to the strain. Rita got a little bit distant and distracted, as though she was perpetually waiting for an important long distance telephone call, and this caused her usually excellent cooking to suffer. We had leftovers twice in one week previously unheard of in our little house. Astor seemed to pick up on the weirdness and, for the only time since I had known her, she got relatively silent, sitting in front of the TV with Cody and watching all her favorite DVDs over and over, with no more than two or three words at a time for the rest of us.

Cody, oddly enough, was the only one showing any kind of animation. He was very eagerly looking forward to his next Cub Scout meeting, even though it meant wearing his dreaded uniform shorts. But when I asked him why he'd had a change of heart, he admitted it was only because he was hoping the new den leader might turn up dead, too, and this time he might see something.

So the week dragged on, the weekend was no relief, and Monday morning came around again as it almost always seems to do. And even though I brought a large box of doughnuts into work, Monday had nothing much to offer me in return, either, except more work.

A drive-by shooting in Liberty City took me out onto the hot streets for several unnecessary hours. A sixteen-year-old boy was dead, and it was obvious from one quick look at the blood pattern that he had been shot from a moving vehicle. But “obvious” is never enough for a police investigation, so there I was sweating under the hot sun and doing things that came perilously close to physical labor, just so I could fill out the correct forms.

By the time I got back to my little cubby at headquarters I had sweated away most of my artificial human covering and I wanted nothing more out of life than to take a shower, put on some dry clothes, and then possibly slice up somebody who thoroughly deserved it. Of course, that led my slowly chugging train of thought straight down the track to Weiss, and with nothing else to do except admire the feel and smell of my own sweat, I checked his YouTube page one more time.

And this time there was a brand new thumbnail waiting for me at the bottom of the page.

It was labeled, “Dexterama!” There wasn't any realistic choice in the matter. I clicked on the box.

There was an unfocused blur, and then the sound of trumpets that led into noble-sounding music that reminded me of high school graduation. Then a series of pictures; the “New Miami” bodies, intercut with reaction shots from people seeing them, as Weiss's voice came in, sounding like a wicked version of a newsreel announcer.

“For thousands of years” he intoned, “terrible things have happened to us ...” and there were some close-up shots of the bodies and their plastic-masked faces. “And man has asked the same question: why am I here? For all that time, the answer has been the same ...” A close-up of a face from the crowd at Fairchild Gardens, looking puzzled, confused, uncertain, and Weiss's voice coming over it in dopey tones. I dunno ...” The film technique was very clumsy, nothing at all like the earlier stuff, and I tried not to be too critical —after all, Weiss's talents were in another area, and he had lost his two partners who were good at editing.

“So man has turned to art” Weiss said with artificially solemn breathlessness, and there was a picture of a statue with no arms and legs. “And art has given us a much better answer ...” Close-up of the jogger finding the body on South Beach, followed by Weiss's famous scream.

“But conventional art can only take us so far” he said. “Because using traditional methods like paint and stone create a barrier between the artistic event and the experience of art. And as artists we have to be all about breaking down barriers.” Picture of the Berlin Wall falling as a crowd cheers.

“So, guys like Chris Burden and David Neruda began to experiment and make themselves the art —one barrier down! But it's not enough, because to the average audience member” another dopey face from the crowd, “there's no difference between a lump of clay and some crazy artist; the barrier is still there! Bummer!” Then Weiss's face came on screen; the camera jiggled a little, as if he was positioning the camera as he talked. “We need to get more immediate. We need to make the audience part of the event, so the barrier disappears. And we need better answers to the bigger questions. Questions like, “What is truth? What is the threshold of human agony? And most important...” and here the screen showed that awful loop of Dexter Dumping Doncevic into the white porcelain tub, “what would Dexter do —if he became part of the art, instead of being the artist?” Here there was a new scream —it was muffled, but it sounded tantalizingly familiar; not Weiss's, but something I had heard before, although I couldn't place it, and Weiss was back on screen, smiling slightly and glancing over his shoulder. “At least we can answer that last one, can't we?” he said. And he picked up the camera, twirled it around off his face and onto a twitching heap in the background. The heap swam into focus and I realized why the scream had sounded familiar.

It was Rita.

She lay on her side with her hands tied behind her and her feet bound at the ankles. She squirmed furiously and made another loud and muffled sound, this time one of outrage.

Weiss laughed. “The audience is the art” he said. “And you're going to be my masterpiece, Dexter.” He smiled, and even though it was not an artificial smile, it was not particularly pretty, either. “It's going to be an absolute ... art-stravaganza” he said. And then the screen went dark.

He had Rita —and I know very well that I should have leapt up, grabbed my squirrel gun, and charged into the tall pine screaming a war cry —but I felt a curious calmness spread over me, and I simply sat there for a long moment, wondering how he'd taken her and what he would do to her, before I finally realized that, one way or another, I really did have to do something. And so I started to take a large breath to get me out of the chair and through the door.

But I had time for only one small breath, not even enough to get one foot on the floor, when a voice came from close behind me .

“That's your wife, right?” said Detective Coulter.

After I peeled myself from the ceiling I turned and faced him.

He stood just inside the door, several feet away, but close enough that he must have seen and heard everything. There was no way to dodge his question.

“Yes” I said. “That's Rita.” He nodded. “That looked like you, with the guy in the bathtub.”

“That, I...” I stammered. I don't think so.” Coulter nodded again. “That was you” he said. And since I had nothing to say and didn't want to hear myself stammer again, I just shook my head. “You going to just sit there, guy got your wife?” he said. I was just about to get up” I said.

Coulter cocked his head to one side. “You get the feeling this guy doesn't like you or something?” he said.

“It's starting to look like that” I admitted.

“Why do you think that is?” he said.

I told you. I hurt his boyfriend” I said, which sounded very weak, even to me.

“Yeah, that's right” Coulter said. “The guy that disappeared. You still don't know where he went, do you?”

“No, I don't” I said.

“You don't” he said, cocking his head. “Because that wasn't him in the bathtub. And it wasn't you standing over him with a saw.”

“No, of course not.”

“But this guy maybe thinks it was, cuz it looks like you” he said, “so he took your wife. Kind of a trade thing, right?”

“Detective, I don't know where the boyfriend is, really” I said.

And it was true, considering tide, current, and the habits of marine scavengers.

“Huh” he said, and he put an expression on his face that I assumed was meant to look thoughtful. “So he just decides to, what? Make your wife into some kind of art, right? Because ...?”

“Because he's crazy?” I said hopefully. And that was true, too, but that didn't mean that Coulter would be impressed.

Apparently, he wasn't. “Uh-huh” he said, looking a little dubious. “He's crazy. That would make sense, right.” He nodded, like he was trying to convince himself. “Okay, so we got a crazy guy, and he's got your wife. And so what now?” He raised his eyebrows at me with a look that said he hoped I might come up with something really helpful.

I don't know” I said. I guess I should report this.”

“Report it” he said, nodding his head. “Like to the police. Because last time when you didn't do that I spoke harshly to you on the subject.”

Intelligence is generally praised as a good thing, but I really have to admit that I had liked Coulter a lot more when I thought he was a harmless idiot. Now that I knew he was not, I was caught between the urge to be very careful what I said to him and an equally powerful desire to break my chair over his head. But good chairs are expensive; caution won.

“Detective” I said. “This guy has my wife. Maybe you've never been married—”

“Twice” he said. “It didn't work.”

“Well, it works for me” I said. “I'd like to get her back in one piece.”

He stared at me for a very long moment before he finally said, “Who is this guy? I mean, you know.”

“Brandon Weiss” I said, not sure where this was going.

“That's just his name” he said. “Who the fuck is he?” I shook my head, not truly sure what he meant, and even less sure that I wanted to tell him.

“But this is the guy that, you know. Did all those fancy dead body displays that the governor was pissed off about?”

“I'm pretty sure he did” I said.

He nodded and looked at his hand, and it occurred to me that there was no Mountain Dew bottle hanging from it. The poor man must have run out.

“Be a good thing to nail this guy” he said.

“Yes, it would” I said.

“Make all kinds of people happy” he said. “Good for the career.” I suppose so” I said, wondering if perhaps I should have hit him with the chair after all.

Coulter clapped his hands. “All right” he said. “Let's go get him.” It was a wonderful idea, very decisively delivered, but I saw one small problem with it. “Go where?” I said. “Where has he taken Rita?” He blinked at me. “What? He told you” he said.

I don't think so” I said.

“Come on, you don't watch public television?” he said, sounding like I had committed some kind of crime with small animals.

“Not very much” I admitted. “The kids have outgrown Barney.”

“They been running promos for it for three weeks” he said. “The Art-stravaganza.”

“The what?”

“The Art-stravaganza, at the Convention Center” he said, starting to sound like the promo. “Over 200 cutting edge artists from across North America and the Caribbean, all under one roof.” I could feel my mouth moving in a game attempt to make words, but nothing came out. I blinked and tried again, but before I could make any sound at all, Coulter jerked his head at the door and said, “Come on. Let's go get “em.” He took one step backward. “Afterwards we can talk about why that looks like you with the guy in the tub.” This time I actually got both of my feet on the floor, together, ready to propel me up and out —but before I could take it any further my cell phone rang. Out of habit more than anything else, I answered it. “Hello” I said.

“Mr Morgan?” a tired young female voice asked.

“Yes” I said.

“This is Megan? At the after-school program? That, you know, um, with Cody? And Astor?”

“Oh, yes” I said, and a new alarm began to clatter on the main floor of my brain.

“It's like five after six?” Megan said. “And I gotta go home now?

“Cause I have my accounting class tonight? Like, at seven?”

“Yes, Megan” I said, “how can I help you?”

“Like I said? I need to go home?” she said.

“All right” I said, wishing I could reach through the telephone and fling her away to her house.

“But your kids?” she said. I mean, your wife never came for them? So they're here? And I'm not supposed to go if there are kids here?”

It seemed like a very good rule —especially since it meant that Cody and Astor were both all right, and not in Weiss's clutches. “I'll come get them” I said. “I'll be there in twenty minutes.” I snapped the telephone shut and saw Coulter looking at me expectantly. “My kids” I said. “Their mother never picked them up, and now I have to.”

“Right now?” he said.

“Yes.”

“So you're gonna go get them?”

“That's right.”

“Uh-huh” he said. “You still want to save your wife?” I think that would be best” I said.

“So you'll get the kids and come for your wife” he said. “And not, like, try to leave the country or anything.”

“Detective” I said, I want to get my wife back.” Coulter looked at me for a long moment. Then he nodded. “I'll be at the Convention Center” he said, and turned around and walked out the door.

0

36

THIRTY-FIVE

THE PARK WHERE CODY AND ASTOR WENT AFTER SCHOOL each day was only a few minutes from our house, but it was the far side of town from my office, and so it was a bit more than twenty minutes before I finally got there. Since it was rush hour traffic, I suppose you could say it was lucky that I got there at all. But I had plenty of time to reflect on what might be happening to Rita, and I found to my surprise that I actually hoped she was all right. I was just starting to get used to her. I liked having her cooking every night, and certainly I could not manage both kids on a full time basis and still have the freedom to blossom in my chosen career —not yet, not for a few more years, when they had both been trained.

So I hoped that Coulter had taken reliable back-up, and that they would have Weiss tucked away and Rita secured, perhaps sipping coffee and wrapped in a blanket, like on television.

But that brought up an interesting point, one that filled the rest of my otherwise pleasant drive through the homicidal homeward bound crowd with genuine worry. Suppose they did have Weiss all safely cuffed and mirandized? What would happen when they started to ask him questions? Things like, why did you do it? And more importantly, why did you do it to Dexter? What if he had the very poor taste to answer them truthfully? So far he had showed an appalling willingness to tell everyone all about me, and although I am not particularly shy, I would rather keep my real accomplishments hidden from the public eye.

And if Coulter added the things Weiss might blather to what he already suspected from seeing the video, things might get very unhappy in Dexterville.

It would have been a much better thing if I had been able to confront Weiss by myself —settle things amicably, mano a mano —or possibly cuchillo a cuchillo —and solve the problem of Weiss's urge to communicate by feeding my Passenger. But I'd had no real choice in the matter —Coulter had been there and heard it, and I'd had to go along. After all, I was a law-abiding citizen -1 really was, technically speaking; I mean, innocent until proven guilty in a court of law, right?

And it was looking more and more like it would come down to a court of law, starring Dexter in an orange jumpsuit and leg irons, which I could not look forward to at all —orange is a very bad color for me. Of course, being accused of murder would really be a major roadblock to my true happiness. I don't have any illusions about our legal system; I see it on the job every day, and I am quite sure that I could beat it, unless they actually catch me in the act, on film, in front of a bus filled with US senators and nuns. But even an open accusation would put me under the kind of scrutiny that would spell an end to my playtime activities, even if I was found to be completely innocent. Just look at poor OJ; once he was under suspicion, it was bound to end up badly.

But what could I do about it? My options were very limited.

I could either let Weiss talk, in which case I was in trouble, or stop him from talking —in which case, exact same result. There was no way around it. Dexter was in deep, and the tide was rising.

It was therefore a very thoughtful Dexter who finally pulled up at the community hall at the park. Good old Megan was still there, holding Cody and Astor by the hand, and hopping from one foot to the other in her anxiety to be rid of them and off into the exciting world of accounting class. They all seemed happy to see me, in their own individual ways, which was so gratifying that I forgot all about Weiss for three or four full seconds.

“Mr Morgan?” Megan said. I really gotta go.” And I was so stunned to hear her complete a sentence that was not a question, I merely nodded and pried Cody and Astor's hands from hers. She skittered away to a small beat-up Chevy and raced off into the evening traffic.

“Where's Mom?” Astor demanded.

I am sure there is a caring and sensitive and very human way to tell children that their mother is in the clutches of a homicidal monster, but I did not know what it was, so I said, “That bad guy has her. The one that crashed into your car.”

“The one I got with a pencil?” Cody asked me.

“That's right” I said.

I hit him in the crotch” Astor said.

“You should have hit him harder” I said. “He's got your mom.” She made a face at me that showed she was deeply disappointed in my dorkiness. “Are we going to go get her?”

“We're going to help” I said. “The police are there now.” They both looked at me like I was crazy. “The policeV.” Astor said.

“You sent the policelV

“I had to come get you two” I said, surprised to find myself on the defensive all of a sudden.

“So you're going to let this guy go, and he'll just go to jail?” she demanded.

I had to” I said, and suddenly I felt like I really was in court and I had already lost. “One of the cops found out, and I had to come get you.”

They exchanged one of their silent but very meaningful looks, and then Cody looked away. “Are you taking us with you now?” Astor asked.

“Uh” I said, and it really didn't seem fair to have first Coulter and now Astor reduce honey-tongued Dashing Dexter to monosyllabic idiocy in the same day, but there it was. Things being what they were —exceedingly unpleasant and uncertain —I had not really thought this through. Of course I could not take them with me to corner Weiss. I knew that his whole performance was aimed at me, and it would not really start until I got there, if he could help it; I could not be certain that Coulter had him cornered, and it would be far too dangerous.

As if she heard me thinking it, Astor said, “We already beat him once.”

“He wasn't expecting anything from you then” I said. “This time he will be.”

“This time we'll have more than a pencil” Astor said, and the cool ferocity she said it with absolutely warmed my heart —but it was still out of the question.

“No” I said. “It's too dangerous.” Cody muttered, “Promise” and Astor rolled her eyes in an epic fashion and blew out a matching breath.

“You keep saying we can't do anything,” she said. “Not until you teach us. And we say go ahead and teach us, and we don't do anything. And now when we have a chance to really learn something real you say it's too dangerous.”

“It is too dangerous” I said.

“Then what are we supposed to do while you go doing something dangerous?” she demanded. “And what if you don't save Mom and you both never come back?” I looked at her, and then at Cody. She was glaring at me with her lower lip quivering, while he settled for a stony-faced expression of contempt, and once again the best I could manage was to open my mouth soundlessly a few times.

And that is how I ended up driving to the Convention Center, going slightly faster than the speed limit, with two very excited children in the back seat. We got off 1-95 at 8th Street and headed over to the Convention Center on Brickell. There was a lot of traffic and no place to park —apparently, a lot of other people had been watching public television and were aware of the Art-stravaganza.

Under the circumstances, it seemed a little silly to waste time looking for a parking spot, and just as I decided to park on the sidewalk police-style, I saw what had to be Coulter's motor-pool car, and I pulled up onto the walk beside it and slapped my Department placard on the dashboard and turned to face Cody and Astor.

“Stay with me” I said, “and don't do anything without asking me first.”

“Unless it's an emergency” Astor said.

I thought about how they'd done so far in emergencies; pretty good, in fact. Besides, it was almost certainly all over by now. “All right” I said. “If it's an emergency.” I opened the car door. “Come on” I said.

They didn't budge.

“What?” I said.

“Knife” Cody said softly.

“He wants a knife” Astor said.

“I'm not giving you a knife,” I said.

“But what if there is an emergency?” Astor demanded. “You said we could do something if there's an emergency but then you won't let us have anything to do it with!”

“You can't wander around in public holding a knife” I said.

“We can't go totally defenseless” Astor insisted.

I blew out a long breath. I was reasonably sure that Rita would be safe until I got there, but at this rate, Weiss would die of old age before I found him. So I opened the glove compartment and took out a Phillips head screwdriver and handed it to Cody. After all, life is all about compromise. “Here” I said. “That's the best I can do.”

Cody looked at the screwdriver and then looked at me.

“It's better than a pencil” I said. He looked at his sister, and then he nodded. “Good” I said, reaching once again to open the door.

“Let's go.”

This time they followed me, up across the sidewalk and to the main entrance of the big hall. But before we got there Astor stopped dead.

“What is it?” I asked her.

I have to pee” she said.

“Astor” I said. “We have to get moving here.” I have to pee really bad” she said.

“Can't it wait five minutes?”

“No” she said, shaking her head vigorously. I gotta go now.” I took a very deep breath and wondered if Batman ever had this problem with Robin. “All right” I said. “Hurry.” We found the restroom over to one side of the lobby and Astor hurried in. Cody and I just stood and waited. He changed his grip on the screwdriver a few times, and finally settled for the more natural blade-forward position. He looked at me for approval, and I nodded, just as Astor came out again.

“Come on” she said. “Let's go.” She breezed past us toward the door to the main hall and we followed. A doughy man with large glasses wanted to collect fifteen dollars from each of us to let us enter, but I showed him my police credentials. “What about the kids?” he demanded.

Cody started to raise his screwdriver, but I motioned him back.

“They're witnesses” I said.

The man looked like he wanted to argue, but when he saw the way Cody was holding the screwdriver, he just shook his head. “All right” he said with a very large sigh.

“Do you know where the other officers went?” I asked him.

He just kept shaking his head. “There's only one officer that I know of” he said, “and I am quite sure I would know if there were more, since they all think they can just parade past me without paying.” He smiled to show that he really did mean it as an insult, and beckoned us forward into the hall. “Enjoy the show.” We went into the hall. There were actually several booths showing things that were recognizable as art —sculpture, paintings, and so on. But there were many more that really seemed to be working a little too hard at stretching the boundaries of the human experience into new frontiers of perception. One of the very first we saw was nothing more than a pile of leaves and twigs with a faded beer can lying beside it. Two more featured multiple TV monitors; one showed a fat man sitting on a toilet, the other an airplane flying into a building. But there was no sign of Weiss, Rita or Coulter.

We walked down to the far end of the hall and turned, glancing up each aisle as we passed. There were many more interesting and horizon-expanding displays, but none of them involved Rita. I began to wonder if I had been wrong to think Coulter was secretly smart.

I had blindly accepted his statement that Weiss would be here —but what if he was wrong? What if Weiss was somewhere else, happily carving up Rita, while I looked at art that merely added depth and understanding to a soul that I really didn't have?

And then Cody stopped in his tracks and slowly came up on point. I turned to see what he was looking at, and I came to a point, too.

“Mom” he said.

And it was.

0

37

THIRTY-SIX

A CROWD OF ABOUT A DOZEN PEOPLE HAD GATHERED IN the far corner of the room, beneath a flat-screen TV monitor that had been mounted to the wall. On the monitor was a close-up of Rita's face. She had a gag pulled between her teeth, but her eyes were as wide open as they could possibly be and she was tossing her head from side to side in terror. Before I could do anything but lift a foot, Cody and Astor were already plunging ahead to save their mother.

“Wait!” I called to them, but they did not, so I hurried after them, scanning frantically for Weiss. The Dark Passenger was completely quiet, silenced by my near-panicked concern for Cody and Astor, and in my rapidly skittering imagination Weiss was waiting to jump out at them from behind every easel, ready to lurch out from under every table, and I did not like rushing to meet him blind and sweating, but the children running to Rita left me no choice at all. I went faster, but they were already pushing through the small crowd to their mother's side.

Rita was bound as well as gagged and strapped down to a table saw. The blade was whirling between her ankles, and the implication was clear that some very bad person was ready and willing to push her forward toward the shiny teeth of the saw. A sign taped to the front side of the table said, “Who Can Save Our Nell?” and below that, in block letters, “PLEASE DO NOT DISTURB THE PERFORMERS'.

Around the edge of the space ran a model train, towing a series of flat cars with a sign propped up on them that said, “The Future Of Melodrama'.

And finally I saw Coulter —but it was not a happy and reassuring sighting. He was propped up in a corner, head lolling to one side.

Weiss had put an old-fashioned conductor's hat on his head, and a heavy electric cable was attached to his arms by large, jumper-cable clips. A sign was propped in his lap: “SEMI-CONDUCTOR'. He was not moving, but I could not tell if he was dead or merely unconscious, and considering the circumstances finding out was not high on my list.

I pushed into the crowd, and as the model train went by again I heard Weiss's patented pre-recorded scream played in a taped loop that repeated every few seconds.

I still could not see Weiss —but as I reached the crowd the image on the TV monitor changed —to my face. I spun frantically, searching for the camera, and found it, mounted on a pole on the far side of the exhibit's space. And before I could spin back around again, I heard a whistling sound and a loop of very heavy fishing line whipped tight around my neck. As things started to go dark and whirly I had only a moment to appreciate the bitter irony that he was using a fishing line noose, one of my own techniques; the phrase “my own petard” trundled through my brain, and then I was on my knees and stumbling dreadfully forward in the direction of Weiss's exhibit.

With a noose that tight around your neck, it's really quite remarkable how quickly you lose interest in everything and slide into a dim region of distant sounds and dark lights. And even though I felt the pressure slacken slightly, I couldn't raise enough interest to use the looseness to get free. I slumped on the floor, trying to remember how to breathe, and from far away I heard a woman's voice saying, “That isn't right —stop them!” And I was mildly grateful that someone was going to stop them until the voice went on, “Hey, you kids! It's an art exhibit! Get away from there!” And it filtered through to me that somebody wanted to stop Cody and Astor from ruining the piece by saving their mother.

Air came in through my throat, which suddenly felt sore and much too big; Weiss had let go of the noose and picked up his camera. I took a ragged breath and managed to focus one eye on his back as he began to pan across the crowd. I took another breath; pain raced through my throat, but it felt pretty good, and enough light and thought came back with the breath that I managed to get up on one knee and look around.

Weiss was pointing the camera at a woman on the edge of the crowd —the woman who had scolded Cody and Astor for interfering.

She was fifty-ish, dressed very stylishly, and she was still yelling at them to back away, leave it alone, somebody call security, and happily for us all the kids were not listening. They had freed Rita from the table, although her hands were still bound, and the gag was still wedged into her mouth. I stood up —but before I could take more than a half-step toward them, Weiss grabbed my leash again and pulled tight, and I went back into the midnight sun.

Dimly, from very far away, I heard scuffling, and the line around my throat went slack again as Weiss said, “Not this time you little shit!” There was a smacking sound and a small thump, and as a little light came back into my world I saw Astor lying on the floor and Weiss struggling to take the screwdriver away from Cody. I raised a hand to my neck and scrabbled feebly at the line, and got it loose enough to take a huge breath, which was probably the right thing to do, but nonetheless caused a fit of the most painful coughing I have ever experienced, so very choked and dry that the lights went out again.

When I could breath again, I opened my eyes to see that Cody was on the floor next to Astor, on the far side of the exhibit space beyond the table saw, and Weiss stood over them with the screwdriver in one hand and his video camera in the other. Astor's leg twitched, but other than that they did not move. Weiss stepped toward them and raised the screwdriver, and I lurched drunkenly up to my feet to stop him, knowing I could never get there in time and feeling all the darkness drain out of me and puddle around my shoes at the thought of my helplessness.

At the last possible second, as Weiss stood gloating over the small still bodies of the children and Dexter leaned forward with horrible slowness, Rita stumbled forward into the picture —hands still tied, mouth still gagged, but feet fast enough to bring her charging into Weiss, slamming him with a deadly hip that sent him twirling sideways, away from the children, and straight at the table saw. And as he staggered upright she bumped him again, and this time his feet tangled together and he fell, the arm holding his camera flailing out protectively to keep him from falling onto the spinning saw blade. And he almost succeeded —almost.

Weiss's hand slapped the table on the far side of the blade, but the force of his fall brought all his weight down, and with a grinding whine an explosive red mist shot into the air as Weiss's forearm, hand still clutching the camera, came off altogether and thumped onto the model train track at the edge of the crowd. The spectators gasped and Weiss stood slowly upright, staring at the stump of his arm as the blood pumped out. He looked at me and tried to say something, shook his head and stepped toward me, and looked at his rapidly squirting stump again, and then came another step toward me. And then, almost like he was walking down a flight of invisible stairs, he walked slowly down onto his knees and knelt there, swaying, only a few feet away from me.

Paralyzed by my fight with the noose and my fear for the children and above all the sight of that awful wet nasty viscous horrible blood pouring out and onto the floor, I simply stood there as Weiss looked up at me one last time. His lips moved again, but nothing came out and he shook his head slowly, carefully, as if he was afraid that it, too, might fall off and onto the floor. With exaggerated care he locked his eyes onto mine and very carefully, very distinctly, he said, “Take lots of pictures.” And he smiled a faint and very pale smile and pitched face forward into his own blood.

I took a step back as he fell and looked up; on the TV screen the model train chugged forward and slammed into the camera still clutched in the hand at the end of Weiss's severed arm. The wheels churned for a moment, and then the train fell over.

“Brilliant” said the stylish old lady in the front of the crowd.

“Absolutely brilliant.”

0

38

EPILOGUE

THE EMERGENCY MEDICS IN MIAMI ARE VERY GOOD, partly because they get so much practice. But alas, they did not manage to save Weiss. He was very nearly bled out by the time they got to his side, and at the urging of a frantic Rita the meds spent a crucial two more minutes looking at Cody and Astor as Weiss slipped away down the long dark slope into the pages of art history.

Rita hovered anxiously while the EMS guys got Cody and Astor to sit up and look around. Cody blinked and tried to reach for his screwdriver, and Astor immediately started to complain about how rotten the smelling salts smelled, so I was reasonably sure they were going to be all right. Still, they almost certainly had minor concussions, which gave me a warm feeling of family togetherness; so young, and already following in my footsteps. So the two of them were sent off to the hospital for twenty-four hours of observation, “just to be safe'. Rita went along, of course, to protect them from the doctors.

When they were gone, I stood and watched as the two EMS techs shook their heads over Weiss and then moved on over to Coulter. I was still feeling a little woozy from my time in Weiss's noose, and a little strange at the way things had wobbled away from me so quickly. Normally I am Dexter on the Spot, at the center of all important action, and to have so much death and destruction all around me and not be a crucial part of it didn't seem right. Two whole bodies, and me no more than an observer with the vapors, fainting on the outskirts of the drama like a Victorian maiden.

And Weiss: he actually looked peaceful and content. Extremely pale and dead, too, of course, but still —what could he be thinking?

I had never seen such an expression on the face of the dear departed, and it was a bit unsettling. What did he have to feel happy about? He was absolutely, certifiably dead, and that did not seem to me like anything that should inspire good cheer.

Maybe it was just a trick of the facial muscles settling into death.

Whatever it was, my pondering was interrupted by a hurried scuffle behind me and I turned around.

Special Agent Recht came to a halt a few feet away and stood looking at the carnage with a face locked rigidly into a professional mask, even though it did not hide the shock, or the fact that she was rather pale. Still, she didn't faint or throw up, so I thought she was well ahead of the game.

“Is that him?” she said in a voice as tightly locked as her face. She cleared her throat before I could answer and added, “Is that the man who attempted to kidnap your children?”

“Yes” I said, and then, showing that my giant brain was at last swimming back to the controls, I anticipated the awkward question and said, “My wife was sure that's him, and so were the kids.” Recht nodded, apparently unable to take her eyes off Weiss. “All right” she said. I couldn't tell what that meant, but it seemed like an encouraging sign. I hoped it meant that the FBI would lose interest in me now. “What about him?” Recht said, nodding toward the back of the exhibit where the EMS guys were finishing their examination of Coulter.

“Detective Coulter got here before me” I said.

Recht nodded. “That's what the guy on the door says” she said, and the fact that she had asked about that was not terribly comforting, so I decided that a few careful dance steps might be called for.

“Detective Coulter” I said carefully, as if fighting for control and I have to admit that the rasp remaining in my voice from the noose was very effective —“He got here first. Before I could ... I think he —he gave his life to save Rita.” I thought that sniffling might be overkill so I held back, but even I was impressed with the sound of the manly emotion in my voice.

Alas, Special Agent Recht was not. She looked again at Coulter's body, and at Weiss's, and then at me. “Mr Morgan” she said, and there was official doubt in her voice. But then she just shook her head and turned away.

In a sane and well-ordered universe, any ruling deity would have said that was enough for one day. But things being what they are, it was not, because I turned around to leave and bumped directly into Israel Salguero.

“Detective Coulter is dead ?” he asked, sliding a step back without blinking.

“Yes” I said. “Urn, before I got here.” Salguero nodded. “Yes” he said. “That's what the witnesses said.” On the one hand, it was very good news that the witnesses said that, but on the other, it was very bad that he had already asked them, since it meant his first concern was: Where was Dexter when the bodies began to fall ? And so, thinking that some grand, emotional flummery might save the day, I looked away and said, I should have been here.”

There was such a long silence from Salguero that I finally had to turn back and look at him, if only to make sure he had not drawn his weapon and pointed it at my head. Happily for Dexter's Dome, he had not. Instead, he was just looking at me with his completely detached and emotionless gaze. I think it is probably a very good thing that you were not here” he said at last. “Good for you, and your sister, and the memory of your father.”

“Urn ...?” I said, and it is a testament to Salguero's savvy that he knew exactly what I meant.

“Apart from these gallery-goers, there are now no witnesses ...” He paused and gave me a look very much like what you might see if cobras ever learn to smile. “No surviving witnesses” he said, “to anything that happened, in any of these ... circumstances.” He made a slight movement of his shoulders that was probably a shrug. “And so ...” He did not finish the sentence, letting it dangle so it might mean, “and so I will kill you myself” or, “and so I will simply arrest you” or even, “and so that's the end of it.” He watched me for a moment and then repeated, “And so,” this time so that it sounded like a question. Then he nodded and turned away, leaving me with the image of his bright and lidless gaze burned into my retina.

And so.

That was, happily, just about the last of it. There was a minor bit of excitement provided by the stylish lady from the front of the crowd, who turned out to be Dr Elaine Donazetti, a very important figure in the world of contemporary art. She pushed her way through the perimeter and began taking Polaroids, and had to be restrained and led away from the bodies. But she used the pictures and some of the video tape Weiss had made and published a series of illustrated articles that made Weiss semi-famous with the people who like that sort of thing. So, at least he got his last request for pictures. It's nice when things work out, isn't it?

Detective Coulter was just as lucky. Department gossip told me that he had been passed over for promotion, twice, and I suppose he thought he could jump-start his career by making a dramatic arrest single-handed. And it worked! The department decided it needed some good publicity out of this whole dreadful mess, and Coulter was all they had to work with. So he was promoted posthumously for his heroism in single-handedly almost saving Rita.

Of course, I went to Coulter's funeral. I love the ceremony, the ritual, the outpouring of all that rigid emotion, and it gave me a chance to practice some of my favorite facial expressions —solemnity, noble grief, and compassion, all rarely used and in need of a workout.

The whole department was there, in uniform, even Deborah.

She looked very pale in her blue uniform, but after all, Coulter had been her partner, at least on paper, and honor demanded that she attend. The hospital fussed, but she was close enough to being released anyway that they didn't stop her from going. She did not cry, of course —she had never been nearly as good at hypocrisy as I was. But she looked properly solemn when they lowered the coffin into the ground, and I did my best to make the same kind of face.

I thought I did it rather well, too —but Sergeant Doakes did not agree. I saw him glaring at me from the ranks, as if he thought I had personally strangled Coulter, which was absurd; I had never strangled anyone. I mean, a little noose play now and then, but all in good fun —I don't like that kind of personal contact, and a knife is so much cleaner. Of course, I had been very pleased to see Coulter pronounced dead and Dexter therefore off the hook, but I'd had nothing at all to do with it. As I said, it's just nice when things work out, isn't it?

Life staggered back onto its feet and lurched into its old routines once again. I went to work, Cody and Astor went to school, and two days after Coulter's funeral Rita went to a doctor's appointment.

That night after she tucked the children in she settled down beside me on the couch, put her head on my shoulder and pried the remote control out of my hands. She turned the TV off and sighed a few times, and finally, when I was mystified beyond endurance, I said, “Is something wrong?”

“No” she said. “Not wrong at all. I mean, I don't think so. If you don't, um, think so.”

“Why would I think so?” I said.

I don't know” she said, and she sighed again. “It's just, you know, we never talked about it, and now ...”

“Now what?” I said. It was really too much; after all I had gone through, to have to endure this kind of circular non-conversation, and I could feel my irritation level rising rapidly.

“Now, just” she said. “The doctor says I'm all right.”

“Oh” I said. “That's good.”

She shook her head. “In spite of” she said. “You know.”

I didn't know, and it didn't seem fair that she expected me to know, and I said so. And after a great deal of throat-clearing and stammering, when she finally told me, I found that I lost the power of speech just as she had, and the only thing I could manage to say was the punchline of a very old joke that I knew was not the right thing to say, but I could not stop it and it came out anyway, and as if from a great distance, I heard Dexter's voice calling out: You're going to have a WHAT?!

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