TWO

PERFECTION WAS IN A SMALL AND SHADOWED STREET NOT too far from the Seine, in what Rita breathlessly informed me was the Rive Gauche, and it took the form of a storefront performance space called Realite. We had hurried through dinner —even skipping dessert! —in order to get there at 7.30, as the flyer had urged.

There were about two dozen people inside when we got there, clustered together in small groups in front of a series of flat-screen TV monitors mounted on the walls. It all seemed very gallery-like, until I picked up one of the brochures. It was printed in French, English and German. I skipped ahead to the English and began to read.

After only a few sentences I felt my eyebrows climbing up my forehead. It was a manifesto of sorts, written with a clunky passion that did not translate well, except possibly into German. It spoke of expanding the frontiers of art into new areas of perception, and destroying the arbitrary line between art and life drawn by the archaic and emasculated Academy.

Even though some pioneering work had been done by Chris Burden, Rudolf Schwarzkogler, David Nebreda and others, it was time to smash the wall and move forward into the twenty-first century. And tonight, with a new piece called Jennifer's Leg, we were going to do just that.

It was all extremely passionate and idealistic, which I have always found to be a very dangerous combination, and I would have found it a little funny —except that Someone Else was finding it so, more than a little; somewhere deep in the dungeons of Castle Dexter I heard a soft and sibilant chuckle from the Dark Passenger, and that amusement, as always, heightened my senses and brought me up on point. I mean, really; the Passenger was enjoying an art exhibit?

I looked around the gallery with a different sort of awareness. The muted whispering of the people clustered by the monitors no longer seemed to be the hush of respect toward art. Now I could see an edge of disbelief and even shock in their near-silence.

I looked at Rita. She was frowning as she read, and shaking her head. “I've heard of Chris Burden, he was American,” she said. “But this other one, Schwarzkogler?” She stumbled over the name —after all, she had been studying French all this time, not German. “Oh,” she said, and began to blush. “It says he, he cut off his own—” She looked up at the people around the room, staring silently at something or other on the screens. “Oh my God,” she said.

“Maybe we should go,” I suggested, as my inner friend's amusement climbed steadily up the scale.

But Rita had already moved to stand in front of the first screen, and as she saw what it showed her mouth dropped open and began to twitch slightly, as if she was trying and failing to pronounce a very long and difficult word. “That's, that's, that's—” she said.

And a quick look at the screen showed that Rita was right again: it really was.

On the monitor a video clip showed a young woman dressed in an archaic stripper's costume of bangles and feathers. But instead of the kind of sexually provocative pose the outfit might have called for, she stood with one leg up on the table and, in a short and soundless loop of about fifteen seconds, she brought a whirring table saw down on her leg and threw her head back, mouth wide open in anguish. Then the clip jumped back to the start and she did the whole thing again.

“Dear God,” Rita said, shaking her head. “That's, that's some kind of trick photography. It has to be.” I was not so sure. In the first place, I had already been tipped off by the Passenger that something very interesting was going on here.

And in the second place, the expression on the woman's face was quite familiar to me from my own artistic endeavors. It was genuine pain, I was quite sure, real and extreme agony —and yet, in all my extensive research I had never before encountered someone willing to inflict this much of it on themselves. No wonder the Passenger was having a fit of the giggles. Not that I found it funny; if this sort of thing took hold I would have to find a new hobby.

Still, it was an interesting twist, and I might have been more than willing to look at the other video clips under ordinary circumstances.

But it did seem to me that I had some kind of responsibility toward Rita, and this was clearly not the sort of thing she could see and still maintain a sunny outlook. “Come on,” I said. “Let's go get some dessert.”

But she just shook her head and repeated, “It has to be a trick,” and she moved on to the next screen.

I moved with her and was rewarded with another fifteen second loop of the young woman in the same costume. In this one she actually appeared to be removing a chunk of flesh from her leg. Her expression here moved into dumb and endless agony, as if the pain had gone on long enough that she was used to it, but it still hurt.

Strangely enough, this expression reminded me of the face of the woman at the end of a movie Vince Masuoka had shown at my bachelor party -1 believe it was called Frat House Gang Bang. There was a gleam of I showed you” satisfaction showing through the fatigue and the pain as she looked down at the six-inch patch between her knee and her shin where all the flesh was peeled off to reveal the bone.

“Oh my God,” Rita murmured. And for some reason she continued to the next monitor.

I do not pretend to understand human beings. For the most part I try to maintain a logical outlook on life, which is usually a real disadvantage in trying to figure out what people really think they're doing. I mean, as far as I could tell, Rita truly was as sweet and pleasant and optimistic as Rebecca of Sunnybrook Farm. The sight of a dead cat beside the road could move her to tears.

And yet here she was, methodically moving through an exhibit that was clearly far worse than anything she had ever imagined. She knew that the next clip would be more of the same, graphic and appalling beyond belief. And yet, instead of sprinting for the exit she was calmly wanting more.

More people drifted in, and I watched them go through the same process of recognition and shock. The Passenger was clearly enjoying things, but to be perfectly truthful I was beginning to think that the whole affair was wearing a little thin. I couldn't really get into the spirit of the event and gain any sense of fun from the audience's suffering. After all, where was the point? Okay, Jennifer cut off pieces of her leg. So what? Why bother inflicting enormous pain on yourself when sooner or later Life would certainly get around to doing it for you? What did it prove? What happened next?

Still, Rita seemed determined to make herself as uncomfortable as possible, moving relentlessly from one video loop to the next.

I could think of nothing else to do but follow along in her wake, nobly enduring as she repeated, “Oh, God. Oh my God,” at each new horror.

At the far end of the room, the largest clump of people stood looking at something on the wall that was angled so that we could only see the metal edge of the frame. It was clear from their faces that this was a real doozy, the climax of the show, and I was a little impatient to get to it and get things over with, but Rita insisted on seeing every clip along the way first.

Each one showed the woman doing ever more dreadful things to her leg, until finally, in the last one, a slightly longer clip which showed her sitting still and staring down at her leg, there was nothing left but smooth white bone between her knee and her ankle. The flesh on the foot was left intact, and looked very odd at the end of the pale length of bone.

Even odder was the expression on Jennifer's face, a look of exhausted and triumphant pain that said she had clearly proved something. I glanced again at the program, but I found nothing to say what that something was.

Rita had no apparent insight either. She had fallen into a numb silence, and simply stared at the final clip, watching it three times before shaking her head a last time and moving on as if hypnotized to where the larger group of people stood clustered around the Something in the metal frame at the far end of the room.

It proved to be by far the most interesting piece in the exhibit, the real clincher as far as I was concerned, and I could hear the Passenger chuckling agreement. Rita, for the first time, was unable even to muster another repeat of “Oh my God'.

Mounted on a square of raw plywood and set in a steel frame was Jennifer's leg bone. The whole thing this time, including everything from the knee down.

“Well,” I said. “At least we know for sure it isn't trick photography”

“It's a fake,” Rita asserted, but I don't think she believed it.

Somewhere outside in the bright lights of the world's most glamorous city the church bells were striking the hour. But inside the little gallery there was very little glamour at that moment, and the bells sounded unusually loud —almost loud enough to cover another sound, the sibilance of a small familiar voice letting me know that things were about to get even more interesting, and because I have learned that this voice is almost always right, I turned around to look.

Sure enough, the plot was thickening even as I glanced at the front of the room. As I watched, the door swung open and with a rustle of spangles, Jennifer herself came in.

I had thought the room was quiet before, but it had been Mardi Gras compared to the silence that followed her as she clumped down the length of the room on crutches. She was pale and gaunt. Her stripper's costume hung loosely from her body, and she walked slowly and carefully, as if she was not yet used to the crutches. A clean white bandage covered the stump of her newly missing leg.

As Jennifer approached us where we stood in front of the mounted leg bone, I could feel Rita shrink back, away from any possible contact with the one-legged woman. I glanced at her; she was nearly as pale as Jennifer, and she had apparently given up breathing.

I looked back up. Just like Rita had done, the rest of the crowd, with their unblinking eyes fixed on Jennifer, edged away from her path, and she finally came to a halt only a foot in front of her leg.

She stared at it for a long moment, apparently unaware that she was depriving an entire roomful of people of oxygen. Then she raised one hand off the crutches, leaned forward, and touched the leg bone.

“Sexy,” she said.

Rita fainted.

FOUR

ONE OF THE GREAT THINGS ABOUT MIAMI HAS ALWAYS been the total willingness of its residents to pave everything.

Our fair city began as a sub-tropical garden teeming with wildlife, both animal and vegetable, and after only a very few years of hard work all the plants were gone and the animals were dead.

Of course, their memory lingers on in the condo clusters that replace them. It is an unwritten law that each new development is named after whatever was killed to build it. Destroy eagles? Eagle's Nest Gated Community. Kill off the panthers? Panther Run Planned Living. Simple and elegant, and generally very lucrative.

I don't mean to suggest by this that Fairchild Gardens was a parking lot where all the Fairchilds and their tulips had been killed.

Far from it. If anything, it represented the revenge of the plants. You had to drive past a certain number of Orchid Bays and Cypress Hollows to get there, but when you arrived, you were greeted by a vast natural-looking wilderness of trees and orchids nearly devoid of hedge-clipping humanity. Except for the busloads of tourists, of course. Still, there were actually one or two places where you could look at a genuine palm tree without seeing neon lights in the background, and on the whole I usually found it a relief to walk among the trees and vegetate far from the hurly-burly.

But this morning, the parking area was overflowing when we arrived, since the gardens had been closed with the discovery of Something Awful, and the crowds of people who had scheduled a visit had backed up at the entrance, hoping to get inside so they could mark it off on their itinerary, and maybe even see something horrible so they could pretend to be shocked. A perfect vacation visit to Miami; orchids and corpses.

There were even two elfin young men with video cameras circulating through the crowd and filming, of all things, the people standing around and waiting. As they moved they called out, “Murder in the gardens!” and other encouraging remarks. Perhaps they had a good parking spot and didn't want to leave it, since there was absolutely no place left to park anything larger than a unicycle.

Deborah, of course, was a Miami native, and a Miami cop; she pushed her motor-pool Ford through the crowd and parked it right in front of the main entrance to the park, where several other official cars were already parked, and jumped right out. By the time I got out of the car she was already talking to the uniformed officer standing there, a short beefy guy named Meltzer, whom I knew slightly. He was pointing down one of the paths on the far side of the entrance, and Deborah was already headed past him along the trail he had indicated.

I followed as quickly as I could. I was used to tagging along behind Deborah and playing catch-up, since she always rushed onto a crime scene. It never seemed quite politic to point out to her that there was really no need to hurry. After all, the victim wasn't going anywhere. Still, Deborah hurried, and she expected me to be there to decipher the scene. And so, before she could get lost in the carefully tended jungle, I hurried after her.

I finally caught up to her just as she skidded to a halt in a small clearing off the main trail, an area called Rain Forest. There was a bench where the weary nature lover could pause and recuperate amid the blooms. Alas for poor panting Dexter, breathing hard now as a result of racing pell-mell after Debs, the bench was already occupied by someone who clearly needed to sit down far more than I did.

He sat beside running water in the shade of a palm tree, dressed in baggy cotton shorts, the flimsy kind that have somehow become acceptable to wear in public recently, and he wore the rubber flip flops that invariably go with the shorts. He also had on a T-shirt that said, “I'm with Butthead” and he was draped with a camera and pensively clutching a bouquet. Although I say pensively, it was a very different kind of pensiveness, because his head had been neatly removed and replaced with a colorful spray of tropical flowers.

Instead of flowers the bouquet consisted of a bright and festive heap of intestines, topped by what was almost certainly a heart and surrounded by an appreciative cloud of flies.

“Son of a bitch,” Deborah said and it was hard to argue with her logic. “Son of a god damn bitch. Three of “em in one day”

“We don't know for sure that they're connected,” I said carefully, and she glared at me.

“You want to tell me we got two of these assholes running around at the same time?” she demanded.

“It doesn't seem very likely,” I admitted.

“You're goddamned right it doesn't. And I'm about to have Captain Matthews and every reporter on the Eastern Seaboard on my ass.”

“Sounds like quite a party,” I said.

“So what am I supposed to tell them?”

“We are pursuing a number of leads and hope to have something more definite to tell you shortly,” I said.

Deborah stared at me with the look of a large and very angry fish, all teeth and wide eyes. I can remember that shit without your help,” she said. “Even the reporters can remember that shit. And Captain Matthews invented that shit.”

“What kind of shit would you prefer?” I asked.

“The kind of shit that tells me what this is about, asshole.” I ignored my sister's term of endearment and looked again at our nature-loving friend. There was an air of studied ease to the position of the body that created a very large contrast to the fact that it was actually a very dead and headless former human being. It had apparently been posed with extreme care, and once again I got the distinct impression that this final diorama was more important than the actual killing had been.

It was a little bit disturbing, in spite of the mocking chuckle from the Dark Passenger. It was as if someone admitted they went through all the bother and mess of sex only to smoke a cigarette afterwards.

Equally disturbing was the fact that, as at the earlier scene, I was getting no hints at all from the Passenger, beyond a kind of disconnected and appreciative amusement.

“What this seems to be about,” I said hesitatingly, “is making some kind of statement.”

“Statement?” Deborah said. “What kind of statement?”

“I don't know.”

Deborah stared at me for a moment longer, then shook her head.

“Thank God you're here to help,” she said and before I could think of some suitable stinging remark in my defense, the forensic team bustled into our peaceful little glen and began to photograph, measure, dust, and peer into all the tiny places that might hold answers. Deborah immediately turned away to talk to Camilla Figg, one of the lab geeks, and I was left alone to suffer in the knowledge that I had failed my sister.

I am sure the suffering would have been terrible if I was capable of feeling remorse, or any other crippling human emotion, but I am not built for it, and so I didn't feel it —or anything else except hunger.

I went back out to the parking area and talked to Officer Meltzer until someone came along who could give me a ride back to the South Beach site. I had left my kit there, and had not even made a start on looking for any blood evidence.

I spent the rest of the morning shuttling back and forth between the two crime scenes. There was very little actual spatter work for me to do, no more than the few small, nearly dry spots in the sand that suggested the couple on the beach had been killed elsewhere and brought out onto the beach later. I was pretty sure we had all assumed this already, since it was very unlikely that somebody would do all that chopping and re-arranging quite so publicly, so I didn't bother to mention this to Deborah, who was already in a pointless frenzy, and I didn't want any more of it aimed at me.

The only real break I got all day was at almost one o'clock, when Angel-no-relation offered to drive me back to my cubicle, and stop along the way at Calle Ocho for lunch at his favorite Cuban restaurant, Habanita. I had a very nice Cuban steak with all the trimmings, and two cafecitas with my flan dessert, and I felt a whole lot better about myself as I headed into the building, flashed my credentials, and stepped into the elevator.

As the elevator doors slid shut I felt a small flutter of uncertainty from the Passenger, and I listened hard, wondering if this was a reaction to the morning's carnival of carnage, or perhaps the result of too many onions with my steak. But I could get nothing more from it beyond a certain tensing of invisible black wings, very often a sign that things were not what they should be.

How this could happen in an elevator I did not know, and I considered the idea that the Passenger's recent sabbatical in the face of Moloch might have left it in a mildly dithering and unsettled state. It would not do, of course, to have a less than effective Passenger, and I was pondering what to do about that when the elevator doors opened and all questions were answered.

As if he had known we would be aboard, Sergeant Doakes stood glaring and unblinking at the exact spot where we stood, and the shock was considerable. He had never liked me; had always had the unreasonable suspicion that I was some kind of monster, which of course I was, and he had been determined to prove it somehow. But an amateur surgeon had captured Doakes and removed his hands, feet, and tongue, and although I had endured considerable inconvenience in trying to save him —and really, I did help save most of him —he had decided his new, trimmed-down form was my fault, and he liked me even less.

Even the fact that without his tongue he was now incapable of saying anything that was minimally coherent was no help; he said it anyway, and the rest of us were forced to endure what sounded like a strange new language made up of all “G” and “N” sounds, and spoken with an urgent and threatening delivery that made you look for an emergency exit even while you strained to understand.

So I braced myself for some angry gibberish and he stood there looking at me with an expression that is usually reserved for grandmother-rapers, and I began to wonder if I could possibly just push past him, but then the elevator doors began to close automatically.

Before I could escape back downstairs, Doakes shot out his right hand —actually a gleaming steel claw —and stopped the doors from closing.

“Thank you,” I said, and took a tentative step forward. But he did not budge and he did not blink and without knocking him down, I did not see how I could get by.

Doakes kept his unblinking loathing stare on me and brought up a small silver thing about the size of a hardcover book. He flipped it open to reveal that it was a small hand-held computer or PDA and, still without looking away from me, he jabbed at it with his claw.

“Put it on my desk,” said a disjointed male voice from the PDA, and Doakes snarled a little more and jabbed again. “Black with two sugars,” the voice said, and he poked again. “Have a nice day,” it said in a very pleasant baritone that should have come from a happy, pudgy white American man, instead of this glowering dark cyborg so bent on revenge.

But at least he finally had to look away, down to the keyboard of the thing he held in his claw, and after staring for a moment at what was clearly a cluster of pre-recorded sentences, he found the right button.

“I am still watching you,” said the happy voice. Its cheerful, positive tone should have made me feel very good about myself, but the fact that it was Doakes saying it by proxy somehow spoiled the effect. “That's very reassuring,” I said. “Would you mind watching me get off the elevator?”

For a moment I thought he did mind, and he moved his claw to the keyboard again. But then he remembered that it hadn't worked out too well before to poke it without looking, so he glanced down, punched a button, and looked up at me as the cheerful voice said, “Motherfucker,” in a tone that made it sound like, “Jelly doughnut.” But at least he moved aside slightly so I could get by.

“Thank you,” I said, and because I am sometimes not a very kind person, I added, “And I will put it on your desk. Black with two sugars. Have a nice day.” I stepped past him and headed down the hall, but I could feel his eyes on me all the way down to my cubicle.

SIX

I WAS NOT AT ALL CERTAIN I WAS GOING TO THE RIGHT PLACE until I got there and pulled up in front —it had seemed like such an unlikely destination before I got to where I could see the yellow crime-scene tape, the lights of the patrol cars flashing in the dusk, and the growing crowd of gawkers hoping to see something unforgettable. It was almost always crowded at Joe's Stone Crab, but not in July. The restaurant would not open again until October, which seemed like a long wait even for Joe's.

But this was a different crowd tonight, and they weren't here for stone crabs. They were hungry for something else tonight, something Joe would most likely prefer to take off his menu.

I parked and followed the trail of uniformed officers around to the back, where tonight's entree sat, leaning back against the wall beside the service door. I heard the sibilant interior chuckling before I actually saw any details, but as I got close enough, the lights strung up by the forensic team showed me plenty worth an appreciative smile.

His feet were crammed into a pair of those black, glove leather shoes that are usually Italian and most often worn for the sole purpose of dancing. He also wore a pair of very nice resort-style shorts in a tasteful cranberry color, and a blue silk shirt with a silver embossed palm tree pattern on it. But the shirt was unbuttoned and pulled back to reveal that the man's chest had been removed and the cavity emptied out of all the natural and awful stuff that should go in there. It was now filled instead with ice, bottles of beer, and what appeared to be a shrimp cocktail ring from the grocery store.

His right hand was clutching a fistful of Monopoly money, and his face was covered with another of those glued-on plastic masks.

Vince Masuoka crouched on the far side of the doorway spreading dust in slow, even strokes across the wall, and I stepped over beside him.

“Are we going to get lucky tonight?” I asked him.

He snorted. “If they let us take a couple of those free beers,” he said. “They're really cold.”

“How can you tell?” I asked.

He jerked his head toward the body. “It's that new kind, the label turns blue when it's cold,” he said. He wiped his arm across his forehead. “It's gotta be over ninety out here, and that beer would taste great right now.”

“Sure,” I said, looking at the improbable shoes on the body. “And then we could go dancing.”

“Hey,” he said. “You want to? When we're done?”

“No,” I answered. “Where's Deborah?” He nodded to his left. “Over there,” he said. “Talking to the woman who found it.”

I walked over to where Debs was interviewing an hysterical Hispanic woman who was crying into her hands and shaking her head at the same time, which struck me as a very difficult thing to do, like rubbing your belly and patting your head. But she was doing it quite well, and for some reason Deborah was not impressed with the woman's wonderful coordination.

“Arabelle,” Debs was saying, “Arabelle, please listen to me.” Arabelle was not listening, and I didn't think my sister's vocal tone of combined anger and authority was well calculated to win over anyone —especially not someone who looked like she had been sent over from a casting office to play the part of a cleaning woman with no green card. Deborah glared at me as I approached, as if it was my fault that she was intimidating Arabelle, so I decided to help.

It is not that I think Debs is incompetent —she is very good at her job; it's in her blood, after all. And the idea that to know me is to love me is one that has never crossed the shadowed threshold of my mind. Just the opposite, in fact. But Arabelle was so upset, it was clear that she was not filled with the thrill of discovery. Instead she was several steps over the edge into hysteria, and talking to hysterical people, like so much of ordinary human interaction, isn't most people's favorite thing to do, happily for Dark and Dismal Dexter.

It was all technique, a craft and not an art, and that put it squarely inside the expertise of anyone who has studied and copied human behavior. Smile in the right places, nod your head, pretend to listen -1 had mastered it ages ago.

“Arabelle,” I said in a soothing voice and with the proper Central American accent. She stopped shaking her head for a moment.

“Arabelle, necesitamos descubrir este monstruo.” I looked over at Debs and said, “It is a monster that did this, right?” and she snapped her chin up and down in a nod of agreement.

“Digame, por favor,” I said soothingly, and Arabelle very gratifyingly lowered one hand from her face.

“Si?” she said shyly, and I marveled once again at the power of my totally smarmy synthetic charm. And in two languages, too.

“En Ingles?” I said with a really good fake smile. “Porque mi hermana no habla Espanol.” I said nodding at Deborah. I was sure that referring to Debs as “my sister', rather than “the authority figure with a gun who wants to send you back to El Salvador after she has seen you beaten and raped', would help to open her up a little bit.

“Do you speak English?”

“Lee-tell beet,” she said.

“Good,” I said. “Tell my sister what you saw.” And I took a step back, only to find that Arabelle had shot out a hand and clamped it onto my arm.

“You no go?” she said shyly.

I stay here,” I said. She looked at me searchingly for a moment.

I don't have any idea what she was looking for, but she apparently thought she saw it. She let go of my arm, dropped both hands to clasp them in front of her, and faced Deborah, standing almost at attention.

I looked at Deborah, too, and found her staring at me with a look of disbelief on her face. “Jesus,” she said. “She trusts you and not me?”

“She can tell that my heart is pure,” I said.

“Pure what?” Debs said, and she shook her head. “Jesus. If only she knew.”

I had to admit there was some truth in my sister's ironic observation.

Still, what I was had all been sanctioned and set up by her father, Saint Harry, and even in death his was not an authority that Debs would question —nor would I, for that matter. But her tone of voice was a little sharp for someone who was counting on me for help, and it stung just a little. “If you like,” I said, I can leave and let you do this alone.”

“No!” said Arabelle, and once again her hand flew over and attached itself to my arm. “You say that you stay,” she said, accusation and near-panic in her voice.

I raised an eyebrow at Deborah.

She shrugged. “Yeah,” she said. “You stay.” I patted Arabelle's hand and pried it off me. “I'll be right here,” I said, adding, “Espero aqui,” with another completely artificial smile that for some reason seemed to reassure her. She looked into my eyes, smiled back, took a deep breath and faced Debs.

“Tell me,” she said to Arabelle.

I get here same hour, like every time,” she said.

“What hour is that?” Deborah asked.

Arabelle shrugged. “Five o'clock,” she said. “Threes time a week now, because is close en Julio, but they wan keep it clean. No coke-roachess.” She looked at me and I nodded; coke-roachess bad.

“And you went to the back door?” Deborah asked.

“Esway, es ...” She looked at me and made an awkward face. “Siempre?”

“Always,” I translated.

Arabelle nodded. “Always back door,” she said. “Frawnt ees close hasta octuobre!

Deborah cocked her head for a moment, but then got it: front closed until October. “Okay,” she said. “So you get here, you go around to the back door, and you see the body?” Arabelle covered her face again, just for a moment. She looked at me and I nodded, so she dropped her hands. “Yes.”

“Did you notice anything else, anything unusual?” Debs asked, and Arabelle looked at her blankly. “Did you see something that shouldn't be there?”

“El cuerpo,” Arabelle said indignantly, pointing at the corpse. “He no shood be there.”

“And did you see anybody else at all?” Arabelle shook her head. “Nobody. Me only”

“How about nearby?” Arabelle looked blank, and Deborah pointed. “Over there? On the sidewalk? Anybody at all over there?” Arabelle shrugged. “Turistas. Weeth cameras.” She frowned and lowered her voice, speaking confidentially to me. “Creo que muy probablemente eran maricones,” she said, shrugging.

I nodded. “Gay tourists,” I said to Deborah.

Deborah glared at her, then turned it on me, as if she could scare one of us into thinking up another really good question. But even my legendary wit had run dry, and I shrugged. “I don't know,” I said.

“She probably can't tell you any more than that.”

“Ask her where she lives,” Deborah said, and an expression of alarm flitted across Arabelle's face.

I don't think she'll tell you,” I said.

“Why the fuck not?” Deborah demanded.

“She's afraid you'll tell la Migra,” I said, and Arabelle visibly jumped when I said it. “Immigration.” I know what the fuck la Migra means,” Deborah snapped. “I live here, too, remember?”

“Yes,” I said. “But you refused to learn Spanish.”

“Then ask her to tell you,” Deborah said.

I shrugged and turned to Arabelle. “Necesito su direccion,” I said.

“Por que?” she said rather shyly.

“Vamos a bailor,” I said. We'll go dancing.

She giggled. “Estoy casada,” she said. I'm married.

“Por favor?” I said, with my very best one hundred watt smile, and I added, “Nunca para la Migra, de verdad.” Arabelle smiled, leaned forward, and whispered an address in my ear. I nodded; it was in an area flooded with Central American immigrants, several of them here legally. It made perfect sense for her to live there, and I was certain she was telling me the truth. “Gracias,” I said, and as I started to pull away, she grabbed my arm again.

“Nunca para la Migra?” she asked.

“Never,” I agreed. “Solamente para pillar este asesino.” Only to catch this killer.

She nodded as if that made sense, that I needed her address to find the killer, and gave me her shy smile again. “Gracias,” she said. “Te creo.” I believe you. Her faith in me was really quite touching, especially considering there was no reason for it, beyond the fact that I had given her a completely phony smile. It made me wonder if a career change was in order —perhaps I should sell cars, or even run for president.

“All right,” Deborah said. “She can go home.” I nodded at Arabelle. “Vaya a casa,” I said.

“Gracias,” she said again. And she smiled hugely and then turned and almost ran for the street.

“Shit,” Deborah said. “Shit shit shit.” I looked at her with raised eyebrows, and she shook her head.

She seemed deflated, the anger and tension drained out of her. I know it's stupid,” she said. I just hoped she might have seen something. I mean ...” She shrugged and turned away, looking in the direction of the body in the doorway. “We'll never find the gay tourists, either. Not in South Beach,” she said.

“They can't have seen anything anyway,” I said.

“In broad daylight. And nobody saw anything?”

“People see what they expect to see,” I said. “He probably used a delivery van, and that would make him invisible.”

“Well, shit,” she said again, and it didn't seem like a good time to criticize her for such a limited vocabulary. She faced me again. I don't suppose you got anything helpful from looking at this one?”

“Let me take some pictures and think about it,” I said.

“That's a no, right?”

“It's not a stated no,” I said. “It's an implied no.” Deborah held up a middle finger. “Imply this,” she said, and turned away to look at the body again.

EIGHT

The Greater Miami Convention and Visitor's Bureau was in a high-rise building on Brickell Avenue, as befitted its status as a very important organization.

The full majesty of its purpose was reflected in the view from its windows, which showed a lovely slice of downtown and Government Cut, a swathe of Biscayne Bay, and even the nearby Arena where the basketball team shows up from time to time for some really dramatic losses.

It was a wonderful view, almost a postcard, as if to say, “Look —this is Miami: we weren't kidding.” Very few of the Bureau's employees seemed to be enjoying the view today, however. The office resembled a giant oak-lined bee's nest that somebody had poked with a stick. There could not have been more than a handful of employees, but they were flitting in and out of doors and up and down the hallway so rapidly it looked like there were hundreds of them in constant motion, like crazed particles in a whirring jar of oil.

Deborah stood at the receptionist's desk for two full minutes —a lifetime as far as her sense of patience was concerned —before a large woman paused and stared at her.

“What do you want?” the woman demanded.

Debs immediately flashed her badge. “I'm Sergeant Morgan. From the police?”

“Oh my God” the woman said. “I'll get Jo Anne” and disappeared through a door on the right. Deborah looked at me as if it was my fault and said, “Jesus” and then the door slammed open again and a small woman with a long nose and a short haircut came barreling out.

“Police?” she said with real outrage in her voice. She looked beyond us and then back to Deborah. “You're the police? What, the pin-up police?”

Of course, Deborah was used to having people challenge her, but usually not quite so brutally. She actually blushed a little before she held up her badge again and said, “Sergeant Morgan. Do you have some information for us?”

“This is no time for being politically correct” the woman said. I need Dirty Harry, and they send Legally Blonde.” Deborah's eyes narrowed and the pretty red flush left her cheeks.

“If you'd like, I can come back with a subpoena” she said. “And possibly a warrant for obstructing an investigation.” The woman just stared. Then there was a yell from the back room and something large fell over and broke. She jumped a little, then said, “My God. All right, come on” and she vanished through the door again. Deborah breathed out hard, showing a few teeth, and then we followed.

The small woman was already disappearing through a door at the end of the hall, and by the time we caught up with her she was settling into a swivel chair at a conference table. “Sit down” she said, waving at the other chairs with a large black remote control. Without waiting to see if we sat, she pointed the remote at a big flat-screen TV and said, “This came yesterday, but we didn't get around to looking at it until this morning.”

She glanced up at us. “We called right away” she said, perhaps still trembling with fear from Deborah's threat of a warrant. If so, she was controlling her trembles remarkably well.

“What is it?” Deborah said, sliding into a chair. I sat in one next to her as the woman said, “The DVD. Watch.” The TV blinked into life, went through a few wonderfully informative screens asking us to wait or select, and then blurted into life with a high-pitched scream. Beside me, Deborah jumped involuntarily.

The screen lit up and an image jumped into focus: from an unmoving position above, we saw a body lying against a white porcelain background. The eyes were wide and staring and, to someone of my modest experience, obviously dead. Then a figure moved into view and partially blocked the body. We saw only the back, and then the upraised arm holding a power saw. The arm went down and we heard the whine of the blade biting into flesh.

“Jesus Christ” Deborah said.

“It gets worse” said the short woman.

The blade whirred and growled, and we could see the figure in the foreground working hard. Then the saw stopped, the figure dropped it onto the porcelain, reached forward, and pulled a huge heap of terrible gleaming guts out and dropped them where the camera could see them best. And then large white letters appeared on the screen, superimposed on the heap of intestines: THE NEW MIAMI: IT WILL RIP YOUR GUTS OUT.

The picture held for a moment, and then the screen went blank.

“Wait” the woman said, and the screen blinked again, and then new letters glowed to life on the screen: THE NEW MIAMI SPOT #2 Then we were looking at sunrise on a beach. Mellow Latin music played. A wave rolled in on the sand. An early morning jogger trotted into frame, stumbled, and then came to a shocked halt. The camera moved in on the jogger's face as it went from shock to terror.

Then the jogger lurched into a sprint, up away from the water and across the sand toward the street in the distance. The camera moved back to show my old friends, the happy couple we had found disemboweled on the sand at South Beach.

Then a jump cut took us to the first officer on the scene as his face crumpled and he turned away to vomit. Another jump to faces in the crowd of onlookers craning their necks and freezing, and several more faces, coming faster and faster, each expression different, each showing horror in its own way.

Then the screen whirled, and began to show a frozen shot of each face we had seen, lined up in little boxes until the screen was filled with them and looked like a page from a high school yearbook, with a dozen shocked mug shots in three neat rows.

Again the letters glowed into life: THE NEW MIAMI: IT WILL GET TO YOU.

And then the screen went dark.

I could think of almost nothing to say, and a glance at my companions showed that I was not the only one. I thought of criticizing the camera technique just to break the awkward silence —after all, today's audience likes a little more movement in the shot. But the mood in the room didn't really seem conducive to a discussion of film technique, so I stayed quiet. Deborah sat clenching her teeth.

The short woman said nothing, just looked out the window at the beautiful view. Then, finally, she said, “We're assuming there's more.

I mean, the news said there were four bodies, so ...” She shrugged.

I tried to see around her and out the window at whatever was so interesting to her, but saw nothing more than a speed boat coming up Government Cut.

“This got here yesterday?” Deborah said. “In the regular mail?”

“It came in a plain envelope with a Miami postmark” the woman said. “It's on a plain disk just like the ones we have here in the office.

You can get them anywhere —Office Depot, Wal-Mart, whatever.” She said it with such disdain, and with such a lovely expression of true humanity on her face —something between contempt and indifference —that I had to wonder how she could make anyone like anything, let alone make millions of people want to come to a city partially inhabited by someone like her.

And as that thought clattered onto the floor of my brain and echoed across the marble, a small train chugged out of the Dexter Station and onto the tracks. For a moment I just watched the exhaust billow up out of the smoke stack, and then I closed my eyes and climbed on board.

“What?” Deborah demanded. “What have you got?” I shook my head and thought it through one more time. I could hear Deborah's fingers tapping on the table, and then the clatter of the remote as the short woman put it down, and the train finally came up to cruising speed and I opened my eyes. “What if” I said, “somebody wants negative publicity for Miami?”

“You said that already” Deborah snarled, “and it's still stupid.

Who could have a grudge against the whole fucking state?”

“But if it's not against the state?” I said. “What if it's only against the people who promote the state?” I looked pointedly at the short woman.

The?” the short woman said. “Somebody did this to get to me?” I was touched by her modesty and gave her one of my warmest fake smiles. “You, or your agency” I said.

She frowned, as if the idea of someone attacking her agency instead of herself was ridiculous. “Well” she said dubiously.

But Deborah slapped the table and nodded. “That's it” she said. “Now it makes sense. If you fired somebody, and they're pissed off.”

“Especially if they were a little bit off to begin with” I said.

“Which most of these artsy types are anyway” Deborah said. “So somebody loses their job, stews about it for a while, and hits back like this.” She turned to the short woman. “I'll need to see your personnel files.”

The woman opened and closed her mouth a few times and then started shaking her head. I can't let you see our files” she said.

Deborah glared at her for a moment and then, just when I was expecting her to argue, she stood up. I understand” she said. “Come on, Dex.” She headed for the door and I stood to follow.

“What —where are you going?” the woman called out.

“To get a court order. And a warrant” she said, and turned away without waiting for a reply.

I watched as the woman thought she might bluff it out, for a good two and half seconds, and then she jumped up and ran after Debs, calling, “Wait a sec!” And that is how, only a few minutes later, I happened to be sitting in the back room in front of a computer terminal. Beside me at the keyboard was Noel, a preposterously skinny Haitian American man with thick glasses and severe facial scars.

For some reason, whenever there is computer work to do Deborah calls on her brother, Digitally Dominant Dexter. It is true that I am quite accomplished in certain areas of the arcane lore of finding things with a computer, since it has proved very necessary for my small and harmless hobby of tracking down the bad guys who slip through the cracks in the justice system and turning them into a few nice and tidy garbage bags full of spare parts.

But it is also true that our mighty Police Department has several computer experts who could have done the work just as easily without raising the question of why a blood spatter expert was such a good hacker. These questions can eventually turn awkward and make suspicious people ponder, which I do like to avoid at work, since cops are notoriously suspicious people.

Still, complaining is no good. It draws just as much attention, and in any case the entire police force was used to seeing the two of us together and, after all, how could I say no to my poor little sister without receiving a few of her famous powerful arm punches?

Besides, she had been somewhat cranky and distant lately, and beefing up my HLQ, or Helpful-Loyal Quotient, could not possibly hurt.

So I played Dutiful Dexter and sat with Noel, who was wearing far too much cologne, and we talked about what to look for.

“Look” Noel said with a thick Creole accent, I give you a list of all who are fired for what, two years?”

“Two years is good” I said. “If there aren't too many.” He shrugged, a task that somehow looked painful with his bony shoulders. “Less than a dozen” he said. He smiled and added, “With Jo Anne, many more just quit.”

“Print the list” I said. “Then we check their files for any unusual complaints or threats.”

“But also” he said. “We have a number of independent contractors to design projects, no? And sometimes they do not get the bid, and who can say how unhappy they are?”

“But a contractor could always try again on the next project, right?”

Noel shrugged again, and the motion looked like he was endangering his ears with his too-sharp shoulders. “Per'aps” he said.

“So, unless it was some sort of final blow-up, where the Bureau said they would never ever use them under any circumstances, it's not as likely”

“Then we stick to the fired ones,” he said, and in just a few moments he had printed out a list with, as he had said, less than a dozen names and last known addresses on it —nine, to be exact.

Deborah had been staring out the window, but when she heard the printer whirring into action she stalked over and leaned on the back of my chair. “What've you got?” she demanded.

I took the sheet of paper from the printer and held it up. “Maybe nothing,” I said. “Nine people who were fired.” She snatched the list from my hand and glared at it as if it was withholding evidence.

“We're going to cross-check it against their files” I said, “to see if they made any threats.”

Deborah gritted her teeth, and I could tell she wanted to run out the door and down the avenue to the first address, but it would certainly save time to prioritize them and put any real zingers at the head of the list. “Fine,” she said at last. “But hurry it up, huh?” We did hurry it up; I was able to eliminate two workers who had been “fired” when Immigration had forced them out of the country. But only one name moved right to the top of the list: Hernando Meza, who had become obstreperous —that's the word the file used —and had to be removed from the premises forcibly.

And the beauty part? Hernando had designed displays at airports and cruise terminals.

Displays, like what we had seen at South Beach and Fairchild Gardens.

“Goddamn” Deborah said when I told her. “We got a hot one, right off the bat.”

I agreed that it looked worthwhile to stop and have a chat with Meza, but a small and nagging voice was telling me that things are never this easy, that when you get a hot one right off the bat, you usually end up right back on the bat again —or dodging as the bat comes straight at your face.

And as we should all know by now, any time you predict failure you have an excellent chance of being right.

TEN

There was time to check two more names on the list before we broke for lunch. The address for the first one was over in Coconut Grove, and it took us only about ten minutes to get there from Meza's house. Deborah drove just slightly faster than she should have, which in Miami is slow, and therefore a lot like wearing a “Kick Me” sign on your back. So, even though the traffic was light, we had our own soundtrack along the way, of horns and hollering and gracefully extended middle fingers, as the other drivers swooped past us like a school of ravenous piranha darting around a rock in the river.

Debs didn't seem to notice. She was thinking hard, which meant that her brow was furrowed into such a deep frown that I felt like warning her that the lines would become permanent if she didn't unclench. But past experience had taught me that interrupting her thought process with that kind of caring remark would invariably result in one of her blistering arm-punches, so I sat silently. I did not really see what there was to think about so thoroughly: we had four very decorative bodies and no clue who had arranged them. But of course, Debs was the trained investigator, not me. Perhaps there was something from one of her courses at the Academy that applied here and called for massive forehead wrinkling.

In any case, we were soon at the address on our list. It was a modest old cottage off Tigertail Avenue, with a small, overgrown yard and a “For Sale” sign stuck in front of a large mango tree. There were half a dozen old newspapers scattered across the yard, still in their wrappers, and only half visible through the tall and untended grass of the lawn.

“Shit” said Deborah as she parked in front of the place. It seemed like a very sharp and succinct summary. The house looked like it had not been lived in for months.

“What did this guy do?” I asked her, watching a brightly colored sheet of newsprint blow across the yard.

Debs glanced at the list. “Alice Bronson” she said. “She was stealing money from an office account. When they called her on it, she threatened them with battery and murder.”

“One at a time, or together?” I asked, but Debs just glared at me and shook her head.

“This won't be anything” she said, and I tended to agree. But of course, police work is composed mostly of doing the obvious and hoping you get lucky, so we unbuckled our seat belts and kicked through the leaves and other lawn trash to the front door. Debs pounded on the door mechanically and we could hear it echo through the house. It was clearly as empty as my conscience.

Deborah looked down at the list in her hand and found the name of the suspect who was supposed to live here. “Ms Bronson?” she called out, but there was even less response, since her voice did not boom through the house like her knocking did.

“Shit” Debs said again. She pounded one more time with the same result —nothing.

Just to be absolutely sure we walked around the house one time and peered in the windows, but there was nothing to see except some very ugly green and maroon curtains left hanging in the otherwise bare living room. When we circled back around to the front again, there was a boy beside our car, sitting on a bicycle and staring at us. He was about eleven or twelve years old and had long hair plaited into dreadlocks and then pulled back into a ponytail.

“They been gone since April” he said. “Did they owe you guys money, too?”

“Did you know the Bronsons?” Deborah asked the boy.

He cocked his head to one side and stared at us, looking a lot like a parrot trying to decide whether to take the cracker or bite the finger. “You guys cops?” he said.

Deborah held up her badge and the boy rolled forward on his bike to take a closer look. “Did you know these people?” Debs said again.

The boy nodded. I just wanted to be sure” he said. “Lots of people have fake badges.”

“We really are cops” I said. “Do you know where the Bronsons went?”

“Naw” he said. “My dad says they owed everybody money and they prolly changed their name or went to South America or something.”

“And when was that?” Deborah asked him.

“Back in April” he said. I already said.” Deborah looked at him with restrained irritation and then glanced at me. “He did” I told her. “He said April.”

“What did they do?” the boy asked, a little too eagerly, I thought.

“Probably nothing” I told him. “We just wanted to ask them a few questions.”

“Wow” the kid said. “Murder? Really?” Deborah made a strange little shake of her head, as if she was clearing away a cloud of small flies. “Why do you think it was murder?” she asked him.

The boy shrugged. “On TV” he said simply. “If it's murder they always say it's nothing. If it's nothing they say it's a serious violation of the penal code or something like that.” He snickered. “Peenal code” he said, grabbing at his crotch.

Deborah looked at the kid and just shook her head. “He's right again” I said to her. I saw it on CSL”

“Jesus” said Debs, still shaking her head.

“Give him your card” I said. “He'll like that.”

“Yeah” the boy said, smirking happily, “and tell me to call if I think of anything.”

Deborah stopped shaking her head and snorted. “Okay, kid, you win” she said. She flipped him her business card, and he caught it neatly. “Call me if you think of anything” she said.

“Thanks” he said, and he was still smiling as we climbed into the car and drove away, although whether because he really did like the card, or he was just pleased to have gotten the best of Deborah, I couldn't say.

I glanced at the list beside her on the seat. “Brandon Weiss is next” I said. Urn, a writer. He wrote some ads they didn't like, and he was fired.”

Deborah rolled her eyes. “A writer” she said. “What did he do, threaten them with a comma?”

“Well, they had to call in security and have him removed.” Deborah turned and looked at me. “A writer” she said. “Come on, Dex.”

“Some of them can be quite fierce” I said, although it seemed like a bit of a stretch to me, too.

Deborah looked back at the traffic, nodded and chewed on her lip. “Address?” she said.

I looked down at the paper again. “This sounds more like it” I said, reading off an address just off North Miami Avenue. “It's right in the Miami Design District. Where else would a homicidal designer go?”

“I guess you would know” she said, rather churlishly I thought, but not much more than normal, so I let it go.

“It can't possibly be worse than the first two” I said.

“Yeah, sure, third time's the charm” Deborah said sourly.

“Come on, Debs” I said. “You need to show a little enthusiasm.” Deborah pulled the car off the highway and into the parking lot of a fast food spot, which surprised me a great deal because, in the first place, it wasn't quite lunchtime and, in the second place, the things this place served were not quite food, no matter how fast.

But she made no move to go into the restaurant. Instead, she slammed the gear lever into Park and turned to face me. “Fuck it” she said and I could tell that something was bothering her.

“Is it that kid?” I asked. “Or are you still pissed off about Meza?”

“Neither” she said. “It's you.” If I had been surprised by her choice of restaurants, I was absolutely astonished at her subject matter. Me? I replayed the morning in my head and found nothing objectionable. I had been the good soldier to her crabby general; I had even made fewer than normal insightful and clever remarks, for which she should really be grateful, since she was usually the target of them.

“I'm sorry” I said. I don't know what you mean.” I mean you,” she said, very unhelpfully. “All of you.” I still don't know what you mean,” I said. “There isn't that much of me.”

Deborah slammed the palm of her hand on the steering wheel.

“Goddamn it, Dexter, the clever-ass shit doesn't work for me any more.”

Have you ever noticed that every now and then you'll overhear an amazingly clear declarative sentence when you're out in public, spoken with such force and purpose that you absolutely yearn to know what it means, because it is just so forceful and crystalline? And you want to follow along behind whoever just spoke, even though you don't know them, just to find out what that sentence means and how it would affect the lives of the people involved?

I felt like that now: I had no idea at all what she was talking about, but I really wanted to know.

Happily for me, she didn't keep me waiting.

“I don't know if I can do this any more,” she said.

“Do what?”

I am riding around in a car with a guy who has killed what, ten, fifteen, people?”

It's never pleasant to be so grossly underestimated, but it didn't seem like the right time to correct her. “All right” I said.

“And I am supposed to catch people like you, and put them away for good, except you're my brotherY she said, hitting the wheel with her hand to emphasize each syllable —which she didn't really need to do, since I heard her very clearly. I finally understood what all her recent churlishness had been about, although I still had no idea why it had taken until now for her to blow up on the subject.

There was a great deal to what she said, of course, and if I had really been as smart as I think I am I would have known that at some point we were going to have this conversation, and I would have been ready for it. But I had foolishly assumed that there is nothing in the world as powerful as the status quo, and she had caught me by surprise. Besides, as far as I could see, there had been nothing in the recent past that would trigger this kind of confrontation; where do these things come from?

“I'm sorry, Debs” I said. “But, uh, what do you want me to do?”

“I want you to stop it” she said. I want you to be somebody else.” She looked at me, and her lips twitched, and then she looked away again, out the side window and away beyond US 1 and over the elevated People Mover rails. I want you ... to be the guy I always thought you were.”

I like to think I am more resourceful than most. But at the moment, I might as well have been bound and gagged and tied to the railroad tracks. “Debs” I said. Not much, but apparently the only shot I had in the chamber.

“Goddamn it, Dex,” she said, slapping the steering wheel so hard the whole car trembled. I can't even talk about it, not even to Kyle.

And you ...” She slapped the steering wheel again. “How do I even know you're telling the truth, that Daddy set you up like this?” It's probably not accurate to say my feelings were hurt, since I'm pretty sure I don't have any. But the injustice of the remark did seem painful. “I wouldn't lie to you” I said.

“You lied to me every day of your life that you didn't tell me what you really are” she said.

I am as familiar with New Age philosophy and Dr Phil as the next guy, but there comes a point where reality absolutely has to intrude, and it seemed to me that we had reached it. “All right, Debs” I said. “And what would you have done if you knew who I really was?”

I don't know” she said. I still don't know.”

“Well then” I said.

“But I ought to do something.”

“Why?”

“Because you killed people, goddamn it!” she said.

I shrugged. I can't help it. And they all really deserved it.”

“It isn't right!”

“It's what Dad wanted” I said.

A group of college-aged kids walked past the car and stared at us. One of them said something and they all laughed. Ha ha.

See the funny couple fighting. He will sleep on the couch tonight, ha ha.

Except that if I couldn't persuade Deborah that all was exactly as it should be, world without end, I might very well sleep in a cell tonight.

“Debs” I said. “Dad set it up this way. He knew what he was doing.”

“Did he?” she said. “Or are you making that up? And even if he did set it up, was he right to do it that way? Or was he just another bitter, burned-out cop?”

“He was Harry” I said. “He was your father. Of course he was right.”

I need more than that” she said.

“What if there isn't any more?” She turned away at last, and didn't beat on the steering wheel, which was a relief. But she was silent for long enough that I began to wish she would. I don't know,” she said at last. I just don't know.”

And there it was. I mean, I could see that it was a problem for her —what to do with the homicidal adopted brother? After all, he was pleasant, remembered birthdays, and gave really good presents; a productive member of society, a hard-working and sober guy —if he slipped away and killed bad people now and then, was it really such a big deal?

On the other hand, she was in a profession that generally frowned on that kind of thing. And technically, it was supposed to be her job to find people like me and escort them to a reserved seat in Old Sparky. I could see that it might pose something of a professional dilemma, especially when it was her brother who was forcing the issue.

Or was it?

“Debs” I said. I know this is a problem for you.”

“Problem” she said. A tear rolled down one cheek, although she did not sob or otherwise seem to be crying.

“I don't think he ever wanted you to know” I said. I was never supposed to tell you. But ...” I thought about finding her taped to the table with my real genetic brother standing over her, holding a knife for each of us, and realizing I could not kill her no matter how much I needed to, no matter how close it would have brought me to him, my brother, the only person in the world who really understood me and accepted me for what I am. And somehow, I couldn't do it. Somehow, the voice of Harry had come back to me and kept me on the Path.

“Fuck” Deborah said. “What the fuck was Daddy thinking?” I wondered that sometimes, too. But I also wondered how people could possibly believe any of the things they said they did, and why I couldn't fly, and this seemed to be in the same category. “We can't know what he was thinking” I said. “Just what he did.”

“Fuck” she said again.

“Maybe so” I said. “What are you going to do about it?” She still didn't look at me. I don't know” she said. “But I think I have to do something.” We both sat there for a very long moment with nothing left to say. Then she put the car in gear and we rolled back out onto the highway.

TWELVE

There were so many pieces of machinery around Deborah that it took me a moment before I saw her in the middle of the whirring, chirping clutter. She lay there in the bed without moving, tubes going in and out of her, her face half covered by a respirator mask and nearly as pale as the sheets. I stood and looked for a minute, not sure what I was supposed to do. I had bent all my concentration on getting in to see her, and now here I was, and I could not remember ever reading anywhere what the proper procedure was for visiting nearest and dearest in the ICU.

Was I supposed to hold her hand? It seemed likely, but I wasn't sure, and there was an IV attached to the hand nearest me; it didn't seem like a good idea to risk dislodging it.

So instead I found a chair, tucked away under one of the life support machines. I moved it as close to the bed as seemed proper, and I settled down to wait.

After only a couple of minutes there was a sound at the door and I looked up to see a thin black cop I knew slightly, Wilkins. He stuck his head in the door and said, “Hey, Dexter, right?” I nodded and held up my credentials. Wilkins nodded his head at Deborah. “How is she?”

“Too soon to tell” I said.

“Sorry, man” he said, and shrugged. “Captain wants somebody watching, so I'll be out here.”

“Thank you” I said, and he turned away to take up his post at the door.

I tried to imagine what life would be like without Deborah. The very idea was disturbing, although I could not say why. I could not think of any huge and obvious differences, and that made me feel slightly embarrassed, so I worked at it a little harder. I would probably get to eat the coq au vin warm next time. I would not have as many bruises on my arms without her world-famous vicious arm punches. And I would not have to worry about her arresting me, either. It was all good —why was I worried?

Still, the logic was not terribly convincing. And what if she lived but suffered brain damage? That could very well affect her career in law enforcement. She might need full-time care, spoonfeeding, adult diapers —none of these things would go over well on the job. And who would do all the endless tedious drudgery of looking after her? I didn't know a great deal about medical insurance, but I knew enough to know that full-time care was not something they offered cheerfully. What if I had to take care of her? It would certainly put a large dent in my free time. But who else was there? In all the world, she had no other family. There was only Dear Dutiful Dexter; no one else to push her wheelchair and cook her pablum and tenderly wipe the corners of her mouth as she drooled. I would have to tend to her for the rest of her life, far into the sunset years, the two of us sitting and watching game shows while the rest of the world went on its merry way, killing and brutalizing each other without me.

Just before I sank under a huge wave of wet self-pity I remembered Kyle Chutsky. To call him Deborah's boyfriend was not quite accurate, since they had been living together for over a year, and that made it seem like a bit more. Besides, he was hardly a boy. He was at least ten years older than Debs, very large and beat-up, and missing his left hand and foot as the result of an encounter with the same amateur surgeon who had modified Sergeant Doakes.

To be perfectly fair to me, which I think is very important, I did not think of him merely because I wanted someone else to take care of a hypothetically brain-damaged Deborah. Rather, it occurred to me that the fact she was in the ICU was something he might want to know.

So I took my cell phone from its holster and called him. He answered almost immediately.

“Hello?”

“Kyle, this is Dexter” I said.

“Hey, buddy” he said in his artificially cheerful voice. “What's up?”

“I'm with Deborah” I said. “In the ICU at Jackson.”

“What happened?” he asked after a slight pause.

“She's been stabbed” I replied. “She lost a lot of blood.”

“I'm on my way” he announced, and hung up.

It was nice that Chutsky cared enough to come right away.

Maybe he would help me with Deborah's pablum, take turns pushing the wheelchair. It's good to have someone.

That reminded me that I had someone —or perhaps I was had.

In any case, Rita would want to know I would be late, before she cooked a pheasant souffle for me. I called her at work, told her quickly what was up, and hung up again as she was just getting started on a chorus of Oh-My-Gods.

Chutsky came into the room about fifteen minutes later, trailed by a nurse who was apparently trying to make sure he was perfectly happy with everything from the location of the room to the arrangement of IVs. “This is her,” the nurse said.

“Thanks, Gloria” Chutsky said without looking at anything but Deborah. The nurse hovered anxiously for a few more moments, and then vanished uncertainly.

Meanwhile, Chutsky moved over to the bed and took Deborah's hand —good to know I had been right about that; holding her hand was, indeed, the correct thing to do.

“What happened, buddy?” he said, staring down at Deborah.

I gave him a brief rundown, and he listened without looking at me, pausing in his hand-holding briefly to wipe a lock of hair away from Deborah's forehead. When I had finished talking he nodded absently and said, “What did the doctors say?”

“It's too soon to tell” I said.

He waved that away impatiently, using the gleaming silver hook that had replaced his left hand. “They always say that” he said. “What else?”

“There's a chance of permanent damage” I said. “Even brain damage.”

He nodded. “She lost a lot of blood” he said, not a question, but I answered anyway. “That's right,” I said.

I have a guy coming down from Bethesda” Chutsky said. “He'll be here in a couple of hours.” I couldn't think of very much to say to that. A guy? From Bethesda? Was this good news of some kind, and if so, why?

I could not come up with a single thing to distinguish Bethesda from Cleveland, except that it was in Maryland instead of Ohio.

What kind of guy would come down from there? And to what end? But I also couldn't think of any way to frame a question on the subject. For some reason, my brain was not running with its usual icy efficiency. So I just watched as Chutsky pulled another chair around to the far side of the bed, where he could sit and hold Deborah's hand. And after he got settled, he finally looked directly at me. “Dexter” he said.

“Yes,” I said.

“Think you could scare up some coffee? And maybe a doughnut or something?”

The question took me completely by surprise —not because it was such a bizarre notion, but because it seemed like one to me, and it really should have been as natural as breathing. It was well past my lunchtime, and I had not eaten, and I had not thought of eating.

But now, when Chutsky suggested it, the idea seemed wrong, like singing the real words to “Barnacle Bill” in church.

Still, to object would seem even stranger. So I stood up and said, “I'll see what I can do” and headed out and down the hall.

When I came back a few minutes later I had two cups of coffee and four doughnuts. I paused in the hallway, I don't know why, and looked in. Chutsky was leaning forward, eyes closed, with Deborah's hand pressed to his forehead. His lips were moving, although I could hear no sound over the clatter of the life support machinery. Was he praying? It seemed like the oddest thing yet. I suppose I really didn't know him very well, but what I did know about him did not fit with the image of a man who prayed. And in any case, it was embarrassing, something you didn't really want to see, like watching somebody clean their nostrils with a fingertip. I cleared my throat as I came over to my chair, but he didn't look up.

Aside from saying something loud and cheerful, and possibly interrupting his fit of religious fervor, there was nothing really constructive for me to do. So I sat down and started on the doughnuts. I had almost finished the first one when Chutsky finally looked up.

“Hey” he said. “What'd you get?” I passed him a coffee and two of the doughnuts. He grabbed the coffee with his right hand and passed his hook through the holes in the doughnuts. “Thanks,” he said. He held the coffee between his knees and flipped the lid off with a finger, dangling the doughnuts from his hook and taking a bite out of one of them. “Mmp” he said.

“Didn't get any lunch. I was waiting to hear from Deborah, and I was going to maybe come eat with you guys. But...” he said, and trailed off, taking another bite of the doughnut.

He ate his doughnuts in silence, except for the occasional slurp of coffee, and I took advantage of the time to finish mine. When we were both done we simply sat and stared at Deborah as if she was our favorite TV show. Now and again one of the machines would make some sort of odd noise and we would both glance up at it. But nothing actually changed. Deborah continued to lay with her eyes closed, breathing slowly and raggedly and with the Darth Vader sound of the respirator as an accompaniment.

I sat for at least an hour, and my thoughts didn't suddenly turn bright and sunny. As far as I could tell, neither did Chutsky's.

He did not burst into tears, but he looked tired and a little grey, worse than I had ever seen him except for when I rescued him from the man who cut off his hand and foot. And I suppose I did not look a great deal better, although it was not the thing I worried about the most, now or at any other time. In truth, I did not spend a great deal of my time worrying about anything —planning, yes, making sure that things went just right on my Special Nights Out. But worrying truly seemed to be an emotional activity rather than a rational one, and until now it had never furrowed my forehead.

But now? Dexter worried; it was a surprisingly easy pastime to pick up. I got the hang of it right away, and it was all I could do to keep from chewing my fingernails.

Of course she would be all right. Wouldn't she? “Too soon to tell” began to seem more ominous. Could I even trust that statement?

Wasn't there a protocol, a standard medical procedure for informing next of kin that their loved ones were either dying or about to become vegetables? Start out by warning them that all may not be right “too soon to tell” —and then gradually break it to them that all is forever unwell.

But wasn't there some law somewhere that required doctors to tell the truth about these things? Or was that just auto mechanics?

Was there such a thing as truth, medically speaking? I had no idea this was a new world for me, and I didn't like it, but whatever else might be true, it really was too soon to tell, and I would just have to wait, and shockingly, I was not nearly as good at that as I had expected.

When my stomach began to growl again I decided it must be evening, but a glance at my watch told me that it was still only a few minutes short of four o'clock.

Twenty minutes later Chutsky's Guy From Bethesda arrived.

I hadn't really known what to expect, but it was nothing like what I got. The guy was about five foot six, bald and pot-bellied, with thick gold-framed glasses, and he came in with two of the doctors who had worked on Deborah. They followed him like high school freshmen trailing the prom queen, eager to point out things that would make him happy. Chutsky leapt to his feet when the guy came in.

“Doctor Teidel!” he said.

Teidel nodded at Chutsky and said, “Out” with a head motion that included me.

Chustky nodded and grabbed my arm, and as he pulled me out of the room Teidel and his two satellites were already pulling back the sheet to examine Deborah.

“The guy is the best” Chutsky said, and although he still didn't say the best what, I was now assuming it was something medical.

“What is he going to do?” I asked, and Chutsky shrugged.

“Whatever it takes” he said. “Come on, let's get something to eat. We don't want to see this.” That did not sound terribly reassuring, but Chutsky obviously felt better about things with Teidel in charge, so I followed along to a small and crowded cafe on the ground floor of the parking garage. We wedged ourselves in at a small table in the corner and ate indifferent sandwiches and, although I didn't think to ask him, Chutsky told me a little about the doctor from Bethesda.

“Guy's amazing” he said. “Ten years ago? He put me back together. I was in a lot worse shape than Deborah, believe me, and he got all the pieces back in the right place and in working order.”

“Which is almost as important” I said, and Chutsky nodded as if he was listening to me.

“Honest to God” he said, “Teidel is the best there is. You saw how those other doctors were treating him?”

“Like they wanted to wash his feet and peel him grapes” I said.

Chutsky gave one syllable of polite laugh, “Huh” and an equally brief smile. “She's gonna be okay now” he said. “Just fine.” But whether he was trying to convince me or himself, I couldn't say.

FOURTEEN

So Alex Doncevic was out on the street long before Deborah was even awake. In fact, Doncevic was out of the detention center at 5.17 that afternoon, which was only an hour and twenty-four minutes after Deborah opened her eyes for the first time.

I knew about Deborah because Chutsky called me right away, as excited as if she had just swum the English Channel towing a piano. “She's gonna be okay, Dex” he said. “She opened her eyes and looked right at me.”

“Did she say anything?” I asked.

“No” he said. “But she squeezed my hand. She's gonna make it.” I was still not convinced that a wink and a squeeze were accurate signs that a complete recovery was at hand, but it was nice to know that she had made some progress. Especially since she would need to be fully conscious to face Israel Salguero and Internal Affairs.

I knew when Doncevic was released from the Detention center because in the time between the meeting in the conference room and Chutsky's call I had made a decision.

I have said before that I do not actually feel emotions. That's fine with me, since I have noticed that they are never particularly helpful to those who do feel them. But throughout that long and weary day I had noticed a strange sensation in the pit of my stomach that blossomed right after Matthews had called me unhelpful. The feeling grew throughout the rest of the morning, until it felt something like severe indigestion, although I am sure it had nothing to do with the Bavarian Creme doughnut I'd eaten, which had been quite good.

No, at the center of this new and unpleasant sensation was the thought that, for the first time ever, it bothered me that life was not fair.

Dexter is not delusional; he knows better than most that “fair” is a relatively new and stupid idea. Life is not fair, can never be fair, shouldn't even pretend to be fair, and so humans invented the idea to try to level the playing field and make things a little more challenging for the predators. And that's fine. Personally, I welcome the challenge.

But although Life is not fair, Law and Order was supposed to be. And the idea that Doncevic might go free while Deborah wasted away in a hospital just seemed so very, kind of —all right, I will say it: it wasn't fair. I mean, I am sure there are other available words here, but Dexter will not dodge merely because this truth, like most others, was a relatively ugly one. I felt a sharp sense of not-fairness to the whole thing, and it made me ponder what I might do to set things back in their proper order.

I pondered through several hours of routine paperwork and three cups of somewhat horrible coffee. And I pondered through a below average lunch at a small place claiming to be Mediterranean, which was only true if we accept that stale bread, clotted mayonnaise and greasy cold cuts are Mediterranean. Then I pondered through another few minutes of pushing things around on the desk in my little cubby.

It occurred to me after all this pondering that my once-powerful brain was not functioning at its former dizzying heights. In fact, it was barely functioning at all. Perhaps the interlude in Paris had softened it. More likely, though, it had grown feeble from the long forced absence from its favorite pastime, my own personal form of sudoku, finding and flensing the wicked unpunished. It had been far too long since I'd had a Dexter's Night Out, and I was quite sure the resulting tension was causing my current feeble-mindedness. If I had been firing on all my dark cylinders I like to believe I would have seen the obvious a great deal sooner.

But finally, somewhere in the distant fog of Dexter's diminished brainscape a small and faint gong sounded a tiny tinny note. “Bong” it said softly, and murky light slowly flooded into Dexter's Dim Noggin.

It may seem difficult to believe that it took so long for the wicked nickel to drop, but I can only say that it had been too long and I was tired, and out of sorts from the very bad lunch. Once the nickel did, in fact, drop, it dropped very smoothly and well and with a delightful sound of solid and pleasing chimes.

I had been scolded for being not very helpful, and I believe that I had been feeling the truth of that accusation. Dexter had not, in fact, been helpful; he had been sulking in the car when Debs was hurt, and he had failed to protect her once again from the attack of the shiny-headed lawyer.

But there was a way I could be very very helpful, and it was something that I was particularly good at. I could make a whole handful of problems go away: Deborah's, the department's, and my own very special ones, all at the same time with one smooth stroke or several choppy ones, if I was feeling particularly playful. All I had to do was relax and be wonderful special Me, while helping poor deserving Doncevic to see the error of his ways.

I knew Doncevic was guilty -1 had seen him stab Deborah with my own eyes. And so it followed that there was also a very good chance he had killed and arranged the bodies that were causing such an uproar and harming our vital tourist economy. Disposing of Doncevic was practically my civic duty. Since he was out on bail, if he turned up missing, everyone would assume he had run. The bounty hunters would make a stab at finding him, but no one would care when they failed.

I felt a very strong satisfaction with this solution: it's nice when things can work out so nicely, and the neatness of it appealed to my inner monster, the tidy one that likes to see problems properly bagged up and thrown away. Besides, it was only fair.

Wonderful: I would spend some quality time with Alex Doncevic.

I began by checking online to see his status, and re-checking every fifteen minutes when it became clear that he was about to be released. At 4.32 his paperwork was in its final stages, and I moseyed down to the parking lot and drove over to the front door of the detention center.

I got there just in time, and there were plenty of people there ahead of me. Simeon really knew how to throw a party, especially if the press were involved, and they were all there waiting in a huge, unruly mob, the vans and satellite dishes and beautiful haircuts all competing for space. When Doncevic came out on Simeon's arm there was a clatter of cameras and the multiple thud of many elbows trying to clear a way, and the crowd surged forward like a pack of dogs pouncing on raw meat.

I watched from my car as Simeon made a long and heartwarming statement, answered a few questions, and then pushed through the crowd towing Doncevic with him. They got into a black Lexus SUV and drove away. After a moment, I followed.

Following another car is relatively simple, particularly in Miami, where there is always traffic, and it always acts irrationally.

Since it was rush hour, it was even worse. I just had to stay back a bit, leaving a couple of cars between me and the Lexus. Simeon did nothing to show that he thought he was being followed. Of course, even if he spotted me he would assume I was a reporter hoping for a candid shot of Doncevic weeping with gratitude, and Simeon would do nothing more than make sure his good side was to the camera.

I followed them across town to North Miami Avenue, and dropped back a little as they turned onto NE 40th Street. I was fairly confident I knew where they were going now, and sure enough, Simeon pulled over in front of the building where Deborah had first met my new friend Doncevic. I drove past, circled the block once, and came back in time to see Doncevic get out of the Lexus and head into the building.

Happily for me, there was a parking spot where I could see the door. I pulled into it, turned off the engine, and waited for darkness, which would come as it always did, to find Dexter ready for it. And tonight, at last, after such a long and dreary stay in the daytime world, I was ready to join with it, revel in its sweet and savage music, and play a few chords of Dexter's own minuet. I found myself impatient with the ponderous, slowly sinking sun, and eager for the night. I could feel it stretching out for me, leaning in to spread through me, flexing its wings, easing the knots out of the too-long unused muscles and preparing to spring My phone rang.

“It's me” said Rita.

“I'm sure it is” I said.

I think I have a really good —what did you say?”

“Nothing” I said. “What's your really good?”

“What?” she said. “Oh —I've been thinking about what we said.

About Cody?”

I pulled my mind back from the pulsing darkness I had been feeding and tried to remember what we had said about Cody. It had been something about helping him come out of his shell, but I did not remember that we had actually decided anything beyond a few vague platitudes designed to make Rita feel better while I carefully placed Cody's feet on the Harry Path. So I just said, “Oh, right. Yes?” in the hope of drawing her out just a bit.

I was talking to Susan? You know, over on 137th? With the big dog” she said.

“Yes” I said. I remember the dog.” As indeed I did —it hated me, like all domestic animals do. They all recognize me for what I am, even if their masters do not.

“And her son, Albert? He's been having a really positive experience with the Cub Scouts. And I thought that might be just right for Cody”

At first the idea didn't make any sense at all. Cody? A cub scout?

It seemed like serving cucumber sandwiches and tea to Godzilla.

But as I stammered for a reply, trying to think of something that was neither outraged denial nor hysterical laughter, I actually caught myself thinking that it was not a bad idea. It was, in fact, a very good idea that would mesh perfectly with the plan to make Cody fit in with human children. And so, caught halfway between irritated denial and enthusiastic acceptance, I quite distinctly said, “Hi didda yuh-kay”

“Dexter, are you all right?” Rita said.

I, uh, you caught me by surprise” I said. “I'm in the middle of something. But I think it's a great idea.”

“Really? You really do?” she said.

“Absolutely” I said. “It's the perfect thing for him.” I was hoping you'd say so,” she said. “But then I thought, I don't know. What if -1 mean, you really do think so?” I really did, and eventually I made her believe me. But it took several minutes, since Rita is able to speak without breathing and, quite often, without finishing a sentence, so that she got out fifteen or twenty disconnected words for every one of mine.

By the time I finally persuaded her and hung up, it was slightly darker outside, but unfortunately much lighter inside me. The opening notes of “Dexter's Dance Suite” were muted now, some of the rising urgency blurred by the soundtrack of Rita's call. Still, it would come back, I was quite sure.

In the meantime, just to look busy, I called Chutsky.

“Hey, buddy” he said. “She opened her eyes again a few minutes ago. The doctors think she's starting to come around a little bit.”

“That's wonderful” I said. “I'm coming by a little later. I just have some loose ends to take care of.”

“Some of your people have been coming by to say hi” he said.

“Do you know a guy named Israel Salguero?” A bicycle went by me in the street. The rider thumped my side mirror and went on past. I know him” I said. “Was he there?”

“Yeah” said Chutsky. “He was here.” Chutsky was silent, as if waiting for me to say something. I couldn't think of much, so finally he said, “Something about the guy”

“He knew our father” I said.

“Uh-huh” he said. “Something else.”

“Um” I said. “He's from Internal Affairs. He's investigating Deborah's behavior in this whole thing.” Chutsky was silent for a moment. “Her behavior?” he said at last.

“Yes” I said.

“She got stabbed.”

“The lawyer said it was self-defense” I said.

“Son of a bitch” he said.

“I'm sure there's nothing to worry about” I said. “It's just regulations, he has to investigate.”

“Son of a goddamn bitch,” Chustky said. “And he comes around here? With her in a fucking coma?”

“He's known Deborah a long time” I said. “He probably just wanted to see if she was okay.” There was a very long pause, and then Chutsky said, “Okay, buddy. If you say so. But I don't think I'm going to let him in here next time.”

I was not really sure how well Chutsky's hook would match up with Salguero's smooth and total confidence, but I had a feeling it would be an interesting contest. Chutsky, for all his bluff and phony cheerfulness, was a cold killer. But Salguero had been in Internal Affairs for years, which made him practically bullet proof. If it came to a fight, I thought it might do quite well on pay per view. I also thought I should probably keep that idea to myself, so I just said, “All right. I'll see you later” and hung up.

And so, with all the petty human details taken care of, I went back to waiting. Cars went by. People walked past on the sidewalk.

I got thirsty, and found half a bottle of water on the floor in the back seat. And finally, it got completely dark.

I waited a little longer to let the darkness settle over the city, and over me. It felt very good to shrug into the cold and comfy night jacket, and the anticipation grew strong inside with whispered encouragement from the Dark Passenger, urging me to step aside and give it the wheel.

And finally, I did.

I put the careful noose of nylon fishing leader and a roll of duct tape in my pocket, the only tools I had in my car at the moment, and got out of the car.

And hesitated. Too long since the last time, far too long since Dexter had done the deed. I had not done my research and that was not good. I had no plan and that was worse. I did not really know what was behind that door or what I would do when I got inside.

I was uncertain for a moment and I stood beside the car and wondered if I could improvise my way through the dance. The uncertainty ate away my armor and left me standing on one foot in the dangerous dark without a way to move forward with the first knowing step.

But this was silly, weak and wrong —and very much Not Dexter.

The Real Dexter lived in the dark, came alive in the sharp night, took joy in slashing out from the shadows. Who was this standing here hesitating? Dexter did not dither.

I looked up into the night sky and breathed it in. Better. There was only a piece of rotten yellow moon but I opened up to it and it howled at me, and the night pounded through my veins and throbbed into my fingertips and sang across the skin stretched tight on my neck and I felt it all change, all grow back into what We must be to do what We would do, and then We were ready to do it.

This was now, this was the night, this was Dark Dexter's Dance, and the steps would come, flowing from our feet as they had always known they must.

The black wings reached out from deep inside and spread across the night sky and carried us forward.

We slid through the night and around the block, checking the entire area carefully. Down at the far end of the street there was an alley and we went down it into deeper darkness, cutting back toward the rear of Doncevic's building. There was a battered van parked at a covered and well-masked loading dock at the back of it —a quick and dry whisper from the Passenger saying, look; this is how he moved the bodies out and took them to their display points. And soon he would leave the same way.

We circled back around and found nothing alarming in the area.

An Ethiopian restaurant around the corner. Loud music three doors down. And then we were back at the front door and we rang the bell. He opened the door and had one small moment of surprise before we were on him, putting him quickly face down on the floor with the noose on his neck as we taped his mouth, hands and feet.

When he was secure and quiet we moved quickly through the rest of the place and found no one . We did find a few items of interest: some very nice tools in the bathroom, right next to a large bathtub.

Saws and snips and all, lovely Dexter Playtime Toys, and it was quite clearly the white porcelain background from the home movie we had seen at the Tourist Board and it was proof, all the proof we needed now, in this night of need. Doncevic was guilty. He had stood here on the tile by the tub holding these tools, and done unthinkable things —exactly the unthinkable acts that we were thinking of doing to him now.

We dragged him into the bathroom and put him in the tub and then we stopped again, just for a moment. A very small and insistent whisper was hinting that all was not right, and it went up our spine and into our teeth. We rolled Doncevic into the tub, face down, and went quickly through the place again. There was nothing and no one, and all was well, and the very loud voice of the Dark Driver was drowning out the feeble whisper and once again demanding that we steer back to the dance with Doncevic.

So we went back to the tub and went to work. And we hurried a little because we were in a strange place without any real planning, and also because Doncevic said one strange thing before we took the gift of speech away from him forever. “Smile” he said, and that made us angry and he was quickly unable to say anything very definite again. But we were thorough, oh yes, and when we were done, we were quite pleased with a job well done. Everything had gone very well indeed, and we had taken a very large step toward getting things back to the way things must be.

They were that way until it ended, with nothing left but a few bags of garbage and one small drop of Doncevic's blood on a glass slide for my rosewood box.

And as always, I felt a whole lot better afterwards.

SIXTEEN

I HAVE HEARD CO-WORKERS SPEAK OF HAVING 'THE BLAHS', and always thought myself blessed that I lacked the ability to provide a host for anything with such an unattractive name. But the last few hours of my work day could be described in no other way. Dexter of the Bright Knife, Dexter the Duke of Darkness, Dexter the Hard and Sharp and Totally Empty, had the blahs. It was uncomfortable, of course, but due to the very nature of the thing I did not have the energy to do anything about it. I sat at my desk and pushed paperclips around, wishing I could just as easily push the pictures out of my head: Deborah falling; my foot connecting to Doncevic's head; the knife going up; the saw coming down ...

Blah. It was as stupid as it was embarrassing and enervating.

Okay, technically speaking, Doncevic had been sort of innocent.

I had made one lousy little mistake. Big deal. Nobody's perfect. Why should I even pretend to be? Was I really going to imagine that I felt bad about ending an innocent life? Preposterous. And anyway, what is innocent, after all? Doncevic had been playing around with dead bodies, and he had caused millions of dollars in damage to the city budget and the tourist industry. There were plenty of people in Miami who would gladly have killed him just to stop the bleeding.

The only problem was that one of those people was not me.

I was not much, I knew that. I never pretended to have any real humanity, and I certainly didn't tell myself that what I did was all right just because my playmates were cut from the same cloth. In fact, I was fairly certain that the world would be a much better place without me. Mind you, I have never been in a very big hurry to make the world a better place in that regard, either. I wanted to stick around as long as possible, because when you die either everything stops forever, or else Dexter was in for a very warm surprise. Neither option seemed like much of a choice.

So, I had no illusions about my worth to the rest of the world.

I did what I did and didn't ask for any thanks. But always, every time since the very first, I had done it by the rules laid down by Saint Harry, my near-perfect adoptive father. This time I had broken the rules, and for reasons that were not clear to me, that made me feel like I deserved to be caught and punished. And I could not convince myself that this was a healthy feeling.

So I battled the blahs until quitting time and then, without any real increase in energy, I drove over to the hospital again. The rush hour traffic did nothing to cheer me up. Everybody seemed to be just going through the motions without any real, genuine homicidal rage. A woman cut me off and threw half an orange at my windshield, and a man in a van tried to run me off the road, but they seemed to be doing it mechanically, not really putting their hearts into it.

When I got to Deborah's room, Chutsky was asleep in his chair, snoring loud enough to rattle the windows. So I sat for a little while, watching Deborah's eyelids quiver. I thought that was probably a good thing, indicating she was getting her REM sleep and therefore getting better. I wondered what she would think of my little mistake when she woke up. Considering what her attitude had been just before she got stabbed, it didn't seem likely that she would be terribly understanding about even such a minor slip-up. After all, she was as much in the grip of Harry's Shadow as I was, and if she could barely tolerate what I did when it was Harry Approved, she would never go along with something outside his careful limits.

Debs could never know what I had done. Not a big deal, considering I had always hidden everything from her until recently. But it didn't make me feel any better this time, for some reason. After all, I had done this one for her, as much as anything else —the first time I had ever acted out of noble impulses, and it had turned out very badly. My sister made a really poor Dark Passenger.

Debs moved her hand, just a twitch, and her eyes blinked open.

Her lips parted slightly and I was certain she actually focused on me for a moment. I leaned toward her and she watched me, and then her eyelids drifted closed again.

She was slowly getting better, and she was going to make it, I was sure. It might be weeks rather than days, but sooner or later she was going to get up out of that awful steel bed and get to work at being her old self again. And when she did ... what would she do about me?

I didn't know. But I had a very bad feeling that it wouldn't be much fun for either of us; because as I had realized, we were both still living in Harry's shadow, and I was pretty sure I knew what Harry would say.

Harry would say it was wrong, because this was not the way he had designed Dexter's life, as I remembered oh so well.

Harry usually looked very happy when he came in the front door from work. I don't think he ever was truly happy, of course, but he always looked like it, and this was one of my first very important lessons from him: make your face fit the occasion. It may seem like a small and obvious point, but to a fledgling monster still figuring out that he was very different, it was a vital lesson.

I remember sitting in the great banyan tree in our front yard one afternoon because, frankly, that is what the other kids in the neighborhood did, even long after what one might call optimum tree-climbing age. Those trees were a great place to sit, with their wide horizontal branches, and they served as a clubhouse for everyone under the age of eighteen.

So I sat in mine that afternoon, hoping the rest of the neighborhood would mistake me as normal. I was at an age where everything was starting to change, and I had begun to notice that I was changing in a very different way. For one thing, I was not totally consumed with trying to see under Bobbie Gelber's skirt when she climbed up into the tree, and all the other boys were. And for another ...

When the Dark Passenger started whispering wicked thoughts, I realized that it was a presence that had always been there; it just had not spoken until now. But now, when my contemporaries were starting to pass around copies of Hustler, it was sending me dreams of a different kind of illustration, perhaps from Vivisection Monthly. Although the images that came to me were disturbing at first, they started to seem more and more natural, inevitable, desirable, and finally, necessary. But another voice, equally strong, told me this was wrong, crazy, very dangerous. And for the most part the two voices fought to a tie and I did nothing but dream, just like all the human boys my age.

One wonderful night the two whispering armies came together when I realized that the Gelbers” dog, Buddy, was keeping Mom awake with its non-stop barking. This was not a good thing. Mom was dying of some untreatable mysterious thing called a lymphoma, and she needed her sleep. It occurred to me that if I could help Mom sleep, this would be a very good thing, and both voices agreed that this was so —one somewhat reluctantly, of course, but the other, darker one, with an eagerness that made me dizzy.

And so it was that Buddy, the loud-mouthed little dog, launched Dexter on his way. It was clumsy of course, and much messier than I had planned, but it was also oh so good and right and necessary.

In the following months there were a few more minor experiments; carefully spaced, playmates more cautiously chosen, since even in my hot-blooded phase of self-discovery I understood that if all the pets in the neighborhood disappeared, someone was bound to ask questions. But there was a stray, and a bicycle trip to a different area, and somehow young Luke Darkwalker got by, slowly learning to be happily me. And because I felt so attached to my small experiments, I buried them close at hand, behind a row of bushes in our backyard.

I certainly know better than that now. But at the time, everything seemed so innocent and wonderful, and I wanted to look out at the bushes and bask in the warm glow of the memories from time to time. But I had made my first mistake.

That lazy afternoon I sat in my banyan tree and watched as Harry parked the car, got out, and paused. He had on his work face, the one that said I have seen it all and don't like most of it. He stood beside the car for a long moment with his eyes closed, doing nothing more complicated than breathing.

When he opened his eyes again he had an expression on his face that said, I am home and feel very good about that. He took a step toward the front door and I jumped down out of the tree and went to him.

“Dexter” he said. “How was your day at school?” In truth it had been just about like all the others, but even then I knew that wasn't the appropriate response. “Good” I said. “We're studying communism.” Harry nodded. “That's important to know about” he said.

“What's the capital of Russia?”

“Moscow” I said. “It used to be St Petersburg.”

“Really” said Harry. “Why did they change it?” I shrugged. “They're atheists now” I said. “They can't have a Saint anything, because they don't believe in them.” He put a hand on my shoulder and we started walking to the house. “That can't be much fun” he said.

“Didn't you, um, fight communists?” I asked him, wanting to say kill but not quite daring. “In the Marines?” Harry nodded. “That's right” he said. “Communism threatens our way of life. So it's important to fight it.” We were at the front door, and he gently pushed me in ahead of him, into the smell of the fresh coffee that Doris, my adoptive mom, always had ready for Harry when he came home from work. She was not yet too sick to move, and she was waiting for him in the kitchen.

They went through their ritual of drinking coffee and talking quietly, as they did every day, and it was such a perfect Norman Rockwell picture that I would certainly have forgotten it almost instantly if not for what happened later that evening.

Doris was already in bed. She had taken to going to sleep earlier and earlier as her cancer got worse and she needed more pain medicine. Harry, Deborah and I had gathered in front of the TV set as we usually did. We were watching a sitcom, I don't remember which. There were many of them at the time that all could have been lumped together under the title of Funny Minority and the White Guy. The whole purpose of these shows seemed to be letting us all know that in spite of our small differences we were really all the same.

I kept waiting for some clue that this might include me, but neither Freddy Prinze nor Redd Foxx ever chopped up a neighbor. Still, everyone else seemed to enjoy the show. Deborah laughed out loud now and then, and Harry kept a contented smile on his face, and I did my best just to keep a low profile and fit in amid the hilarity.

But in the middle of the climactic scene, right when we were about to learn that we are all the same and then hug, the doorbell rang. Harry frowned a little bit, but he got up and went to the door with one eye still on the TV. Since I had guessed how the show would end and I was not particularly moved by artificial hugs of compassion, I watched Harry. He turned on the outside light, peeked through the eyehole, and then unlocked and opened the door.

“Gus” he said, with surprise. “Come on in.” Gus Rigby was Harry's oldest friend on the force. They had been best man at each other's weddings, and Harry was godfather to Gus's daughter, Betsy. Since his divorce, Gus was always at our house for holidays and special occasions, although not as often now that Doris was sick, and he always brought a key lime pie.

But he didn't look terribly social now, and he was not carrying a pie. He looked angry and frazzled, and he said, “We gotta talk” and pushed past Harry into the house.

“About what?” Harry said, still holding the door open.

Gus turned and snarled at him. “Otto Valdez is out on the street.” Harry stared at him. “How did he get out?”

“That lawyer he's got” Gus said. “He said it was excessive force.” Harry nodded. “You were rough on him, Gus.”

“He's a baby-raper” Gus said. “You want me to kiss him?”

“All right” Harry said. He closed and locked the door. “What is there to talk about?” he said.

“He's after me now” Gus said. “The phone rings and nobody's there, just breathing. But I know it's him. And I got a note under my front door. At my home, Harry.”

“What did the lieutenant say?” Gus shook his head. I want to do this myself” he said. “On the side. And I want your help.” With the wonderful timing that only happens in real life, the TV show came to an end and the laughter track blasted out right on the toes of Gus's words. Deborah laughed, too, and finally looked up.

“Hi Uncle Gus” she said.

“Hello, Debbie” Gus said. “You're more beautiful every day” Debs scowled. Even then she was embarrassed by her good looks, and she didn't like being reminded of it. “Thank you” she said grumpily.

“Come on into the kitchen” Harry said, taking Gus by the elbow and leading him away.

I knew perfectly well that Harry was taking Gus into the kitchen to keep me and Deborah from hearing what would be said, and naturally enough that made me want to hear it all the more. And since Harry had not specifically said, “Stay here and do not listen ...” Why, it would hardly be eavesdropping at all!

So, I got up from in front of the TV set very casually and went down the hall toward the bathroom. I paused in the hallway and looked back: Deborah was already engrossed in the next program, and so I slid into a small patch of shadow and listened.

“... courts will handle it” Harry was saying.

“Like they handled it so far?” Gus said, sounding angrier than I had ever heard him. “Come on, Harry, you know better than that.”

“We're not vigilantes, Gus.”

“Well maybe we should be, goddamn it.” There was a pause. I heard the refrigerator door open and then the sound of a beer can opening. A moment went by and nothing was said.

“Listen, Harry” Gus said at last. “We've been cops for a long time now.”

“Coming up on twenty years” Harry said.

“And from the first day on the job, didn't it hit you that the system just doesn't work? That the biggest assholes always find a way to fall out of jail and back onto the streets? Huh?”

“That doesn't mean we have the right to—”

“Then who does have the right, Harry? If not us, who does?” There was another longish pause. Finally Harry spoke, very softly, and I had to strain to make out the words.

“You weren't in Vietnam” Harry said. Gus didn't respond.

“Something I learned there is that some people can kill in cold blood, and others can't. And most of us can't” Harry said. “It does bad things to you.”

“So what are you saying: you agree with me, but you can't do it?

If ever anybody deserved it, Harry, Otto Valdez ...”

“What are you doing?” came Deborah's voice, approximately eight inches from my ear. I jumped so hard I bumped my head on the wall.

“Nothing,” I replied.

“Funny place to do it” she said, and since she showed no inclination to move on, I decided I was done listening and I went back to zombie-land in front of the TV. I had certainly heard enough to understand what was going on, and I was fascinated. Dear sweet kindly Uncle Gus wanted to kill somebody, and wanted Harry to help him. My brain whirled with the excitement of it, frantically searching for a way to persuade them to let me help —or at least watch. Where was the harm in that? It was almost a civic duty!

But Harry refused to help Gus, and a little while later Gus left the house looking like someone had let all the air out of him. Harry came back to the TV with me and Debs, and spent the next half hour trying to get his happy face back on.

Two days later they found Uncle Gus's body. It had been mutilated and beheaded and apparently tortured first.

Three days after that, unknown to me, Harry found my little pet memorial under the bushes in the backyard. Over the next week or two I caught him staring at me more than once with his work face on. I did not know why at the time, and it was somewhat intimidating, but I was far too much of the young gawp to be able to phrase a statement like, “Dad, why are you staring at me with that particular expression?”

In any case, the why of it very soon became apparent. Three weeks after Uncle Gus met his untimely end, Harry and I went on a camping trip to Elliot Key, and with a few simple sentences —starting with, “You're different, son” —Harry changed everything forever.

His plan. His design for Dexter. His perfectly crafted, sane and sensible road map for me to be eternally and wonderfully me.

And now I had stepped off the Path, taken a small and dangerous back road detour. I could almost see him shake his head and turn those ice-cold blue eyes on me.

“We've got to get you squared away” Harry would have said.

EIGHTEEN

The Cub Scout den that Rita had found for Cody met at Golden Lakes Elementary School, a few miles from our house. We got there a little early and sat in the car for a minute, and Cody watched without expression as a handful of boys his approximate age ran into the school wearing their blue uniforms.

I let him sit and watch, thinking that a little preparation time might do us both some good.

A few cars pulled up. More boys in blue uniforms ran into the building, apparently eager to get inside. Anyone equipped with a heart would certainly have found it warming at the sight —one parent was so enamored of the scene that he stood beside his van and video-taped the stream of boys running past and inside. But Cody and I simply sat and watched.

“They're all the same” Cody said softly.

“Just on the outside” I said. “It's something you can learn to do.” He looked at me blankly.

“It's just like putting on one of those uniforms” I said. “When you look the same, people think you are. You can do this.”

“Why?” he said.

“Cody” I said, “we have talked about how important it is to look normal.” He nodded. “This will help you figure out how to act like other kids. It's part of your training.”

“Other part?” he said, with the first eagerness he had shown, and I knew he was longing for the simple clarity of the knife.

“If you do this part well, we will do the other part” I said.

“An animal?”

I looked at him, saw the cold gleam in his small blue eyes, and knew there was no going back from where he already was; the only thing I could hope for was the long and difficult shaping that had been done to me. “All right” I said. “We'll do an animal.”

He watched me for another long moment, and then he nodded back, and we climbed out of the car and followed the pack into the cafeteria.

Inside, the other boys —and one girl —ran around making lots of loud noise for the first few minutes. Cody and I sat quietly in our tiny, molded plastic chairs, at a table just barely tall enough to smack you in the kneecaps if you tried to walk around it. He watched the others at their noisy play without expression and without any attempt to join in, and that was a starting point, something I could do with him. He was far too young to be known as a brooding loner we needed to get his disguise in gear.

“Cody” I said, and he looked at me with the same lack of expression.

“Look at the other kids.” He blinked, and then swivelled his head to take in the rest of the room. He watched without comment for a minute, and then turned back to me. “Okay” he said softly.

“It's just that they're all running around and having fun, and you're not” I said.

“No” he said.

“So you will stand out”1 said. “You have to pretend you're having fun here.”

I don't know how” he said, a major speech for him.

“But you have to learn,” I said. “You have to look like all the others, or—”

“Well, well, what's wrong with you, little guy?” a voice boomed out. A large and offensively cheerful man came over and put his hands on his bare knees so he could shove his face closer to Cody's.

He was bursting out of a Cub Scout leader's uniform, and the sight of his hairy legs and large belly seemed very wrong. “You're not feeling shy, are you?” he said with a huge and terrible grin.

Cody stared back at him without blinking for a long moment, and the man's grin began to fade a little. “No” Cody said at last.

“Well, good” the man said, straightening up and moving back a step.

“He's not really shy” I said. “He's just a little tired today.” The man turned his grin on me, looked me over for a moment, then stuck out his hand. “Roger Deutsch” he said, holding out his hand. “I'm the den master. I just like to get to know everybody a little before we start.”

“Dexter Morgan” I said, shaking his hand. “This is Cody” Deutsch held his hand out to Cody. “Hi, Cody, glad to meet you.” Cody looked at the hand, then at me; I nodded at him, and he put his small hand into the meaty paw held out in front of him. “Hi” he said.

“So” Deutsch said relentlessly, “what brings you to Scouting, Cody?”

Cody glanced at me. I smiled, and he turned back to Deutsch.

“Have fun” he said, his small, deadpan face looking like he was at a funeral.

“Great” said Deutsch. “Scouting should be fun. But there's a serious part, too. You can learn about all kinds of cool things. Is there anything special you really want to learn about, Cody?”

“Animal carving” Cody said, and I had to fight not to fall out of my tiny chair.

“Cody” I said.

“No, that's okay, Mr Morgan” Deutsch said. “We do lots of crafts.

We can start with soap carving and move on to wood.” He winked at Cody. “If you're worried about him working with knives, we won't let him hurt himself.”

It didn't seem polite to say that I wasn't worried about Cody hurting himself with a blade in his hand. He already knew very well which end to hold, and he had shown a precocious talent for finding the right way to put in the point. But I was fairly certain Cody could not learn the kind of animal carving he wanted in Scouting —at least not until the Eagle Scout level. So I simply said, “We'll talk it over with Mom, and see what she says” and Deutsch nodded his head.

“Great” he said. “In the meantime, don't be shy. You just jump in here with both feet, buddy.” Cody looked at me, and then nodded at Deutsch.

“All right” Deutsch said, finally straightening up. “Well, let's get this thing started then.” He nodded at me and turned back to begin rallying the troops.

Cody shook his head and whispered something. I leaned a little closer to him. “What?” I said.

“Both feet” he said.

“It's just an expression” I told him.

He looked at me. “Stupid expression” he said.

Deutsch had moved across the room, calling for quiet, getting all the kids together, and they were now assembling in the front of the room. It was time for Cody to jump in, even if it was only with one foot at first. So I stood up and held out a hand to him. “Come on” I said. “This will work out fine.” Cody didn't look convinced, but he stood up and looked at the group of normal boys converging on Deutsch. He pulled himself as straight and tall as possible, took a deep breath, and said, “Okay” and marched over to join the group.

I watched him push carefully through the crowd to find his spot and then stand there, all alone and being as brave as he could be.

This was not going to be easy —not for him, and not for me. It would be very awkward for him to try to fit into a group that he had nothing in common with. He was a tiny wolf trying to grow lamb's wool and learn to say, “Baaa!” If he howled at the moon even once the game was over.

And for me? I could only watch, and possibly give him a few pointers in between rounds. I had gone through a similar phase myself, and I still remembered the terrible pain of it; realizing that this was all and forever something for the others and never for me that laughter, friendship, the sense of belonging, were things I would never really feel. Even worse, once I realized that I was outside all of it, I had to pretend to feel it, learn to show the mask of happiness in order to hide the deadly emptiness inside.

I remembered the dreadful clumsiness of those first years of trying; the first horrible attempts at laughter, always at the wrong time and always sounding so very inhuman. Even speaking to the others naturally, easily, about the right things and with the right manufactured feelings. Slowly, painfully, awkwardly learning, watching how the others did these things so effortlessly and feeling the added pain of being outside that graceful ease of expression. A small thing, knowing how to laugh. So very inconsequential, unless you don't know how and have to learn it from watching others, as I did.

As Cody would have to do now. He would have to go through the whole vile process of understanding that he was different and always would be, and then learning to pretend he was not. And that was just the starting point, the first easy leg of the Harry Path. After that things got even more complicated, more difficult and painful, until an entire artificial life was built and hammered into place. All fake, all the time, with only the short and far-too-rare intervals of razor-edged reality to look forward to —and I was passing all this on to Cody, that small and damaged creature who stood up there now so stiffly, watching with such intense focus for a hint of belonging that would never come.

Did I really have the right to force him into this agonizing mold?

Merely because ” had gone through this, did that truly mean he had to? Because if I was honest with myself, it had not been working terribly well for me lately. The Harry Path, a thing that had seemed so clear, clean and clever, had taken a turn into the underbrush.

Deborah, the one person in the world who should understand, doubted that it was right, that it was even real, and now she lay in the ICU while I floundered around the city slaughtering the innocent.

Was this really what I wanted for Cody?

I watched him follow along through the Pledge of Allegiance, and found no answers there. And so it was a very thoughtful Dexter who eventually tottered home after the meeting, with a wounded and uncertain Cody in tow.

Rita met us at the door, a look of worry on her face. “How did it go?” she asked Cody.

“Okay” he said, with a look on his face that said it was not okay.

“It was fine” I said, sounding a little more convincing. “And it will get much better.”

“Has to” Cody said softly.

Rita looked from Cody to me and then back again. I don't I mean, did you, did you ... Cody. Are you going to keep going?” Cody looked at me and I could almost see a small and sharp blade flashing in his eyes. “I'll go” he said to his mother.

Rita looked relieved. “That's wonderful” she said. “Because it really is -1 know that you'll, you know.”

“I'm sure he will” I said.

My cell phone began to chirp and I answered it. “Yes” I said.

“She woke up” Chutsky said. “And she spoke.”

“I'll be right there” I said.

TWENTY

FIRST THINGS FIRST” HAS ALWAYS BEEN MY MOTTO, mostly because it makes absolutely no sense —after all, if first things were second or third, they wouldn't be first things, would they? Still, cliches exist to comfort the feeble-minded, not to provide any actual meaning. Since I was feeling somewhat weak between the ears at the moment, I took a little bit of consolation from the thought as I pulled up the police records on Brandon Weiss.

It wasn't much; there was a parking ticket that he had paid, and the complaint filed against him by the Tourist Board. He had no outstanding warrants, no special permits beyond a driver's license, no permit to carry a concealed firearm —or a concealed power saw, for that matter. His address was the one I knew, where Deborah had been stabbed. With a little digging, I found one previous address, in Syracuse, New York. Before that he had lived in Montreal, Canada.

A quick check showed that he was still a Canadian citizen.

No real leads there; nothing that qualified as a clue of any kind.

I hadn't really expected anything, but my job and my adoptive father had taught me well that due diligence paid off from time to time.

This was just the beginning.

The next step, Weiss's email address, was a little harder. With a certain amount of slightly illegal maneuvering, I got into AOL's subscriber list and found out just a little more. The same address in the Design District was given as his home address, but there was also a cell phone number. I wrote it down to pursue later, in case I needed it. Other than that, there was nothing helpful here. Surprising, really, that an organization like AOL fails to ask simple and vital questions, like, “Where would you hide if Dexter was after you?”

Still, nothing worth doing is ever easy —another fascinatingly stupid cliche. After all, breathing is fairly easy for the most part, and I think many scholars would agree it pays handsome dividends. The cell phone company's records would tell me much the same thing as AOL's, but there was a chance I could track down the location of the phone itself, a trick I had done once before when I very nearly saved Sergeant Doakes from being surgically modified.

For no particular reason I went back to YouTube. Perhaps I just wanted to see myself one more time, relaxing and being myself. It was, after all, something I had never seen before, and never expected to see. Dexter in action, as only he can do it. I watched the video one more time, marveling at how graceful and natural I looked. What a wonderful sense of style I showed as I swung the saw up toward the camera. Beautiful. A true artist. I should do more film work.

And with that, another thought popped into my slowly awakening brain. Beside the screen, the email address was highlighted.

I really didn't know much about YouTube, but I knew that if an email address was highlighted, it led somewhere. So I clicked on it and almost immediately an orange background came up on screen and I was on a YouTube personal page. In large fiery letters across the top of the page, it said: THE NEW MIAMI. I scrolled part-way down to a box that said, VIDEOS (5), with a row of thumbnail stills of each video. The one showing my back was number four.

In an effort to be methodical and not simply watch my riveting performance again, I clicked on the first one, which showed a man's face twisted into a grimace of disgust. The video began, and again the title appeared on the screen in fiery letters: THE NEW MIAMI #1.

Then there was a very nice sunset shot of lush tropical vegetation; a row of lovely orchids, a line of birds landing on a small lake, and then the camera pulled back to show the body we had found at Fairchild Gardens. There was a terrible groan off camera and a somewhat strangled voice said, “Oh, Jesus” and then the camera followed his back as a piercing scream ripped out of the speaker. It sounded strangely familiar, and for a moment that puzzled me, and I paused the video, rewound, and played the scream again. Then I had it; it was the same scream that had been on the first video, the one we had seen at the Tourist Board. For whatever strange reason, Weiss had used the same scream here. Possibly it was just brand continuity, like McDonald's using the same clown.

I started up the video again; the camera was moving through the crowd in the Fairchild parking lot picking out faces that looked shocked, disgusted, or merely curious. Again the screen whirled and lined up the expressive faces in a row of boxes against a background of the sunset vegetation shot, and the letters supered in on top: THE NEW MIAMI: PERFECTLY NATURAL.

If nothing else, it removed any lingering doubt I might have had about Weiss's guilt. I was quite sure the other videos would show the other victims, complete with reaction shots of the crowd. But just to be thorough, I decided to watch them all in order, all five of them.

But wait a second: there should only be three spots, one for each of the sites we had found. One more for Dexter's great performance and that would be four —what was the other one?

There was a loud clatter in the lab, and Vince Masuoka called out, “Yo, Dexter!” and I quickly clicked the browser off. It wasn't just false modesty that made me reluctant to share my wonderful acting work with Vince. Explaining the performance would be far too difficult. And just as my monitor went blank, Vince pushed into my little cubby, carrying his forensic kit.

“You don't answer your phone any more?” he said.

I must have been in the restroom” I said.

“No rest for the wicked” he said. “Come on, we gotta go to work.”

“Oh” I said. “What's up?” I don't know, but it's got the uniforms on site almost hysterical” Vince said. “Something down in Kendall.” Of course, awful things happen in Kendall all the time, but very few of them require my professional attention. In retrospect I suppose I should have been more curious, but I was still distracted by the discovery of my unwilling stardom on YouTube, and I really wanted to see the other videos. What would the last one show? Since there was no new body on display that I knew of, I had a small and nibbling thought that it might be something revealing, some small something that might get me closer to Weiss —and I very much needed to get as close as possible, knife-blade close, before anyone else saw my movie and recognized me.

So my mind was not truly focused on my job, and I rode along with Vince exchanging half-conscious pleasantries and wondering what Weiss might have revealed in that last, unseen video. Therefore, it was with a very real sense of shock that I recognized our destination when Vince pulled into the parking lot, turned off the engine, and said, “Let's go.” We were parked at a large public building I had seen before. In fact, I had seen it only a day ago, when I had taken Cody to his Cub Scout meeting.

We had just parked at Golden Lakes Elementary School.

Of course, it had to be mere happenstance. People get killed all the time, even at elementary schools, and to assume this was any more than one of those funny coincidences that make life so interesting was to believe that the entire world revolved around Dexter which was true in a rather limited way, of course, but I was not deranged enough to believe it in a literal way.

So a bemused and slightly unsettled Dexter trudged after Vince, under the yellow crime scene tape, and over to the side door of the building, where the body had been discovered. As I approached the carefully guarded spot where it lay in all its glory, I heard a strange and near-idiot whistling sound, and realized it was me. Because in spite of the see-through plastic mask glued to the face, in spite of the yawning body cavity which was filled with what appeared to be Cub Scout uniform items and paraphernalia, and in spite of the fact that it was completely impossible that I was right, I recognized the body from ten feet away.

It was Roger Deutsch, Cody's Scout master.

TWENTY-TWO

“IT WAS THE PROPANE,” DETECTIVE COULTER TOLD ME. I leaned against the side of the EMS truck holding an ice pack to my head. My wounds were very minor, considering, but because they were on me they seemed more important, and I was not enjoying them, nor the attention I was getting. Across the street the rubble of Wimble's house smouldered and the fire-fighters still poked and squirted at steaming piles of junk. The house was not totally destroyed, but a large chunk of the middle of it from roof to foundation was gone and it had certainly lost a great deal of market value, dropping instantly into the category of Very Airy Fixer-Upper.

“So” Coulter said. “He lets the gas out from the wall heater in that soundproof room, tosses in something to set it off, we don't know what yet, and he's out the door and away before it all goes boom.” Coulter paused and took a long swig from the large plastic bottle of Mountain Dew he carried. I watched his Adam's apple bob under two thick rolls of grimy flab. He finished drinking, poked his index finger into the mouth of the bottle, and wiped his mouth on his forearm, staring at me as if I was keeping him from using a napkin. “Why would he have a soundproof room, you think?” he said.

I shook my head very briefly and stopped because it hurt. “He was a video editor” I said. “He probably needed it for recording.”

“Recording” said Coulter. “Not chopping people up.”

“That's right,” I said.

Coulter shook his head. Apparently it didn't hurt him at all, because he did it for several seconds, looking over at the smoking house.

“So, and you were here, because why?” he said. “I'm not real clear on that part, Dex.”

Of course he was not real clear on that part. I had done everything I could to avoid answering any questions about that part, clutching my head and blinking and gasping as if in terrible pain every time someone approached the subject. Of course, I knew that sooner or later I would have to provide a satisfactory answer, and the sticky part was that “satisfactory” thing. Certainly, I could claim I'd been visiting my ailing granny, but the problem with giving such answers to cops is that they tend to check them, and alas, Dexter had no ailing granny, nor any other plausible reason to be there when the house exploded, and I had a very strong feeling that claiming coincidence would not really get me terribly far, either.

And in all the time since I had picked myself up off the pavement and staggered over to lean on a tree and admire the way I could still move all my body parts —the whole time I was getting patched up and then waiting for Coulter to arrive —all these long minutes-into hours, I had not managed to come up with anything that sounded even faintly believable. And with Coulter now turning to stare at me very hard indeed, I realized my time was up.

“So, what then?” he said. “You were here because why? Picking up your laundry? Part-time job delivering pizza? What?” It was one of the biggest shocks of a very unsettling day to hear Coulter revealing a faint patina of wit. I had thought of him as an exceedingly dull and dim lump of dough, incapable of anything beyond filling out an accident report, and yet here he was making amusing remarks with a very professional deadpan delivery, and if he could do that, I had to assume he might have an outside chance of putting two and two together and coming up with me. I was truly on the spot. And so, throwing my cunning into high gear, I decided to go with the time-honored tactic of telling a big lie wrapped in a small truth.

“Look, detective” I said, with a painful and somewhat hesitant delivery that I was quite proud of. Then I closed my eyes and took a deep breath —all real Academy Award stuff. “I'm sorry, I'm still a little fuzzy. They say I sustained a minor concussion.”

“Was that before you got here, Dex?” Coulter said. “Or can you remember that far back, about why you were here?” I can remember” I said reluctantly. “I just...”

“You don't feel so good” he said.

“Yeah, that's right.”

I can understand that” he said, and for one wild, irrational moment I thought he might let me go. But no: “What I can't understand” he went on relentlessly, “is what the fuck you were doing here when the fucking house blew the fuck up.”

“It's not easy to say” I said.

I guess not” said Coulter. “Cause you haven't said it yet. You gonna tell me, Dex?” He popped his finger out of the bottle, took a sip, pushed the finger back in again. The bottle was more than half empty now, and it hung there like some kind of strange and embarrassing biological appendage. Coulter wiped his mouth again.

“See, I kind of need to know this” he said. “Cuz they tell me there's a body in there.”

A minor seismic event worked its way down my spine, from the top of my skull all the way down to my heels. “Body?” I said with my usual incisive wit.

“Yeah” he said. “A body”

“That's, you mean —dead?” Coulter nodded, watching me with distant amusement, and I realized with a terrible shock that we had switched roles, and now I was the stupid one. “Yeah, that's right” he said. “Cuz it was inside the house when it went ka-boom, so you would have to figure it would be dead. Also” he said, “it couldn't run away, being tied up like that. Who would tie a guy up when the house was gonna blow like that, do you figure?”

“It, uh ... must have been the killer” I stammered.

“Uh-huh” said Coulter. “So you figure the killer killed him, that it?”

“Uh, yes” I said, and even through the growing pounding in my head I could tell how stupid and unconvincing that sounded.

“Uh-huh. But not you, right? I mean, you didn't tie the guy up and toss in a Cohiba or something, right?”

“Look, I saw the guy drive away as the house went up” I said.

“And who was that guy, Dex? I mean, you got a name or anything?

Cuz that would really help a lot here.” It might have been that the concussion was spreading, but a terrible numbness seemed to be taking me over. Coulter suspected something, and even though I was relatively innocent in this case, any kind of investigation was bound to have uncomfortable results for Dexter. His eyes had not left my face, and he had not blinked, and I had to tell him something, but even with a minor concussion I knew that I could not give him Weiss's name. I, it —the car was registered to Kenneth Wimble” I said tentatively.

Coulter nodded. “Same guy owns the house” he said.

“Yes, that's right.”

He kept nodding mechanically as if that made sense and said, “Sure. So you figure Wimble ties up this guy —in his own house and then blows up his own house and drives away in his car, like to the summer place in North Carolina, maybe?” Again it occurred to me that there was more to this man than I had thought there was, and it was not a pleasant realization.

I thought I was dealing with SpongeBob, and he had turned out to be Columbo instead, hiding a much sharper mind than the shabby appearance seemed to allow for. I, who wore a disguise my entire life, had been fooled by a better costume, and looking at the gleam of previously hidden intelligence in Coulter's eyes, I realized that Dexter was in danger. This was going to call for a great deal of skill and cleverness, and even then I was no longer sure it would be enough.

I don't know where he went” I said, which was not a great start, but it was all I could come up with.

“Course not. And you don't know who he is, either, right? Cuz you'd tell me if you did.”

“Yes, I would.”

“But you don't have any idea.”

“No.”

“So great, then whyn't you tell me what you were doing here instead?” he said.

And there it was, full circle, back to the real question —and if I answered it right all was forgiven, and if I did not respond in a way that would make my suddenly smart friend happy, there was a very real possibility that he would follow through and derail the Dexter Express. I was waist-deep in the outhouse without a rope, and my brain was throbbing, trying to push through the fog to top form, and failing.

“It's, it's...” I looked down and then far away to my left, searching for the right words for a terrible and embarrassing admission. “She's my sister,” I said at last.

“Who is?” said Coulter.

“Deborah” I said. “Your partner. Deborah Morgan. She's in the ICU because of this guy, and I ...” I trailed off very convincingly and waited to see if he could fill in the blanks, or if the cute remarks had been a coincidence.

I knew that” he admitted. He took another sip of soda and then jammed his finger tip back into the mouth of the bottle and let it dangle again. “So you find this guy how?”

“At the elementary school this morning,” I said. “He was shooting video from his car, and I got the tag. I traced it to here.” Coulter nodded. “Uh-huh” he said. “And instead of telling me, or the lieutenant, or even a school crossing guard, you figure to take him on by yourself.”

“Yes” I said.

“Because she's your sister.”

“I wanted to, you know ...” I said.

“Kill him?” he said, and the words hit me with an icy shock.

“No,” I said. “Just, just...”

“Read him his rights?” said Coulter. “Handcuff him? Ask him some tough questions? Blow up his house?”

“I guess, um” I said, as if reluctantly letting out the ugly truth.

“I wanted to, you know. Rough him up a little.”

“Uh-huh” said Coulter. “And then what?” I shrugged, feeling somewhat like a teenage boy caught with a condom. “Then bring him in” I said.

“Not kill him?” Coulter said, raising one badly trimmed eyebrow.

“No” I said. “How could I, um ...?”

“Not stick a knife in him and say, “This is for what you did to my sister“?”

“Come on, Detective. Me?” And I didn't quite bat my eyes at him, but I did my best to look like the charter member of the Geek Patrol that I was in my secret identity.

Coulter simply stared at me for a long and very uncomfortable minute. Then he shook his head again. I dunno, Dex” he said.

“Doesn't really add up.” I gave him a look of pained confusion, which wasn't entirely acting. “What do you mean?” I said.

He took another swig of soda. “You always play by the rules” he said. “Your sister's a cop. Your dad was a cop. You never get in any kind of trouble, ever. Mister Boy Scout. And now you decide you're Rambo?” He made a face as if somebody had put garlic in his Mountain Dew. “Am I missing something? You know, something that makes sense?”

“She's my sister” I said, and it sounded incredibly feeble, even to me.

“Yeah, I got that already” he said. “You got nothing else?” I felt trapped in slow motion while large and ponderous things whizzed past me. My head throbbed and my tongue was too thick,

and all my legendary cleverness had deserted me. Coulter watched me as I numbly and painfully shook my head, and I thought, This is a very dangerous man. But out loud, all I could manage was, “I'm sorry.” He looked at me for just a moment longer, then turned away. I think maybe Doakes was right about you” he said, and then he walked across the street to talk to the fire-fighters.

Well. The mention of Doakes was the perfect end to an absolutely enchanting conversation. I barely stopped myself from shaking my head again, but the temptation was strong, because it seemed to me that what had been a sane and well-ordered universe just a few days ago was suddenly beginning to spin wildly out of control. First I walk into a trap and nearly turn into the Inhuman Torch, and then a man I had regarded as a foot soldier in the war against intelligence turned out to be far deeper than I had known —and to top it off, he was apparently in league with the last few living pieces of my nemesis, Sergeant Doakes, and he seemed very likely to take up where Doakes had left off, in the pursuit of poor persecuted Dexter.

Where would this end?

If this was not bad enough —which, frankly, I thought it was I was still in terrible danger from Weiss and whatever his plan of attack might be.

All in all, it occurred to me that this would be a very good time to be somebody else. Unfortunately, that was a trick I had so far failed to master. With nothing else to do except ponder the almost certain doom headed toward me at such terrible speed from so many different directions, I walked down the block to my car. And of course, because apparently I had not suffered nearly enough, a slim and ghostly figure came off the curb and glided into step beside me.

“You were here when this happened” said Israel Salguero.

“Yes” I said, wondering if next a satellite would fall from orbit and onto my head.

He was silent for a moment and then he stopped walking, and I turned to face him. “You know I am not investigating you” he said.

I thought that was very nice to hear, but considering how things had gone the last few hours I thought it would be best just to nod, so I did.

“But apparently what happened here is connected to the incident involving your sister, and that I am investigating” he said, and I was glad I hadn't said anything. So glad, in fact, that I decided that silence would be a good policy to continue.

“You know that one of the most important things I am charged to uncover is any kind of vigilante activity on the part of any of our officers” he said.

“Yes” I said. Only one word, after all.

He nodded. He still had not taken his eyes off my face.

“Your sister has a very promising career ahead of her” he said.

“It would be a very great shame if something like this hurt her.”

“She's still unconscious” I said. “She hasn't done anything.”

“No, she hasn't done anything” he said. “What about you?” I just tried to find the guy who stabbed her” I said. I didn't do anything wrong.”

“Of course” he said. He waited for me to say something else, but I didn't and so after what seemed like several weeks, he smiled and patted my arm and walked away across the street to where Coulter was standing and swigging from his Mountain Dew bottle.

I watched as the two of them spoke, turned to face me, and then turned away again to look at the smouldering house.

Thinking that this afternoon couldn't possibly get any better, I turned and trudged to my car. The windshield was cracked from a flying piece of house.

I managed not to burst into tears. I got in and drove home, peering through the cracked glass and listening to my head throb.

TWENTY-FOUR

IN THE MIDDLE OF THE NIGHT I WOKE UP AND THOUGHT, BUT what does he want? I don't know why I hadn't asked that question before, and I don't know why it came to me now, lying in my comfy bed next to a gently snoring Rita. But there it was —it was bobbling around on the surface of Lake Dexter now, and I had to do something with it. The inside of my head still felt stiff, as if it was packed with wet sand, and for several minutes I lay there unable to do anything with my thought except to repeat it: what does he want?

What did Weiss want? He was not simply feeding a Passenger of his own, I was reasonably sure of that. I had felt no sympathy twinges from my own anywhere near either Weiss or his handiwork, which ordinarily I would, in the presence of another Presence.

And the way he went about it, starting with already dead bodies instead of creating his own —until he had killed Deutsch —argued that he was after something altogether different.

But what? He made videos of the bodies. He made videos of people looking at the bodies. And he had made a video of me at play —unique footage, yes, but it all added up to nothing that made any sense to me. Where was the fun in all that? I saw none and that made it impossible for me to get inside Weiss's head and figure him out. With normal, well-adjusted psychopaths who killed because they must and took a simple, honest pleasure from their work, I never had that problem. I understood them all too well, since I was one. But with Weiss, there was no point of contact, no place to feel empathy, and because of that I had no idea of where he would go or what he would do next. I had a very bad feeling that whatever it was, I would not like it —but I had no feeling at all of what it would be, and I didn't like that at all.

I lay there in bed for a while thinking about it —or trying to think about it, since the good ship Dexter was clearly not yet ready to raise full steam. Nothing came to me. I didn't know what he wanted.

I didn't know what he would do next. Coulter was out to get me. So was Salguero, and of course, Doakes had never given up. Debs was still in a coma.

On the plus side, Rita had made me some very good soup. She was really very good to me —she deserved better, even though she clearly didn't know that. She thought she had everything, apparently, between me, the children, and our recent trip to Paris. And although she did, in fact, have these things, none of them remotely resembled what she thought they were. She was like a mother lamb in a wolf pack, and she only saw white fluffy wool all around her when in fact the pack was licking its lips and waiting for her to turn her back. Dexter, Cody and Astor were monsters. And Paris —well, they did actually speak French there, just as she had hoped. But Paris had proved to have its own unique kind of monster, too, as our wonderful interval at the art gallery had proved. What was it called? “Jennifer's Leg.” Very interesting; after all my years of toiling in the fields it was still possible for me to see something that surprised me, and for that reason I felt a certain warmth for Paris nowadays.

Between Jennifer and her leg, and Rita's eccentric performance, and whatever it was that Weiss was doing, life was just full of surprises lately, and they all boiled down to one thing: people really deserve whatever happens to them, don't they?

It may not do me very much credit, but I found this thought very comforting, and I drifted back to sleep soon after.

The next morning my head had cleared a great deal; whether it was from Rita's attentions or just my naturally chipper metabolism, I couldn't say. In any case, I jumped out of bed with a fully functioning and powerfully effective brain at my service once again, which was all to the good.

The down side to that, however, was that any effective brain, realizing it was in the situation in which I found myself, would also find itself fighting down a very strong urge to panic, pack a bag, and run for the border. But even with my mental powers in high gear, I could not think of a border that would protect me from the mess I was in.

Still, life gives us very few real choices, and most of them are awful, so I headed for work, determined to track down Weiss, and not to rest until I had him. I still did not understand him, or what he was doing, but that did not mean I couldn't find him. No, indeed; Dexter was part bloodhound and part bulldog, and when he is on your trail you might as well give up and save us all time and bother.

I wondered if there was a way to get that message to Weiss.

I got to work a little bit early and so managed to grab a cup of coffee that almost tasted like coffee. I took it to my desk, sat at the computer, and got down to work. Or to be perfectly accurate, I got down to staring at my computer screen and trying to think of the right way to go to work. I had used up most of my clues already and felt like I was at something of a dead end —and not the kind I usually enjoy, either. Weiss had stayed one step ahead of me, and I had to admit that he could be anywhere now; holed up somewhere nearby or even back in Canada, there was no way to know. And although I had thought my brain was fully functional once again, it was offering me no way to find out.

I tried to organize what I knew, and found that I did not know enough to organize. Where could he be? I don't know, anywhere, I guess. What would he do next? I don't know, almost anything.

What did he want? We'd already beaten our head against that one in the night, and sitting in my cubicle offered me no new insight.

I had exhausted all the obvious lines to explore on the Internet, and I had watched myself on YouTube more often than modesty would really permit.

Far away, on top of an ice-covered peak in the distant skyline of Dexter's mind, a signal flag rose up the pole and fluttered in the wind. I stared across the distance, trying to read the signal, and finally I got it: “Five!” it said. I blinked against the glare and read it again. “Five.”

A lovely number, five. I tried to remember if it was a prime number, and discovered I could not recall what that meant. But it was a very welcome number right now, because I had remembered why it was important, prime or not.

There were five videos on Weiss's YouTube page. One each for the sites where Weiss had left his modified bodies, one of Dexter at play ... and one more that I had been about to watch when Vince clattered in and called me away to work. It could not be another “New Miami” commercial featuring Deutsch's body, because Weiss had still been filming that when I arrived at the crime scene. So it showed something else. And although I did not really expect it to tell me how to get to Weiss, it would almost certainly tell me something I did not know.

I grabbed my mouse and eagerly drove to YouTube, then clicked through to the New Miami page. It was unchanged, the orange background still lighting up the screen behind the blazing letters.

And on the right side were the five videos, neatly lined up in a thumbnail gallery, just as I remembered them.

Number five, the last one down, showed no picture in its box, just an area of blurry darkness. I moved the cursor over it and clicked. For a moment nothing happened; then a thick white line pulsed across the screen from left to right, and there was a blare of trumpets that was oddly familiar. And then a face appeared on the screen —Doncevic, smiling, his hair puffed out, and a voice began to sing, “Here's the story ...” and I realized why it sounded familiar.

It was the opening to The Brady Bunch.

The horribly cheerful music bumped out at me and I watched as the voice warbled, “Here's the story, of a guy named Alex, who was lonely, bored, and looking —for a change.” Then the first three arranged corpses appeared to the left of Doncevic's happy face. He looked up at them and smiled as the song went on. They even smiled back, thanks to the plastic masks glued on to their faces.

The white line slid across the screen again, and the voice went on. “It's the story, of a guy named Brandon, who had time of his own on his hands.” A picture of a man's face appeared in the middle Weiss?

He was thirty or so, about the same age as Doncevic, but he was not smiling as the song continued. “They were two guys living all together, until suddenly Brandon was alone.” Three boxes appeared on the right side of the screen, and in each one a dark and blurry frame appeared that was just as familiar as the song, but in a very slightly different way: these were three action shots lifted from the film of Dexter at play.

The first showed Doncevic's body dumped in the tub. The second showed Dexter's arm raising the saw up, and the third was the saw slashing down on Doncevic. All three were short, two second loops that repeated, over and over, as the song lurched on.

From the middle box Weiss looked on as the voice sang, “Until one day Brandon Weiss will get this fellow, and I promise he will not be saved by luck. There is nothing you can do to escape me.

Because you have made me a crazy fuck.” The cheerful tune crashed on as Weiss sang, “A crazy fuck. A crazy fuck. When you killed Alex —I became —a crazy fuck.” But then, instead of a happy smile and dissolve to the first commercial, Weiss's face swelled up to fill the whole screen and he said, I loved Alex, and you took him away from me, just when we were getting started. In a way it's very funny, because he was the one who said we shouldn't kill anybody. I thought it would have been ... truer.” He made a face and said, “Is that a word?” He gave a short and bitter laugh and went on. “Alex came up with the idea of taking bodies from the morgue, so we didn't have to kill anybody.

And when you took him, you took away the only thing that stopped me from killing.”

For a moment he just stared at the camera. Then, very softly, he said, “Thank you. You're right. It's fun. I'm going to do it some more.” He gave a kind of twisted smile, as if he found something funny but didn't feel like laughing. “You know, I kind of admire you.” Then the screen went black.

When I was much younger I used to feel cheated by my lack of human feelings. I could see the huge barrier between me and humanity, a wall built of feelings I would never feel, and I resented it very much. But one of those feelings was guilt —one of the most common and powerful, in fact —and as I realized that Weiss was telling me I had turned him loose as a killer, I also realized that I really ought to feel a little guilt, and I was very grateful that I did not.

Instead of guilt, what I felt was relief. Chilled waves of it, pulsing through me and snapping the tension that had been winding itself tighter and tighter inside me. I was well and truly relieved —because now I knew what he wanted. He wanted me. It had not been said out loud, but it was there: the next time it will be you and yours. And following the relief came a sense of cold urgency, a slow spreading and flexing of dark interior talons as the Dark Passenger caught the challenge in Weiss's voice and responded in kind.

This was a great relief, too. Up until now the Passenger had been silent, having nothing at all to say about borrowed bodies, even when they were converted into patio furniture or gift baskets. But now there was menace, another predator sniffing down our back trail and threatening a territory we had already marked. And this was a challenge we could not allow, not for a moment. Weiss had served notice that he was coming —and finally, at last, the Passenger was rising from its nap and polishing its teeth. We would be ready.

But ready for what? I did not believe for a moment that Weiss would run away, that was not even a question. So what would he do?

The Passenger hissed an answer, an obvious one, but I felt its Tightness because it was what we would have done. And Weiss had as much as told me himself: I loved Alex and you took him away ...” So he would go after someone close to me. And by leaving the photo on Deutsch's body he had even told me who. It would be Cody and Astor, because that would hit me the same way I had hit him —and it would also bring me to him, and on his terms.

But how would he do it? That was the big question —and it seemed to me that the answer was fairly obvious. So far Weiss had been very straightforward —there is nothing terribly subtle about blowing up a house. I had to believe that he would move quickly, when he felt the odds favored him most. And since I knew he had been watching me, I had to assume he knew my daily routine —and the routine the children followed. They would be most vulnerable when Rita picked them up from school, coming out of a secure environment and into anything goes Miami. I would be far away at work, and he could certainly overcome one relatively frail and unsuspecting woman to grab at least one of the kids.

So what I had to do was get into position first, before Weiss, and watch for him to arrive. It was a simple plan, and not without risk I might well be wrong. But the Passenger was hissing agreement, and it is rarely wrong, so I resolved to leave work early, right after lunch, and get into position at the elementary school to intercept Weiss.

And once again, as I gathered myself for a great leap at the jugular vein of the impending foe —my telephone rang.

“Hey, buddy,” Kyle Chutsky said. “She's awake, and she's asking for you.”

TWENTY-SIX

The Golden Lakes area went boldly against the unwritten law of Miami real estate; in spite of the fact that the word “lakes” was in its name, there were actually several lakes in the area, and one of them butted up against the far side of the school's playground. In truth, it did not look terribly golden to me, more of a milky green, but there was no denying that it was actually a lake, or at least a large pond. Still, I could appreciate the difficulty of trying to sell an area called, “Milky Green Pond', so perhaps the developers had known what they were doing after all, which would be yet another violation of custom.

I got to Golden Lakes well before school was over for the day, and I drove around the perimeter a couple of times, looking for a likely place for Weiss. There was none. The road on the east side ended where the lake came up almost to one side of the fence. And the fence was the tall chain-link variety and it went all around the school without a break, even on the lake side —just in case a hostile frog tried to get on the grounds, I'm sure. Almost to the spot where the side road ended at the lake, there was a gate in the fence at the far side of the playing field, but it was securely closed with a chain and a large padlock.

Other than that, the only way through the fence was in front of the school, and it was blocked by a guard booth, with a police car parked beside it. Try to get through during school hours and the guard or the cop would stop you. Try to get through during dropoff or pick-up and hundreds of teachers, moms, and crossing guards would stop you, or at least make things too difficult and chancy for comfort.

So the obvious answer for Weiss was to get in position early.

And I had to figure out where. I put my Dark Thoughts Thinking Cap on and went slowly around the perimeter one more time. If I wanted to grab somebody from the school, how would I do it?

First, it would have to be going in or coming out, since it would too hard to breach school security in the middle of class. And that meant at the front gate —which is, naturally enough, why all the security was there, everything from the cop on duty to the very mean shop teacher.

Of course, if you could somehow get inside the fence first, and strike while all the security was focused at the front gate, that would make things much easier. But to do that, you would have to come through the fence, or over it, at a spot where you were not likely to be noticed —or at a spot where you could be inside the school quickly enough that it wouldn't matter if you were seen.

As far as I could tell, there was no such spot. I drove around the perimeter one more time; nothing. The fence was set well back from the buildings on all sides except the front. The one apparent weak spot was at the pond. There was a clump of pine trees and scrub brush between the pond and the fence, but the whole thing was too far from the school's buildings. You could never get over the fence and across the field without being extremely visible.

And I could not drive around again without raising suspicion.

I nosed the car onto a street off to the south side of the school, parked, and thought about it. All my keen reasoning led me to believe that Weiss would try to get the kids here, this afternoon, and this icy impeccable logic was seconded by a hot and inarguable blast of certainty from the Passenger. But how? From where I sat I looked out at the school, and I had a very strong sense that somewhere nearby Weiss was doing the same thing. But he would not simply bust through the fence and hope he got lucky. He had been watching, making note of the details, and he would have a plan. And I had about half an hour now to figure out what that plan was and come up with a way to stop it.

I looked diagonally at the clump of trees by the lake. It was the only place where there was any kind of cover. But so what, if that cover vanished at the fence? Then something caught my eye just to the left, and I turned to look.

A white van pulled up and parked by the padlocked gate and a figure got out, wearing a lime green shirt with matching cap and carrying a tool box, very visible even from far away. The figure walked to the gate, set down the tool box, and knelt down at the chain.

Of course. The best way to be invisible is to be completely, obviously visible. I am scenery; I belong here. I am just here to fix the fence, and there is no need to look at me at all, ha ha.

I started the car. Moving slowly back around the perimeter, keeping my eye on that bright green blob, I felt the cold wings unfold in me. I had him —right where he was supposed to be. But of course, I couldn't just park and jump out; I would have to approach cautiously, assuming he knew what my car looked like, taking for granted that he would have both eyes wide open and watching for the possibility of Dexter.

So slow down, think this through; don't simply count on the dark wings to carry you over all obstacles. Look carefully, and notice things: like, Weiss had his back to the van —and the van was parked sideways, nose in to the fence, blocking off the view of the pond.

Because obviously nothing could come at him from that side.

Which naturally meant that Dexter would.

Driving slowly and taking great care not to attract any attention, I turned the car around and headed back to the south side of the school grounds. I followed the fence to the end, where the road ended and the pond began. I parked at the very end of the road in front of the metal barricade, invisible to Weiss at the padlocked gate, and got out. I moved quickly to the narrow path between the lake and the fence and hurried forward.

From the distant school building the bell rang. School was over for the day and Weiss would have to make his move now. I could see him, still kneeling at the padlock. I didn't see the large handles of a bolt cutter sticking up, and it would take him a few minutes either to pick the lock or cut it. But once inside he could simply move along the fence leisurely, pretending to inspect the chain link.

I reached the edge of the clump of trees and hurried through.

I stepped carefully over small heaps of garbage —beer cans, plastic soda bottles, chicken bones and other less pleasant objects —and came to the far end, pausing only for a moment at the last tree to make sure that Weiss was still there, fiddling with the lock. The van was in the way and I could not see him, but as far as I could tell the gate was still closed. I took a deep breath, drawing in the darkness and letting it flow through me, and then I stepped out into the bright sun.

I moved to the right, almost at a run, to come at him from the rear, around the back end of the van. Silently, carefully, feeling the stretch of dark wings all around me, I crossed the space to the van, came around the back end and paused as I saw the figure kneeling by the gate.

He looked back over his shoulder and saw me. “Whus hapnin'” the man said. He was about fifty, black, and very definitely not Weiss.

“Oh” I said, with my usual wit. “Hello.”

“Damn kids put superglue in the lock” he said, turning back around to face the lock.

“What were they thinking?” I said politely. But I never got to find out what they were thinking, because far away across the field, in the street in front of the main gate, I heard the sound of car horns, followed by the crunch of metal. And much closer at hand, actually inside my head, in fact, I heard a voice hissing, Stupid! And without pausing to wonder how I knew that the accident had been Weiss ramming Rita, I jumped up onto the fence, hooked myself over to the other side, and took off at a run across the playing field.

“Hey!” the man at the lock called, but for once I did not mind my manners and wait to hear what he had to say.

Of course Weiss would not cut the lock —he didn't need to. Of course he didn't have to get into the school and try to outwit or overcome hundreds of wary teachers and savage children. All he had to do was wait outside in the traffic, like a shark swimming the edge of the reef and waiting for Nemo to swim out. Of course.

I ran hard. The field seemed a little uneven, but it was all short and well-kept grass and I was able to hit a very good pace. I was just congratulating myself on being in good enough shape to stay at top speed when I raised my eyes for a moment to see what was going on. It was not a good idea; my foot caught on something almost instantly and I pitched face forward at a really wonderful velocity. I tucked into a ball and rolled through a somersault and a half before I flopped out flat on my back on top of something lumpy.

I jumped up and took off running again, with a slight limp from a twisted ankle, and a vague picture of a fire ant mound, now flattened by my human cannonball act.

Closer now; voices raised in alarm and panic from the street and then a scream of pain. I could see nothing but a jumble of cars and a clot of people straining forward to look at something in the middle of the road. I went through the small gate in the fence, onto the sidewalk and around to the front of the school. I had to slow down to work my way through the crowd of kids, teachers and parents, clustered at the pick-up spot at the front door, but I pushed through as quickly as I could and on out into the street. I moved back up to a run to cover the last 150 feet or so, to where traffic had stopped and coalesced around two cars that had come together in an untidy clump. One of them was Weiss's bronze-colored Honda.

The other car was Rita's.

There was no sign of Weiss. But Rita herself leaned against the front bumper of her car with a look of numb shock on her face, holding Cody by one hand and Astor by the other. Seeing them all together, safe and sound, I slowed to a walk for the last few paces.

She looked at me with no change in expression. “Dexter” she said.

“What are you doing here?” I was just in the neighborhood” I said. “Ouch.” And the ouch was not mere random cleverness: all across my back a hundred fire ants I had apparently picked up when I fell bit me at the same time as if by some telepathic signal. “Is everyone all right?” I said, pulling frantically to get my shirt off.

I pulled the shirt over my head to see the three of them staring at me with a look of mildly annoyed concern. “Are you okay?” Astor said. “Because you just took your shirt off in the middle of the street.”

“Fire ants” I said. “All over my back.” I slapped at my back with the shirt, which did no good at all.

“A man rammed us with his car” Rita said. “And he tried to grab the children.”

“Yes, I know” I said, twisting myself into shapes a pretzel would envy as I tried to get at the fire ants.

“What do you mean, you know?” Rita said.

“He got away” a voice said behind us. “Moved pretty fast, considering.” I turned in mid-ant slap to see a uniformed cop, panting from his apparent chase of Weiss. He was a youngish guy, rather fit looking, and his name tag said Lear. He had stopped and was staring at me. “This isn't clothing optional here, pal” he said.

“Fire ants,” I said. “Rita, could you give me a hand, please?”

“You know this guy?” the cop asked Rita.

“My husband” she said, and she let go of the children's hands, somewhat reluctantly, and began to slap at my back.

“Well” Lear said, “anyway, the guy got away. He ran clear over to US 1 and headed for the strip malls. I called it in, they'll do a BOLO, but ...” He shrugged. “Gotta say he ran pretty good for having a pencil stuck in his leg.”

“My pencil” Cody said with his strange and very rare smile.

“and I punched him really hard in the crotch” Astor said.

I looked down at the two of them through my red cloud of ant bite pain. They looked so smug and pleased with themselves; and to be honest, I was very pleased with them, too. Weiss had done his worst —and theirs was just a bit worse. My little predators. It was almost enough to stop the ant bites from hurting. But only almost especially since Rita was smacking the bites as well as the ants, causing added pain.

“Got yourself a couple of real scouts here” Officer Lear said, looking at Cody and Astor with an expression of slightly worried approval.

“Just Cody” Astor said. “And he's only been to one meeting.” Officer Lear opened his mouth, realized he had nothing to say, and closed it again. He turned to me instead and said, “The tow truck will be here in a couple of minutes. And EMS will want to take a look, just to make sure everybody's okay”

“We're okay,” said Astor.

“So,” Lear went on, “if you wanna stay with your family, I can maybe get this traffic going?” I think that will be all right” I said. Lear looked at Rita and raised an eyebrow, and she nodded.

“Yes” she said. “Of course.”

“All right” he said. “The Feds will probably want to talk to you.

I mean, about the attempted kidnapping.”

“Oh my God” Rita said, as if hearing that word made it all real.

I think the guy was just a random crazy” I said hopefully. After all, I already had enough trouble without the FBI looking into my family life.

Lear was not impressed. He looked at me very sternly. “It's kidnapping,” he said. “With your kids.” He stared at me for a moment to make sure I knew that word, then turned and waggled his finger at Rita. “Make sure you all see the EMS people.” He looked back at me with no expression. “And maybe you better get dressed, all right?” And then he turned and stepped out into the street and began to wave at the cars in an attempt to get traffic moving again.

I think I got them all” Rita said with a last slap at my back. “Give me your shirt.” She took it, shook it out vigorously, and handed it back to me. “Here, you better put this back on” she said, and although I could not imagine why all of Miami was suddenly so obsessed with fighting partial nudity, I put the shirt back on, after looking suspiciously inside for any lingering fire ants.

When I poked my head out of the shirt and into the daylight again, Rita had already grabbed Cody and Astor by the hand again.

“Dexter,” she said. Tou said —how could you, I mean ... Why are you here?”

I was not sure how little I could tell her and still answer satisfactorily, and unfortunately, I didn't think I could just clutch at my head and moan again -1 was pretty sure I'd worn that out yesterday.

And to say that the Passenger and I had agreed that Weiss would come here and take the children because that's what we would have done in his place probably would not go down well, either. So I decided to try a rather diluted version of the truth. “It, ah —it's this guy who blew up the house yesterday,” I said. I just had a hunch that he might try again.” Rita just looked at me. I mean, to grab the kids as a way to get at me.”

“But you're not even a real policeman” Rita said with a certain amount of outrage in her voice, as if somebody had broken a basic rule. “Why would he try to get at you?” It was a good point, particularly since in her world —and generally speaking, in my world, too —blood spatter experts don't end up in blood feuds. I think it's about Deborah” I said. After all, she was a real policeman, and she wasn't here to contradict me. “It's somebody she was after when she got stabbed and I was there.”

“And so now he tries to hurt my children?” she said. “Because Deborah tried to arrest him?”

“That's the criminal mind” I said. “It doesn't work like yours.” Of course, it actually did work like mine, and right now the criminal mind was working on a thought about what Weiss might have left behind in his car. He had not expected to flee on foot —it was quite possible that there was some kind of hint in the car about where he would go and what his next move would be. And more —there might be some kind of horrible clue that pointed a blood-soaked finger in my direction. With that thought, I realized I needed to go through his car now, while Lear was busy and before any other cops arrived on the scene.

Seeing that Rita was still looking at me expectantly, I said, “He's crazy. We may never really understand what he's thinking.” She looked nearly convinced, so in the belief that a quick exit was often the most convincing argument, I nodded at Weiss's car. I should probably see if he left anything important. Before the tow truck gets here.” And I stepped around the hood of Rita's car and up to the front door of Weiss's, which was hanging open.

The front seat held the usual assortment of car garbage. Gum wrappers littered the floor, a water bottle lay on the seat, an ash tray held a handful of quarters for tolls. No butcher knives, bone saws, or bombs; nothing interesting at all. I was just about to slide into the car and open the glove compartment when I noticed a large notebook on the back seat. It was an artist's sketch book, with the edges of several loose pages sticking out, all held together with a large rubber band, and as I saw it the voice in the back of Dexter's Dark Room called out, Bingo!

I stepped out of the car and tried to open the back door. It was jammed shut, dented in from impact with Rita's car. So I knelt on the front seat and leaned over, grabbing the notebook and pulling it out. A siren wailed nearby, and I stepped away from Weiss's car and moved over next to Rita, clutching the book to my chest.

“What is it?” she said.

I don't know” I said. “Let's have a look.” And thinking only innocent thoughts I removed the rubber band.

A loose page fluttered to the ground and Astor pounced on it.

“Dexter” she said. “This looks just like you.”

“That's not possible” I said, taking the page from her hand.

But it was possible. It was a nice drawing, very well done, showing a man from the waist up, in a kind of mock-heroic Rambo-esque pose, holding a large knife that dripped blood, and there was no doubt about it.

It was me.

TWENTY-EIGHT

Detective Coulter came around the rear end of his car and paused, looked at me, and then went back to the driver's side of his car and disappeared for a moment.

I used the time to slip the notebook under my seat, and Coulter popped right back up and again came around the tail end of the car, this time with his two-liter bottle of Mountain Dew in one hand. He leaned his backside against his car, looked at me, and took a large sip of soda. Then he wiped his mouth on the back of his arm.

“You weren't in your office” he said.

“No, I wasn't” I said. After all, here I was.

“So when the call comes on the radio, it's your wife, I look in to tell you” he said, and he shrugged. “You're not there. You're here already, right?” He didn't wait for an answer, which was just as well, since I didn't have one. Instead he took another swig from his soda bottle, wiped his mouth again, and said, “Same school where we got that Scout leader guy, too, huh?”

“That's right.”

“But you were already here when it happened?” he said, trying to look innocently surprised. “How'd that happen, anyway?” I was very sure that telling Coulter I'd had a hunch would not make him want to shake my hand and congratulate me. So, launching myself off my legendary wit once again, I heard myself saying, “I thought I'd come down and surprise Rita and the kids.” Coulter nodded as if he found that very believable. “Surprise “em” he said. “Guess somebody else beat you to it.”

“Yes” I said carefully. “It certainly looks like it.” He took another long pull on the soda bottle, but this time he didn't wipe his mouth, he just turned and stared back at the main road where the tow truck was now hauling away Weiss's car. “You got any idea who that might have been that did this to your wife and kids?” he said without looking back at me.

“No” I said. I guess I just assumed it was, you know. An accident?”

“Huh” he said, and now he was staring at me. “An accident. Jeez, I hadn't even thought of that one. “Cause, you know. It's the same school where that Cub Scout guy was killed. And also it's you here again. So, hey. An accident. Really? You think?” I, I just —why wouldn't it be?” I have practiced for a lifetime, and my expression of surprise is certainly a very good one, but Coulter didn't look terribly convinced.

“This guy Donkey wit” he said.

“Doncevic” I said.

“Whatever.” He shrugged. “Looks like he's disappeared. You know anything about that?”

“Why would I know about that?” I said, putting as much astonishment on my face as I could.

“Just skipped bail, run away from his boyfriend, and disappeared,” he said. “Why would he do that?” I really don't know” I said.

“You ever read, Dexter?” he said, and the way he used my first name worried me —it sounded like he was talking to a suspect. And of course he was, but I was still hoping he wouldn't think of me that way.

“Read?” I said. “Um, not a whole lot, no. Why?” I like to read” he said. And then apparently shifting gears he went on, “Once is happenstance, twice is coincidence, three times is enemy action.”

“Excuse me?” I said. He had lost me somewhere around “I like to read“.

“It's from Goldfinger,” he said. “Where he's telling James Bond, I come across you three times where you don't belong, it ain't a coincidence.” He sipped, wiped his mouth, and watched me sweat.

“Love that book. Must of read it like three, four times” he said.

I haven't read it” I said politely.

“So, we got you here” he went on. “And we got you at the house that blows up. And that's two times we shouldn't have you anywhere around. Am I s'posed to think that's coincidence?”

“What else would it be?” I said.

He just looked without blinking. Then he took another sip of his Mountain Dew. I don't know” he said at last. “But I know what Goldfinger would say it is if there's a third time.”

“Well, let's hope there isn't” I said, and I truly meant it this time.

“Yeah” he said. He nodded, stuck his index finger into the mouth of the soda bottle, and stood up. “Let's just hope the shit out of that” he said. He turned away, walked back around his car, got in, and drove away.

If I had been a little bit more of a fond observer of human foible, I'm sure I would have taken great joy in discovering new depths in Detective Coulter. How wonderful to find that he was a devotee of the literary arts! But the joy of this discovery was diminished by the fact that I really had no interest in what Coulter did with his time, provided he did it away from me. I had barely gotten Sergeant Doakes off perpetual Dexter watch, and now here came Coulter to take his place. It was like I was the victim of some strange and sinister Dexter-persecuting Tibetan sect —whenever the old Dexter-hating lama died, a new one was born to take his place.

But there was very little I could do about that right now. I was about to become a major work of art, and at the moment that was a far more pressing problem. I got into my car, started the engine, and drove home.

When I got to the house I had to stand outside and knock for several minutes, since Rita had decided to fasten the security chain on the inside of the door. I suppose I was lucky that she had not piled the couch and the refrigerator in front of the door as well.

Possibly that was only because she needed to use the couch; she was huddled on it with the two children clutched tightly to her, one on each side, and after letting me in —somewhat reluctantly —she resumed her position, throwing a protective arm around each child.

Cody and Astor had almost identical looks of annoyed boredom on their faces. Apparently, cringing in terror in the living room was not the sort of quality bonding time they truly appreciated.

“You took so long” Rita said as she slid the chain back on the door.

I had to talk to a detective” I said.

“Well, but” she said, sliding back onto the couch between the children. I mean, we were worried.”

“We weren't worried” Astor said, rolling her eyes at her mother.

“Because I mean, that man could be anywhere right now” Rita said. “He could be right outside, right now.” And even though none of us really believed that —not even Rita —all four of us swivelled our heads to the door for a look. Happily for us, he wasn't there, at least not as far as we could tell by trying to look through a closed and locked door. “Please, Dexter” Rita said, and the edge of fear was so sharp in her voice I could smell it. “Please, this is —what is ... why is this happening? I can't...” She made several large but incomplete motions with her hands and then dropped them into her lap. “This has to stop” she said. “Make it stop.” In all honesty, I could only think of a few things I would rather do than make it stop —and several of those things could easily be part of making it stop, just as soon as I caught Weiss. But before I could really concentrate on making happy plans, the doorbell rang.

Rita responded by lurching up into the air and then settling back down again with one child pulled in tight on each side of her. “Oh God” she said. “Who could that be?” I was pretty sure it was not a Mormon youth ministry, but I just said, “I'll get it” and went to the door. Just to be safe, I peaked through the little spy hole —Mormons can be so persistent —and what I saw was even scarier.

Sergeant Doakes stood on my doorstep.

He was clutching the little silver computer that now spoke for him, and at his elbow was a clean-cut middle-aged woman in a grey suit, and even though she was not wearing a fedora I was reasonably sure she was the fed I had been threatened with.

Looking at the two of them and thinking of all the trouble they might represent, I actually considered leaving the door bolted and pretending we weren't home. But it was an idle thought; I have found that the faster you run from trouble, the quicker it catches you, and I was quite sure that if I did not let in Doakes and his new friend they would be right back with a warrant, and probably Coulter and Salguero as well. So, thinking unhappy thoughts and trying to settle my face into the right mixture of surprise and weary shock, I opened the door.

“Move. It. Motherfucker!” Doakes's cheerful artificial baritone voice called out as he stabbed his claw three times at the keyboard of his little silver box.

The fed put a restraining hand on him, and then glanced back at me. “Mr Morgan?” she said. “Can we come in?” She held up her credentials patiently while I looked at them; apparently, she was Special Agent Brenda Recht of the FBI. “Sergeant Doakes offered to bring me down here to talk to you” she said, and I thought about what a nice thing that was for Doakes to do.

“Of course you can come in” I said, and then I had one of those happy inspirations that sometimes come at just the right time and I added, “But the children have had such a shock —and Sergeant Doakes kind of scares them. Can he wait out here?”

“Motherfucker!” Doakes said, sounding like he was happily calling out, “Howdy, neighbor!”

“Also, his language is a bit rough for the kids” I added.

Special Agent Recht glanced at Doakes. As an FBI agent, she could not admit that anything scared her, even Doakes the cyborg, but she looked like she thought that was a very good idea. “Sure” she said. “Why don't you wait out here, Sergeant?” Doakes glared at me for a very long moment, and in the dark distance I could almost hear the angry scream of his Passenger. But all he did was raise one silver claw, glance at his keyboard, and punch one of his pre-recorded sentences. I am still watching you, motherfucker” the cheerful voice assured me.

“That's fine” I said. “But watch me through the door, all right?” I motioned Recht inside, and as she brushed past Doakes and came in I closed the door behind her, leaving an unblinking Doakes to glare at the outside of the door.

“He doesn't seem to like you” Special Agent Recht observed, and I was impressed with her keen eye for detail.

“No” I said. “I think he blames me for what happened to him” which was at least partly true, even though he had disliked me well before he lost his hands, feet and tongue.

“Uh-huh” she said, and although I could see she was thinking about that, she didn't say anything more on the subject. Instead, she moved on over to the couch, where Rita still sat clutching Cody and Astor. “Mrs Morgan?” she said, holding up her credentials again.

“Special Agent Recht, FBI. Can I ask you a few questions about what happened this afternoon?”

“FBI?” Rita said, as guiltily as if she was sitting on stolen bearer bonds. “But that's —why would —yes, of course.”

“Do you have a gun?” Astor said.

Recht looked at her with a sort of wary fondness. “Yes, I do” she said.

“Do you get to shoot people with it?”

“Only if I have to” Recht said. She glanced around and found the nearby easy chair. “Can I sit down and ask you a few questions?”

“Oh” Rita said. “I'm so sorry. I was only —yes, please sit down.”

Recht settled herself onto the edge of the chair and looked at me before addressing Rita. “Tell me what happened” she said, and when Rita hesitated she went on, “You had the kids in the car, you pulled out onto US-1 ...”

“He just, he came out of nowhere” Rita said.

“Boom” Cody added softly, and I looked at him with surprise.

He was smiling just a little, which was equally alarming. Rita looked at him with dismay, and then went on.

“He hit us” she said. “And while I was still —before I could —he just, he was there at the door, grabbing at the children.” I punched him in the crotch” Astor said. “And Cody stabbed him with a pencil.”

Cody frowned at her. I stabbed first,” he said.

“Whatever” Astor said.

Recht looked at the two of them with mild astonishment. “Good for you both” she said.

“And then the policeman came over and he ran away” Astor said, and Rita nodded.

“And how did you come to be there, Mr Morgan?” she said, swinging her head toward me with no warning.

I had known that she would ask this, of course, but I had still not come up with any really socko answer. My claim to Coulter that I had wanted to surprise Rita had fallen very, very flat, and Special Agent Recht seemed to be considerably sharper —and she was looking at me expectantly as the seconds ticked by, waiting for a sane and logical reply that I did not have. I had to say something, and soon; but what?

“Um” I mumbled, I don't know if you heard I had a concussion ...?”

The interview with Special Agent Brenda Recht of the FBI will never appear on any highlight reel that wants my endorsement. She did not seem to believe that I had gone home early because I felt bad, stopping at the school because it was that time of day —and I can't really say I blamed her. It sounded remarkably feeble, but since it was all I could come up with, I had to stick with it.

She also seemed to have trouble accepting my statement that whoever had attacked Rita and the children was a random maniac, the product of road rage, Miami traffic, and too much Cuban coffee.

She did, however, finally accept that she was not going to get any other answer. She stood up at last, looking at me with an expression that might best be called thoughtful. “All right, Mr Morgan” she said. “Something doesn't quite add up here, but I guess you're not going to tell me what it is.”

“There's really nothing to tell” I said, perhaps too modestly.

“These things happen all the time in Miami.”

“Uh-huh” she said. “The problem is, they seem to be happening around you an awful lot.” Somehow, I stopped myself from saying, “If you only knew ...” and I ushered her to the front door.

“We'll keep a cop posted here for a couple of days, for safety's sake” she said, which was not really welcome news, and with unfortunate timing, as she said it I swung open the door to reveal Sergeant Doakes in almost the exact position we had left him, staring malevolently at the door. I said my fond goodbyes to them both, and as I closed the door the last thing I saw was Doakes's unblinking glare, for all the world like the Cheshire Cat's evil twin.

The FBI's interest had done very little to make Rita feel better, however. She still clutched at the children and spoke in jangled half sentences. So I reassured her the best I could, and for a while we all sat there together on the couch, until finally the squirming of Cody and Astor made it too difficult to sit all together like that. Rita gave up and put on a DVD for them to watch and went into the kitchen, where she began her alternative comfort therapy by rattling pots and pans, and I went down the hall to the small extra room she called “Dexter's Office” to look at Weiss's sketch book again and think dark thoughts.

The list of people who could not be considered friendly was certainly growing: Doakes, Coulter, Salguero, and now the FBI.

And of course, Weiss himself. He was still out there, and he still wanted to get at me to get his revenge. Would he come after the children again, limping out of the shadows to grab them, perhaps wearing Kevlar pants and a groin protector this time? If so, I would have to stay with the kids until it was over, which was not the best way to catch him —especially not if he tried something different.

And if he wanted to kill me, staying with Cody and Astor endangered them; judging by his exploding house trick, he clearly didn't worry about collateral damage.

But I did —I had to. I was worried about the children, and protecting them was a top priority. It was a very strange epiphany, to realize that I was concerned with their safety as much as with protecting my secret identity. It did not fit with how I thought of myself, how I had built up my careful self-image. Of course, I had always taken special delight in tracking down predators who preyed on children, but I had never really thought about why that was. And certainly I planned to do my duty to Cody and Astor, both as their stepfather and, far more importantly, as their guide onto the Harry Path. But to see myself spinning in mother-hen circles at the thought of someone trying to hurt them was new and somewhat unsettling.

So, stopping Weiss was important in a brand new way. I was Daddy Dexter now, and I had to do it for the children, as well as for myself, and I was experiencing a surge of something dangerously close to emotion at the thought of any attempt to harm them.

All right; then I clearly had to figure out Weiss's next move and try to stop him before he could pull it off. I picked up his notebook and flipped through the drawings one more time, perhaps unconsciously hoping I had missed something before —an address where I could find Weiss, perhaps, or even a suicide note. But the pages were still the same, and truthfully the novelty had worn off and I took no real joy in looking at the pictures of me. I have never been all that interested in looking at me, and looking at me in a series of pictures intended to depict me as I really am to the world at large took any possible vestigial joy out of it.

On top of all the other unfairness, it did not really seem to add up to very much at all —certainly not enough to justify all the trouble it was causing me. I suppose I would have objected even if it was the Mona Lisa, if it had my face. And this was very far from being the Mona Lisa. It seemed to have been sketched out idly and then, on the last page, thrown together without any real soul searching.

Of course, the point was to expose me, not to create a great work of art —or was it? I paused and studied several of the detail drawings, the ones depicting the other elements of the display. It may sound self-centered for me to say so since they were competing for space with the pictures of me, but they were really not very interesting. You could probably call them clever, but no more.

They lacked any real originality and seemed rather lifeless —even for dead bodies.

And to be brutally honest, even the pictures of me were something any talented high school kid might have done. They might be projected in huge scale on the front of the Breakers Hotel, but they were not in the same class as anything I had seen so recently in Paris —not even the stuff in the small galleries. Of course, there was that last piece, “Jennifer's Leg'. It had used amateurish videos, too but there the whole point had been the audience's reaction and not the ...

For a moment there was absolute silence in Dexter's brain, a silence so thick it obscured everything else. And then it rolled away to reveal a jabbering little monkey of a thought.

Audience reaction.

If you were interested in the reaction then the quality of the work is not so important, as long as it provokes shock. You would arrange to capture that reaction —for example, on videotape. And perhaps you would use the services of a video professional —someone like, just for example, Kenneth Wimble, whose house Weiss had blown up. It made much more sense to think of Wimble as one of them, rather than a random victim.

And when Weiss had made the jump to full-scale murder, instead of stealing bodies to play with, Wimble had probably gotten squeamish, and Weiss had blown him up in his own house at the same time that he tried to take out irreplaceable me.

But Weiss was still videoing, even without his expert. Because that was what this was about for him. He wanted pictures of people seeing what he had done. More and more he wanted to do it, too with the Scout leader and with Wimble and the attempt on me. But the video, that was what mattered. And he would happily kill to get it.

No wonder the Dark Passenger had been bemused. Ours was very much a hands-on kind of art, and the results were extremely private. Weiss was different. He might want his revenge on me, but he would happily take it indirectly, something the Passenger and I would never consider. To Weiss, the art still mattered. He needed his pictures.

I looked at the last large, full-color rendering of me projected onto the Breakers Hotel. The picture was clearly drawn and you could easily see the basic architecture of the place. The front was U-shaped, with the front door in the center and a wing sticking forward on each side. There was a long mall leading up to the front door, with its rows of royal palm trees, a perfect place for a crowd to gather and gape in horror. Weiss would be there somewhere in the crowd with his camera, getting pictures of the faces.

But as I looked at the picture I realized that even before that, he would want to get a room in one of the wings overlooking the front where the projection was displayed, and he would set up a camera there, something like one of the remote cameras he had used already but this time with a really good lens, to capture the faces of the people watching.

The whole trick would be to stop him before he set things up stop him when he arrived at the hotel. And to do that all I had to do was find out when he checked in. That would be very simple if only I had access to the hotel's records —which I didn't —or knew a way to force my way into them —which I didn't. But as I thought about it, I realized something.

I knew somebody who did.